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| 001 | EBC5739286 | ||
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| 008 | 240724s2018 xx o ||||0 eng d | ||
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_a9781838608170 _q(electronic bk.) |
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| 020 | _z9781788313353 | ||
| 035 | _a(MiAaPQ)EBC5739286 | ||
| 035 | _a(Au-PeEL)EBL5739286 | ||
| 035 | _a(OCoLC)1090540833 | ||
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| 050 | 4 | _aPN1992.8.M38 .C664 2018 | |
| 082 | 0 | _a791.45/70811 | |
| 100 | 1 | _aByrne, Katherine. | |
| 245 | 1 | 0 |
_aConflicting Masculinities : _bMen in Television Period Drama. |
| 250 | _a1st ed. | ||
| 264 | 1 |
_aLondon : _bI. B. Tauris & Company, Limited, _c2018. |
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| 264 | 4 | _c©2018. | |
| 300 | _a1 online resource (324 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 490 | 1 | _aLibrary of Gender and Popular Culture Series | |
| 505 | 0 | _aCover -- Half-title -- Title -- Copyright -- Contents -- List of Figures -- List of Contributors -- Acknowledgements -- Series Editors' Foreword -- Introduction -- Conflicted Men -- Men at Work -- Warfare -- The Female Gaze -- Part I. The Seventeenth and Eighteenth Centuries -- 1. The Masculine Economies of Banished -- Introduction -- Masculine Economies -- Violence and Sacrifice -- Banished, Masculinity and Australian History -- Conclusion -- 2. 'I will not fight for my country . . . for my ship . . . my King . . . or Captain': Redefining Imperial Masculinities in To the Ends of the Earth -- Introduction -- Empire, Masculinity and the Sea -- This Ship of Fools is England -- The Sea as a Philosophical and Nightmarish Space -- Masculinity, Sexuality and the Sea -- 'I kill people without knowing it' -- Conclusion -- 3. Television Costume Drama and the Eroticised, Regionalised Body: Poldark and Outlander -- Introduction -- Masculinities and Male Bodies -- Regional Identity and the Body -- Colonised Territory: Looking at the Naked Male Body -- Outlander: Body as Contested Territory -- Conclusion -- 4. Power and Passion: Seventeenth-Century Masculinities Dramatised on the BBC in the Twenty-First Century -- Seventeenth-Century Drama on the BBC -- Coming of Age -- Passion -- Interior and Exterior Masculinities -- Conclusion -- Part II. Visions of the Nineteenth Century -- 5. A Post-Feminist Hero: Sandy Welch's North and South -- 'The Darcy Model': Andrew Davies's Pride and Prejudice -- The Evolution of Post-Feminist Masculinities in the Televised Classic Novel -- Moving Beyond Darcymania: A Hero in His Own Right -- North and South (2004): Thornton's Re-inscription as a Post-Feminist Victorian Hero -- Men as Men: Male Community -- Wounded Masculinity: Male Emotion -- Homosocial Bonding: John Thornton and Nicholas Higgins. | |
| 505 | 8 | _aPost-Feminism and the Father Figure -- Conclusion -- 6. 'Because my daddy would protect them': Ripper Street's Edmund Reid and the Competing Demands of Home and Public Lives -- Losing His Home: Series One and Two -- Regaining His Home: Series Three -- Reid and Neo-Victorian Representations of Masculinity -- Daddy/Detective -- Conclusion -- 7. 'Pleasure and pain, again and again' - Between Monstrosity and Inner Turmoil: The Representation of Masculinity in Penny Dreadful -- Introduction: 'Not a girl's heart. A man's heart' -- 'When you transform a life, you're making it anew': Penny Dreadful and Victorian Gothic -- 'For the monster is not in my face, but in my soul': The Portrayal of Conflicted Gothic Masculinity in Penny Dreadful -- 'You're a very young man. I've long since learnt that the truth is mutable': Troubled Father and Son Relationships -- Conclusion -- 8. Pathological Masculinities: Syphilis and the Medical Profession in The Frankenstein Chronicles -- Monstrous Doctors and the Legacy of Mary Shelley's Frankenstein -- An Unlikely 'Hero': Marlott and Syphilis -- Power and Education -- Changing Masculinities: Sharpe for the New Millennium? -- Conclusion -- Part III. Masculinities from World War I to the Cold War -- 9. 'The war is done. Shut the door on it!': The Great War, Masculinity and Trauma in British Period Television -- Uniforms and Masculine Authority -- Hysterical Men -- The Manly Death, Shirkers and Disabled Bodies -- The Veteran's Anger -- Conclusion: Memorialising Male Sacrifice -- 10. Pride versus Prejudice: Wounded Men, Masculinity and Disability in Downton Abbey -- The Dilemma of Disabled Masculinity -- 'Think of me as dead': Matthew Crawley's Disabled Masculinity -- Disabled Masculinity: The Case of Mr Bates -- Conclusion -- 11. A Minority of Men: The Conscientious Objector in Period Drama. | |
| 505 | 8 | _a'His name is Coward. His name is Shirker': Realism and Melodrama in The Village -- 'Mixed with sour milk': Downton Abbey's Idealistic CO -- 'You're not the man I thought you were': Echoes of World War I in Home Fires and Upstairs, Downstairs -- Conclusion -- 12. Cads, Cowards and Cowmen: Masculinity in Crisis in World War II Television Drama -- Masculinity in British Cinema and Television Drama -- Wounded Masculinity in Period Drama -- The WI Saves the Day -- Conclusion -- 13. 'Have you seen Walliams' Bottom?': Detecting the 'Ordinary' Man in Partners in Crime -- Gender and Genre -- Camp David, Camp Criticism and Otherness -- The Two Tommys: The Secret Adversary and Models of Male Identity -- Of Bees and Men: Gender Dualism and the Detective Figure -- Conclusion -- 14. 'No Need to Matronise Me!': The Crown, the Male Consort and Conflicted Masculinity -- The Feminised Monarchy and Melodrama -- The Male Consort: Malcontent and Moderniser -- The Crown and the Philip Problem -- The Crown and the Twenty-First Century -- Bibliography -- Index. | |
| 588 | _aDescription based on publisher supplied metadata and other sources. | ||
| 590 | _aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
| 650 | 0 | _aMasculinity on television. | |
| 650 | 0 | _aHistory on television. | |
| 650 | 0 | _aMen on television. | |
| 655 | 4 | _aElectronic books. | |
| 700 | 1 | _aTaddeo, Julie Anne. | |
| 700 | 1 | _aLeggott, James. | |
| 776 | 0 | 8 |
_iPrint version: _aByrne, Katherine _tConflicting Masculinities _dLondon : I. B. Tauris & Company, Limited,c2018 _z9781788313353 |
| 797 | 2 | _aProQuest (Firm) | |
| 830 | 0 | _aLibrary of Gender and Popular Culture Series | |
| 856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5739286 _zClick to View |
| 999 |
_c9297 _d9297 |
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