000			03606nam a22004933i 4500
001			EBC3239785
003			MiAaPQ
005			20240729124816.0
006			m o d |
007			cr cnu||||||||
008			240724s2015 xx o ||||0 eng d
020			_a9780823250332 _q(electronic bk.)
020			_z9780823245482
035			_a(MiAaPQ)EBC3239785
035			_a(Au-PeEL)EBL3239785
035			_a(CaPaEBR)ebr10632674
035			_a(OCoLC)847125510
040			_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ
050		4	_aPQ443 -- .W35 2013eb
082	0		_a841/.91209357
100	1		_aWall-Romana, Christophe.
245	1	0	_aCinepoetry : _bImaginary Cinemas in French Poetry.
250			_a1st ed.
264		1	_aNew York : _bUniversity of Virginia Press, _c2015.
264		4	_c©2013.
300			_a1 online resource (505 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	1		_aVerbal Arts: Studies in Poetics Series
505	0		_aCover -- Contents -- List of Illustrations -- Acknowledgments -- List of Abbreviations -- Introduction: Cinema as Imaginary Medium in French Poetry -- PART ONE: The Early Poetic Sensorium of the Apparatus -- 1. Mallarmé Unfolds the Cinématographe -- 2. The Pen-Camera: Raymond Roussel's Freeze-Frame Panorama -- 3. Le Film surnaturel: Cocteau's Immersive Writing -- PART TWO: Telepresence of the Marvelous: Cinepoetic Theories in the 1920s -- 4. Jean Epstein's Invention of Cinepoetry -- 5. Breton's Surrealism, or How to Sublimate Cinepoetry -- 6. Doing Filmic Things with Words: On Chaplin -- PART THREE: Cinepoetry and Postwar Trauma Cultures -- 7. The Poem-Scenario in the Interwar (1917-1928) -- 8. Reembodied Writing: Lettrism and Kinesthetic Scripts (1946-1959) -- PART FOUR: Cinema's Print Culture in Poetry -- 9. Postlyricism and the Movie Program: From Jarry to Alferi -- 10. Cine-Verse: Decoupage Poetics and Filmic Implicature -- PART FIVE: Skin, Screen, Page: Cinepoetry's Historical Imaginary -- 11. Max Jeanne's Western: Eschatological Sarcasm in the Postcolony -- 12. Maurice Roche's Compact: Word-Tracks and the Body Apparatus -- 13. Nelly Kaplan's Le Collier de ptyx: Mallarmé as Political McGuffin -- Conclusion: The Film to Come in Contemporary Poetry -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Z -- Color plates.
520			_aThe book examines how 19th- and 20th-century French-speaking poets have used cinema for cross-medium writing experiments, especially in the aftermath of the two world wars, thereby altering modernist literary imagination.
588			_aDescription based on publisher supplied metadata and other sources.
590			_aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650		0	_aFrench poetry -- 19th century -- History and criticism.
650		0	_aFrench poetry -- 20th century -- History and criticism.
650		0	_aMotion pictures and literature -- France.
650		0	_aMotion pictures in literature.
655		4	_aElectronic books.
776	0	8	_iPrint version: _aWall-Romana, Christophe _tCinepoetry _dNew York : University of Virginia Press,c2015 _z9780823245482
797	2		_aProQuest (Firm)
830		0	_aVerbal Arts: Studies in Poetics Series
856	4	0	_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=3239785 _zClick to View
999			_c74317 _d74317