000			03501nam a22004573i 4500
001			EBC2197321
003			MiAaPQ
005			20240729123849.0
006			m o d |
007			cr cnu||||||||
008			240724s2016 xx o ||||0 eng d
020			_a9781783203383 _q(electronic bk.)
020			_z9781783203376
035			_a(MiAaPQ)EBC2197321
035			_a(Au-PeEL)EBL2197321
035			_a(CaONFJC)MIL884541
035			_a(OCoLC)920111181
040			_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ
050		4	_aN4395 .A785 2015
082	0		_a700
100	1		_aJeffery, Celina.
245	1	4	_aThe Artist As Curator.
250			_a1st ed.
264		1	_aBristol : _bIntellect, Limited, _c2016.
264		4	_c©2015.
300			_a1 online resource (214 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
505	0		_aCover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgements -- Foreword -- Introduction -- Chapter 1: Paolozzi's Lost Magic Kingdoms: The Metamorphosis of Ordinary Things -- Opening: The Limits of Objectivity -- Commission: Metaphors and Objections -- Technologies and Time: Exhibition/Catalogue -- Obsessions: Heads and Images -- Irony, Authenticity and the Stereotype -- Memento Mori: Surrealism and Death -- An Anthropological Imagination -- A Social Critique of Waste -- Images of Conflict and Combat -- A Cosmic Philosophy: Blueprints for a New Museum -- Acknowledgement -- References -- Note -- Chapter 2: Re-Mastering MoMA: Kirk Varnedoe's 'Artist's Choice' Series -- References -- Note -- Chapter 3: 'Both Object and Subject': MoMA's Burton on Brancusi -- References -- Notes -- Chapter 4: Curating Between Worlds: How Digital Collaborations Become Curative Projects -- References -- Chapter 5: Erasure: Curator as Artist -- References -- Notes -- Chapter 6: Say My Name -- Notes -- Chapter 7: Performing the Curator, Curating the Performer: Abramović's Seven Easy Pieces -- The Curator -- The Archive -- Performance -- Seven Easy Pieces -- References -- Notes -- Chapter 8: Curating the City: Collectioneering and the Affects of Display -- Tempting Provenance -- Material Constellations -- Rhetorics of Display -- A Post-Medium Wunderkammer -- Typologies of Heterogeneity -- References -- Notes -- Chapter 9: Artists Curating the Expedition -- References -- Notes -- Contributors -- Index -- BackCover.
520			_aRecently, the museum and gallery have become self-reflexive spaces, in which the relationship between art, its display, its creators and its audience is subverted and democratised. Celina Jeffery brings together scholars and artists to explore the ways that artists have introduced new curatorial ways of thinking and talking about artistic culture.
588			_aDescription based on publisher supplied metadata and other sources.
590			_aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650		0	_aArt-Exhibition techniques.
650		0	_aArtists as art museum curators.
650		0	_aCuratorship.
655		4	_aElectronic books.
776	0	8	_iPrint version: _aJeffery, Celina _tThe Artist As Curator _dBristol : Intellect, Limited,c2016 _z9781783203376
797	2		_aProQuest (Firm)
856	4	0	_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=2197321 _zClick to View
999			_c55369 _d55369