000 | 03054nam a22004693i 4500 | ||
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001 | EBC3414685 | ||
003 | MiAaPQ | ||
005 | 20240729125634.0 | ||
006 | m o d | | ||
007 | cr cnu|||||||| | ||
008 | 240724s2006 xx o ||||0 eng d | ||
020 |
_a9780472025145 _q(electronic bk.) |
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020 | _z9780472069507 | ||
035 | _a(MiAaPQ)EBC3414685 | ||
035 | _a(Au-PeEL)EBL3414685 | ||
035 | _a(CaPaEBR)ebr10371923 | ||
035 | _a(CaONFJC)MIL259754 | ||
035 | _a(OCoLC)923501911 | ||
040 |
_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ |
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050 | 4 | _aPN1590 | |
082 | 0 | _a791.01 | |
100 | 1 | _aKrasner, David. | |
245 | 1 | 0 |
_aStaging Philosophy : _bIntersections of Theater, Performance, and Philosophy. |
250 | _a1st ed. | ||
264 | 1 |
_aAnn Arbor : _bUniversity of Michigan Press, _c2006. |
|
264 | 4 | _c©2010. | |
300 | _a1 online resource (343 pages) | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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490 | 1 | _aTheater: Theory/Text/Performance Series | |
505 | 0 | _aIntro -- Contents -- David Krasner and David Z. Saltz, Introduction -- PART I: History and Method -- One: Julia A. Walker, The Text/Performance Split across the Analytic/Continental Divide -- Two: Martin Puchner, Kenneth Burke: Theater, Philosophy, and the Limits of Performance -- Three: Tobin Nellhaus, Critical Realism and Performance Strategies -- PART II: Presence -- Four: Philip Auslander, Humanoid Boogie: Reflections on Robotic Performance -- Five: Noël Carroll, Philosophy and Drama: Performance, Interpretation, and Intentionality -- Six: Suzanne M. Jaeger, Embodiment and Presence: The Ontology of Presence Recon -- Seven: Jon Erickson, Presence -- Eight: Robert P. Crease and John Lutterbie, Technique -- Nine: Alice Rayner, Presenting Objects, Presenting Things -- PART III: Reception -- Ten: David Z. Saltz, Infiction and Outfiction: The Role of Fiction in Theatrical Performance -- Eleven: James R. Hamilton, Understanding Plays -- Twelve: Bence Nanay, Perception, Action, and Identification in the Theater -- Thirteen: David Krasner, Empathy and Theater -- Fourteen: Mike Sell, The Voice of Blackness: The Black Arts Movement and Logocentrism -- Fifteen: Michael L. Quinn, Theatricality, Convention, and the Principle of Charity -- Contributors -- Index. | |
588 | _aDescription based on publisher supplied metadata and other sources. | ||
590 | _aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
650 | 0 | _aPerforming arts - Philosophy. | |
655 | 4 | _aElectronic books. | |
700 | 1 | _aSaltz, David Z. | |
776 | 0 | 8 |
_iPrint version: _aKrasner, David _tStaging Philosophy _dAnn Arbor : University of Michigan Press,c2006 _z9780472069507 |
797 | 2 | _aProQuest (Firm) | |
830 | 0 | _aTheater: Theory/Text/Performance Series | |
856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=3414685 _zClick to View |
999 |
_c92388 _d92388 |