000			03848nam a22004693i 4500
001			EBC3445333
003			MiAaPQ
005			20240729125924.0
006			m o d |
007			cr cnu||||||||
008			240724s1996 xx o ||||0 eng d
020			_a9780299149437 _q(electronic bk.)
020			_z9780299149444
035			_a(MiAaPQ)EBC3445333
035			_a(Au-PeEL)EBL3445333
035			_a(CaPaEBR)ebr10700289
035			_a(OCoLC)927484451
040			_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ
050		4	_aPN1994
082	0		_a791.43
100	1		_aBordwell, David.
245	1	0	_aPost-Theory : _bReconstructing Film Studies.
250			_a1st ed.
264		1	_aMadison : _bUniversity of Wisconsin Press, _c1996.
264		4	_c©1996.
300			_a1 online resource (584 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	1		_aWisconsin Studies in Film Series
505	0		_aIntro -- Contents -- Contributors -- Introduction -- Part One. State of the Art -- 1. Contemporary Film Studies and the Vicissitudes of Grand Theory (David Bordwell) -- 2. Prospects for Film Theory: A Personal Assessment (Noël Carroll) -- Part Two. Film Theory and Aesthetics -- 3. Psychoanalytic Film Theory and the Problem of the Missing Spectator (Stephen Prince) -- 4. Convention, Construction, and Cinematic Vision (David Bordwell) -- 5. Is a Cognitive Approach to the Avant-garde Cinema Perverse? (James Peterson) -- 6. The Logic and Legacy of Brechtianism (Murray Smith) -- 7. Characterization and Fictional Truth in the Cinema (Paisley Livingston) -- 8. Empathy and (Film) Fiction (Alex Neill) -- 9. Feminist Frameworks for Horror Films (Cynthia A. Freeland) -- 10. Apt Feelings, or Why "Women's Films" Aren't Trivial (Flo Leibowitz) -- 11. Unheard Melodies? A Critique of Psychoanalytic Theories of Film Music (Jeff Smith) -- 12. Film Music and Narrative Agency (Jerrold Levinson) -- 13. Nonfiction Film and Postmodernist Skepticism (Noël Carroll) -- 14. Moving Pictures and the Rhetoric of Nonfiction Film: Two Approaches (Carl Plantinga) -- 15. Film, Reality, and Illusion (Gregory Currie) -- Part Three. Psychology of Film -- 16. The Case for an Ecological Metatheory (Joseph Anderson and Barbara Anderson) -- 17. Movies in the Mind's Eye (Julian Hochberg and Virginia Brooks) -- 18. Notes on Audience Response (Richard J. Gerrig and Deborah A. Prentice) -- Part Four. History and Analysis -- 19. Toward a New Media Economics (Douglas Gomery) -- 20. Columbia Pictures: The Making of a Motion Picture Major, 1930−1943 (Tino Balio) -- 21. "A Brief Romantic Interlude": Dick and Jane Go to 3 1/2 Seconds of the Classical Hollywood Cinema (Richard Malthy) -- 22. The Jazz Singer's Reception in the Media and at the Box Office (Donald Crafton).
505	8		_a23. Jameson and "Global Aesthetics" (Michael Walsh) -- 24. Reconstructing Japanese Film (Donald Kirihara) -- 25. Danish Cinema and the Politics of Recognition (Mette Hjort) -- 26. Whose Apparatus? Problems of Film Exhibition and History (Vance Kepley, Jr.) -- Selected Bibliography -- Index.
588			_aDescription based on publisher supplied metadata and other sources.
590			_aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650		0	_aMotion pictures.
655		4	_aElectronic books.
700	1		_aCarroll, Noel.
776	0	8	_iPrint version: _aBordwell, David _tPost-Theory _dMadison : University of Wisconsin Press,c1996 _z9780299149444
797	2		_aProQuest (Firm)
830		0	_aWisconsin Studies in Film Series
856	4	0	_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=3445333 _zClick to View
999			_c98677 _d98677