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| 001 | EBC2036033 | ||
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| 005 | 20240729123607.0 | ||
| 006 | m o d | | ||
| 007 | cr cnu|||||||| | ||
| 008 | 240724s2015 xx o ||||0 eng d | ||
| 020 |
_a9780861969111 _q(electronic bk.) |
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| 020 | _z9780861967124 | ||
| 035 | _a(MiAaPQ)EBC2036033 | ||
| 035 | _a(Au-PeEL)EBL2036033 | ||
| 035 | _a(CaPaEBR)ebr11051520 | ||
| 035 | _a(OCoLC)908145815 | ||
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_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ |
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| 050 | 4 | _aQP475.5 -- .W94 2015eb | |
| 082 | 0 | _a152.14 | |
| 100 | 1 | _aWyeth, Peter. | |
| 245 | 1 | 4 |
_aThe Matter of Vision : _bAffective Neurobiology and Cinema. |
| 250 | _a1st ed. | ||
| 264 | 1 |
_aBloomington : _bJohn Libbey & Company, Limited, _c2015. |
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| 264 | 4 | _c©2015. | |
| 300 | _a1 online resource (257 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 505 | 0 | _aCover -- Contents -- Foreword: War of the Word -- The Matter of Vision -- Chapter 1 The Matter of Vision -- LCR v VAE -- Vision -- The Wisdom of Vision -- The articulation of Vision -- The Automatic -- Emotion -- Affective Neurobiology (ANB) -- Reverse-Engineering Cinema -- Kuleshov & -- Gazzaniga -- Cinema and Language -- The Long Shadow of Immanuel Kant -- Real Materialism -- New Empiricism -- The Anti-Science tradition -- Vision, Emotion, Cinema: A Summary -- Vision: -- Emotion: -- Cinema: -- The Matter of Vision: A Summary -- Chapter 2 The Matter of Vision: Aphorisms -- Propositions -- Extensions -- Cinema -- Chapter 3 Commentaries -- Life/Change/Movement/Cinema -- Movement and the Eye -- Survival and the Brain -- Emotion and the Brain -- Genetic to Cultural evolution -- Emotion & -- Survival -- Emotion and Reason -- Language, Consciousness and Reason -- Language, the Word and Logocentrism -- Thought takes place only in Vision -- Logocentrism -- Consciousness -- Consciousness and the Unconscious -- Automatic/Unconscious -- An Independent Term -- Freud and the unconscious -- Dream Science -- Darwin's List -- Survival -- Survival and shopping -- Rationalise & -- Reason -- Self-image & -- Survival -- Reason -- Vision -- In the service of Vision -- The quality of Vision -- Left brain/Right brain -- The Logic of Nature -- Art & -- Science : Aesthetics & -- Brain Function -- Metaphor -- Narrative -- Identification and Shared Circuits -- Art & -- Science: Emotion -- Plasticity of the brain -- Emotion and the Automatic -- Chapter 4 Cinema -- Cinema: a revaluation -- Cinema as Vision plus -- Cinema as Pure Sequence -- A Classical Art -- Science, Theory & -- Cinema -- Cinema: Status v Power -- Language, Vision and the Brain -- Neurobiology and Cinema: A New Theory of Cinema -- The Eye and movement. | |
| 505 | 8 | _aThe brain and movement: emotion -- Narrative and neuroscience -- Mirror Neurons and Cinema -- Shared Circuits and Cinema -- The Automatic: Consciousness downgraded, the Automatic upgraded -- The Classic Hollywood Cinema: a pinnacle of the medium -- Classicism & -- Genius -- Evolution, Culture and the Classic Hollywood Cinema -- Neurology and Narrative: Why Narrative? -- Anti-narrative? -- Narrative, CHC and Cultural Evolution -- Evolution and Classical Form -- Hollywood 1939-1964 -- Ideal Form -- Cultural Evolution -- Hollywood and Nature -- Cultural Evolution & -- Classic Hollywood -- The evolutionary process -- Biology, evolution, culture, cinema -- Evolution of film form -- Evolution example: Cutting on Action -- Creative Geography -- 'Creative geography' and cultural evolution -- The Screenplay and the Ideal Film -- Blue Jasmine & -- the Ideal Script -- Classical aesthetics and the Ideal Script -- Aesthetic cohererence & -- integration: Marnie -- The Ideal Screenplay - a Perfect Engine of Meaning -- The Genius of the System -- The Affective: Making Emotion Visible -- ANB & -- Cinema: The Campaign for Real Science -- Affective Neurobiology & -- Cinema: Summary -- A Theory of Cinema: 10 points: -- Chapter 5 On method -- Epistemology -- A lesson from film-making -- Essays -- Formal v Informal knowledge -- A Return to Nature -- A Lesson for Kant -- Expansive Materialism -- The limits of materialism & -- metaphysics -- A Practice of Film Theory -- Confessions of a Convert -- Left/Right brain - Science & -- Philosophy -- Endnote -- Bibliography & -- Filmography -- Acknowledgements -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Z. | |
| 520 | _aIn The Matter of Vision, Wyeth seeks to redress this oversight by grounding his analysis in neuroscience and evolutionary biology, finding herein the potential for a qualitatively superior understanding of the cinematic medium. | ||
| 588 | _aDescription based on publisher supplied metadata and other sources. | ||
| 590 | _aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
| 650 | 0 | _aAffective neuroscience. | |
| 655 | 4 | _aElectronic books. | |
| 776 | 0 | 8 |
_iPrint version: _aWyeth, Peter _tThe Matter of Vision _dBloomington : John Libbey & Company, Limited,c2015 _z9780861967124 |
| 797 | 2 | _aProQuest (Firm) | |
| 856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=2036033 _zClick to View |
| 999 |
_c50295 _d50295 |
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