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| 001 | EBC3443647 | ||
| 003 | MiAaPQ | ||
| 005 | 20240729125851.0 | ||
| 006 | m o d | | ||
| 007 | cr cnu|||||||| | ||
| 008 | 240724s2013 xx o ||||0 eng d | ||
| 020 |
_a9780292744165 _q(electronic bk.) |
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| 020 | _z9780292744158 | ||
| 035 | _a(MiAaPQ)EBC3443647 | ||
| 035 | _a(Au-PeEL)EBL3443647 | ||
| 035 | _a(CaPaEBR)ebr10656988 | ||
| 035 | _a(OCoLC)827944895 | ||
| 040 |
_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ |
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| 050 | 4 | _aPN1993 | |
| 082 | 0 | _a791.43098 | |
| 100 | 1 | _aTompkins, Cynthia. | |
| 245 | 1 | 0 |
_aExperimental Latin American Cinema : _bHistory and Aesthetics. |
| 250 | _a1st ed. | ||
| 264 | 1 |
_aAustin : _bUniversity of Texas Press, _c2013. |
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| 264 | 4 | _c©2013. | |
| 300 | _a1 online resource (305 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 505 | 0 | _aIntro -- Contents -- Acknowledgments -- Introduction. Mise-en-Scène, a Seemingly International Staging -- Part 1. A Neonoir Skew to the Action-Image -- 1. A Shimmering Suture: Fabián Bielinsky's Epileptic El aura -- 2. Slippery Criminal Pleasures: Intermediality and Voyeurism in Jorge Furtado's O homem que copiava -- 3. Endless Quest: Chasing Sex, Lies, and Money at the Gates of Hell in Heitor Dhalia's O cheiro do ralo -- Part 2. Road Movies -- 4. The Paradoxical Effect of the Documentary: Walter Salles's Central do Brasil -- 5. Twin Piques: The Double Discourse of Carlos Sorín's El camino de San Diego -- 6. Orphans' Solidarity: María Victoria Menis's El cielito -- Part 3. Drama -- 7. Sculpting Time: Inés de Oliveira Cézar's Como pasan las horas -- 8. The Past Engulfs the Present: Josué Méndez's Días de Santiago -- Part 4. Experimental Auteurism -- 9. Whether or Not to End One's Life: Carlos Reygadas's Japón -- 10. Crime and Self-Inflicted Punishment: Carlos Reygadas's Batalla en el cielo -- Part 5. Experimental Auteurism and Intertextuality -- 11. The Miracle of Female Bonding in Patriarchal Society: Carlos Reygadas's Stellet licht (2008) -- 12. Cyclical Scapegoating: Inés de Oliveira Cézar's Extranjera -- 13. The Irrevocable Nature of Curses: Inés de Oliveira Cézar's El recuento de los daños -- 14. Splintered Mirrors, Echoes, and Reverberations: Fernando Pérez Valdés's Madrigal -- Part 6. Experimental Pseudo-Documentary -- 15. Room with a View: Fernando Pérez Valdés's Suite Habana -- 16. Life Is and Is Not: Paz Encina's Hamaca paraguaya -- Conclusion: Possible Futures -- Notes -- Bibliography -- Index. | |
| 520 | _aNo detailed description available for "Experimental Latin American Cinema". | ||
| 588 | _aDescription based on publisher supplied metadata and other sources. | ||
| 590 | _aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
| 650 | 0 | _aExperimental films-Latin America-History and criticism. | |
| 655 | 4 | _aElectronic books. | |
| 776 | 0 | 8 |
_iPrint version: _aTompkins, Cynthia _tExperimental Latin American Cinema _dAustin : University of Texas Press,c2013 _z9780292744158 |
| 797 | 2 | _aProQuest (Firm) | |
| 856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=3443647 _zClick to View |
| 999 |
_c97368 _d97368 |
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