000			05190nam a22004333i 4500
001			EBC5333081
003			MiAaPQ
005			20240724113105.0
006			m o d |
007			cr cnu||||||||
008			240724s2018 xx o ||||0 eng d
020			_a9781351247313 _q(electronic bk.)
020			_z9780415693042
035			_a(MiAaPQ)EBC5333081
035			_a(Au-PeEL)EBL5333081
035			_a(CaPaEBR)ebr11535855
035			_a(OCoLC)1030822613
040			_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ
050		4	_aNA2540 .H875 2018
082	0		_a720
100	1		_aHuskinson, Lucy.
245	1	0	_aArchitecture and the Mimetic Self : _bA Psychoanalytic Study of How Buildings Make and Break Our Lives.
250			_a1st ed.
264		1	_aFlorence : _bTaylor & Francis Group, _c2018.
264		4	_c©2018.
300			_a1 online resource (267 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
505	0		_aCover -- Half Title -- Endorsement -- Title Page -- Copyright Page -- Dedication -- Table of contents -- Acknowledgements -- List of Figures -- Chapter 1 Introduction: Buildings design us as much as we them -- Architectural blueprints of being -- The chapters -- Notes -- Chapter 2 Architectural blueprints of psyche -- Breuer's house of hysteria (1893-1895) -- Freud's architecture of psyche -- Freud's buildings of hysteria -- Architectural Rome as City of Memory -- Psychosomatic houses of Freud and Scherner -- The houses that Jung built -- Jung's dream-house of psyche (1909) -- 228 Seestrasse in Küsnacht and the upper storey of the dream-house -- The rectory at Basle, the 'tower' at Bollingen, and the lower storeys of the dream-house -- Buildings gaze back -- Conclusion: building the self and the self within buildings -- Notes -- Chapter 3 The architectural event: Buildings as events that disclose our being -- Building enduring structures for ourselves -- Architecture that inhibits -- Architecture as event and container of infinite surplus -- The symbolic nature of buildings -- Imaginative perception -- Discovering ourselves through architecture -- Notes -- Chapter 4 The body's role in the architectural event: Fortification and containment -- Unstable bodies, unstable architecture -- Mimesis -- Freudian mimesis -- Lacan's statue -- Touching the skin-ego -- Psychoanalytic resistance to the nonhuman environment and architectural object -- Reinstating architecture as mother's accomplice -- The affective built environment prior to mother -- Buildings facilitate vital separation from mother -- Conclusion: the flesh of the building and the building of flesh -- Notes -- Chapter 5 Using architecture to think ourselves into being -- 'Thinking' unconsciously -- Creative potentials of unconscious thinking -- Henri Poincaré's creative distractions.
505	8		_aStages of creative thinking -- The 'dream-work': building blocks of unconscious insight and evocative architectural design -- Architecture that distracts, perplexes, and surprises -- The distracting spatial procedures of the dream-work -- Disclosing unconscious insights through evocative architecture -- Revisiting Freud at the Acropolis: Freud's memory building -- Conclusion: buildings are inscriptions of us -- Notes -- Chapter 6 The self that is disclosed through architecture -- Different models of the unconscious lead to different architectural insights -- The uncanny: the unconscious as it gathers and unfolds its surprise -- Disclosing unconscious material: sublime and numinous surprises -- Sublime insights -- Numinous insights -- Uncanny, sublime, or numinous architecture? How to tell the difference -- Anaesthetic architecture: the problem of the 'American sublime', and the need for ugliness -- Ugliness and distortion -- Notes -- Chapter 7 Conclusion: architecture that captures the imagination -- Making banal buildings evocative by enhancing our capacity to notice them -- Attending to the unexpected: noticing the unfamiliar within the most familiar of places -- The significance of wandering for wondering -- Reawakening architecture -- A journey about a room, pedestrian explorers, and the freedom to run through architecture -- Designing for our existential needs -- The need for gaps and breaks -- Ambiguous and contrasting features are evocative -- The interplay of shadow and light -- Incorporating the radical within the conventional -- Koolhaas and the problematic surrealist approach -- Notes -- Bibliography -- Index -- Plates.
588			_aDescription based on publisher supplied metadata and other sources.
590			_aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650		0	_aArchitecture-Psychological aspects.
655		4	_aElectronic books.
776	0	8	_iPrint version: _aHuskinson, Lucy _tArchitecture and the Mimetic Self _dFlorence : Taylor & Francis Group,c2018 _z9780415693042
797	2		_aProQuest (Firm)
856	4	0	_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5333081 _zClick to View
999			_c664 _d664