000			03905nam a22006013i 4500
001			EBC3338683
003			MiAaPQ
005			20240729125140.0
006			m o d |
007			cr cnu||||||||
008			240724s2007 xx o ||||0 eng d
020			_a9780262274258 _q(electronic bk.)
020			_z9780262072793
035			_a(MiAaPQ)EBC3338683
035			_a(Au-PeEL)EBL3338683
035			_a(CaPaEBR)ebr10185588
035			_a(CaONFJC)MIL209862
035			_a(OCoLC)191929212
040			_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ
050		4	_aN72.T4 -- M43 2007eb
082	0		_a701/.05
100	1		_aGrau, Oliver.
245	1	0	_aMediaArtHistories.
250			_a1st ed.
264		1	_aCambridge : _bMIT Press, _c2007.
264		4	_c©2007.
300			_a1 online resource (488 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	1		_aLeonardo Series
505	0		_aIntro -- Contents -- Series Foreword -- Acknowledgments -- Ch 1 Introduction -- Ch 2 The Coming and Going of Images -- I Origins: Evolution versus Revolution -- Ch 3 It Is Forbidden Not to Touch: Some Remarks on the (Forgotten Parts of the) History of Interactivity and Virtuality -- Ch 4 Historicizing Art and Technology: Forging a Method and Firing a Canon -- Ch 5 Twin-Touch-Test-Redux: Media Archaeological Approach to Art, Interactivity, and Tactility -- Ch 6 Duchamp: Interface: Turing: A Hypothetical Encounter between the Bachelor Machine and the Universal Machine -- Ch 7 Remember the Phantasmagoria! Illusion Politics of the Eighteenth Century and Its Multimedial Afterlife -- Ch 8 Islamic Automation: A Reading of al-Jazari's The Book of Knowledge of Ingenious Mechanical Devices (1206) -- II Machine-Media-Exhibition -- Ch 9 The Automatization of Figurative Techniques: Toward the Autonomous Image -- Ch 10 Image, Process, Performance, Machine: Aspects of an Aesthetics of the Machinic -- Ch 11 From Film to Interactive Art: Transformations in Media Arts -- Ch 12 The Passage from Material to Interface -- Ch 13 The Myth of Immateriality: Presenting and Preserving New Media -- III Pop Meets Science -- Ch 14 Device Art: A New Approach in Understanding Japanese Contemporary Media Art -- Ch 15 Projecting Minds -- Ch 16 Abstraction and Complexity -- Ch 17 Making Studies in New Media Critical -- IV Image Science -- Ch 18 Image, Meaning, and Discovery -- Ch 19 There Are No Visual Media -- Ch 20 Projection: Vanishing and Becoming -- Ch 21 Between a Bach and a Bard Place: Productive Constraint in Early Computer Arts -- Ch 22 Picturing Uncertainty: From Representation to Mental Representation -- Contributors.
520			_aLeading scholars take a wider view of new media, placing it in the context of art history and acknowledging the necessity of an interdisciplinary approach in new media art studies and practice.
588			_aDescription based on publisher supplied metadata and other sources.
590			_aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650		0	_aArt and technology.
650		0	_aArt and science.
650		0	_aArt -- Historiography.
655		4	_aElectronic books.
700	1		_aArnheim, Rudolf.
700	1		_aBroeckmann, Andreas.
700	1		_aBurnett, Ron.
700	1		_aCouchot, Edmond.
700	1		_aCubitt, Sean.
700	1		_aDaniels, Dieter.
700	1		_aFrankel, Felice C.
700	1		_aHuhtamo, Erkki.
700	1		_aKahn, Douglas.
776	0	8	_iPrint version: _aGrau, Oliver _tMediaArtHistories _dCambridge : MIT Press,c2007 _z9780262072793
797	2		_aProQuest (Firm)
830		0	_aLeonardo Series
856	4	0	_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=3338683 _zClick to View
999			_c81595 _d81595