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| 001 | EBC3339705 | ||
| 003 | MiAaPQ | ||
| 005 | 20240729125204.0 | ||
| 006 | m o d | | ||
| 007 | cr cnu|||||||| | ||
| 008 | 240724s2013 xx o ||||0 eng d | ||
| 020 |
_a9780262318327 _q(electronic bk.) |
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| 020 | _z9780262019422 | ||
| 035 | _a(MiAaPQ)EBC3339705 | ||
| 035 | _a(Au-PeEL)EBL3339705 | ||
| 035 | _a(CaPaEBR)ebr10797167 | ||
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| 035 | _a(OCoLC)863039228 | ||
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| 050 | 4 | _aNX456.5.N49 -- R45 2013eb | |
| 082 | 0 | _a776 | |
| 100 | 1 | _aCubitt, Sean. | |
| 245 | 1 | 0 |
_aRelive : _bMedia Art Histories. |
| 250 | _a1st ed. | ||
| 264 | 1 |
_aCambridge : _bMIT Press, _c2013. |
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| 264 | 4 | _c©2013. | |
| 300 | _a1 online resource (395 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 490 | 1 | _aLeonardo Series | |
| 505 | 0 | _aIntro -- Contents -- Series Foreword -- Introduction: The New Materialism in Media Art History -- I Considering the Methods of Media Art History -- 1 From Time-Lapse to Time Collapse or From Representation to Presentation -- 2 Pre-Socratic Media Theory -- 3 Writing Media Art into (and out of) History -- 4 Viewer as Performer or Rhizomatic Archipelago of Interactive Art -- 5 Reprogramming Systems Aesthetics: A Strategic Historiography -- II Doing Media Art History: Europe -- 6 Histories of Networks and Live Meetings - Case Study: [New] Tendencies, 1961 - 1973 (1978) -- 7 The First Computer Art Show at the 1970 Venice Biennale: An Experiment or Product of the Bourgeois Culture? -- 8 Between Punched Film Stock and the First Computers: The Work of Konrad Zuse -- 9 Polish Digital Poetry: Lack of "Prehistoric" Artifacts or Missing Narrative? -- III Doing Media Art History: New Zealand and Australia -- 10 Bush Video: Toward a New Secular Electronic Notion of the Divine -- 11 Erewhon: Media, Ecology, and Utopia in the Antipodes -- 12 Media Archeological Undertakings: Toward a Cartography of Australian Video Art and New Media -- 13 Australian Video Art Histories: A Media Arts Archaeology for the Future -- IV Artificial Life from Hardware to Wetware -- 14 Let Me Hear My Body Talk, My Body Talk -- 15 The Living Effect: Autonomous Behavior in Early Electronic Media Art -- 16 Remediating Still Life, Pencils of Nature, and Fingerprints: Transhistorical Perspectives on Biotechnological Art -- 17 Relationship of Art and Technology: Edward Ihnatowicz's Philosophical Investigation on the Problem of Perception -- 18 The Cadaver, the Comatose, and the Chimera: Avatars Have No Organs -- V Imagining the Future -- 19 Re:Copying-IT-RIGHT AGAIN -- 20 Visual Digitality: Toward Another Understanding -- 21 Lifebox Immortality and How We Got There -- Contributors -- Index. | |
| 520 | _aLeading historians of the media arts define a new materialist media art history, discussing temporality, geography, ephemerality, and the future. | ||
| 588 | _aDescription based on publisher supplied metadata and other sources. | ||
| 590 | _aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
| 655 | 4 | _aElectronic books. | |
| 700 | 1 | _aThomas, Paul. | |
| 700 | 1 | _aGa, Zhang. | |
| 700 | 1 | _aBunt, Brogan. | |
| 700 | 1 | _aTofts, Darren. | |
| 700 | 1 | _aKluszczynski, Ryszard W. | |
| 700 | 1 | _aShanken, Edward A. | |
| 700 | 1 | _aFritz, Darko. | |
| 700 | 1 | _aFranco, Francesca. | |
| 700 | 1 | _aBurbano, Andrés. | |
| 776 | 0 | 8 |
_iPrint version: _aCubitt, Sean _tRelive _dCambridge : MIT Press,c2013 _z9780262019422 |
| 797 | 2 | _aProQuest (Firm) | |
| 830 | 0 | _aLeonardo Series | |
| 856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=3339705 _zClick to View |
| 999 |
_c82449 _d82449 |
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