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| 001 | EBC2027045 | ||
| 003 | MiAaPQ | ||
| 005 | 20240729123542.0 | ||
| 006 | m o d | | ||
| 007 | cr cnu|||||||| | ||
| 008 | 240724s2014 xx o ||||0 eng d | ||
| 020 |
_a9780861969104 _q(electronic bk.) |
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| 020 | _z9780861967148 | ||
| 035 | _a(MiAaPQ)EBC2027045 | ||
| 035 | _a(Au-PeEL)EBL2027045 | ||
| 035 | _a(CaPaEBR)ebr11054754 | ||
| 035 | _a(OCoLC)908073690 | ||
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_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ |
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| 082 | 0 | _a791.43/309034 | |
| 100 | 1 | _aAskari, Kaveh. | |
| 245 | 1 | 0 | _aPerforming New Media, 1890-1915. |
| 250 | _a1st ed. | ||
| 264 | 1 |
_aBloomington : _bJohn Libbey & Company, Limited, _c2014. |
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| 264 | 4 | _c©2014. | |
| 300 | _a1 online resource (389 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 505 | 0 | _aIntro -- Cover -- Half title -- Title -- Copyright -- Contents -- Introduction -- Part I Performing on the Screen: Actors and Personalities -- Chapter 1 Lois Weber at Rex: Performing Femininity Across Media -- Chapter 2 Diva Intermedial: Lyda Borelli between Art, Photography, Theatre and Cinema -- Chapter 3 Why Sue 'Little Mary?': How Independent Moving Pictures Company of America v Gladys Smith and Owen Moore (1911) Defined Celebrity and Professionalism for Film Actors -- Chapter 4 Camera Distance and Acting in Griffith Biographs -- Chapter 5 Performance Times: The Lightning Cartoon and the Emergence of Animation -- Chapter 6 La transparence du Fregoligraph en question -- Chapter 7 In the Flesh: Personal Appearances and the Picture Personality in Britain -- Chapter 8 Performers - Now Synchronised on Screen -- Part II Performing Beside the Screen: Narrators, Showmen, and Musicians -- Chapter 9 Missing Believed Lost: The Film Narrator, Then and Now -- Chapter 10 Standards of Practice in Transition: The Showmanship of Jasper Redfern as It Emerged -- Chapter 11 Showmanship Skills and the Changing Role of the Exhibitor in 1910s Scotland -- Chapter 12 Showing Film in Winter (1904-1906): Albert Frères' Film Galas in Dutch Multipurpose Buildings -- Chapter 13 Performing New Media and the Creation of National Identity: Kräusslich and Köpke in Norway before 1910 -- Chapter 14 Music Programming and the Formation of Swedish Cinema Culture -- Chapter 15 'Marvelous and Fascinating': L. Frank Baum's Fairylogue and Radio-Plays (1908) -- Chapter 16 The Multiple-Media Lecture: Racing with Death in Antarctic Blizzards (1915) -- Part III Performing with the Screen: Audiences, Educators and Officials -- Chapter 17 Kinoreformbewegung Revisited: Performing the Cinematograph as a Pedagogical Tool. | |
| 505 | 8 | _aChapter 18 Health on Display: The Panama-Pacific International Exposition as Sanitary Venue -- Chapter 19 Lyrical Education: Music and Colour in Early Nonfiction Film -- Chapter 20 'Offensive and Riotous Behavious'? Performing the of Role of an Audience in Irish Cinema of the mid-1910s -- Chapter 21 Tango Mad and Affected by Cinematographitis: Rhythmic 'Contagions' between Screens and Audiences in the 1910s -- Part IV Intermedial Performance -- Chapter 22 Screening Sensations and Live Performance: the Creative Blending of Traditional and New Projected Media at the Start of the Twentieth Century -- Chapter 23 Le spectacle de lanterne magique considéré sous l'angle de la conférence : quelques traces écrites d'une performance orale -- Chapter 24 Getting to Know the Dutch: Magic Lantern Slides as Traces of Intermedial Performance Practices -- Chapter 25 20 Minutes or Less: Short-Form Film-and-Theatre Hybrids - Skits, Sketches, Playlets, & -- Acts in Vaudeville, Variety, Revues, & -- c. -- Chapter 26 Between Karagöz and Cinema: Connectivity, Mobility, Collectivity, Collectivity -- Chapter 27 Entre nouveauté et continuité : Le spectacle cinématographique serait-il une émergence des ombres françaises? -- Chapter 28 'Performed live and talking. No Kinematograph.' Amateur Performances of Tableaux Vivants and Local Film Exhibition in Germany around 1900 -- Chapter 29 Performing Painting: Projected Images as Living Pictures -- Chapter 30 Colour as Performance in Visual Music, Film Tinting and Digital Painting -- Coda -- Chapter 31 Early Cinema Today and its 'Digital Performance': The Re-discovery of The Soldier's Courtship (1896) -- Editors and Contributors -- Index of Films -- Index of Names. | |
| 520 | _aThis collection of essays considers the ways in which different visual practices carried out at the turn of the 20th century shaped performances on and beside the screen. | ||
| 588 | _aDescription based on publisher supplied metadata and other sources. | ||
| 590 | _aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
| 650 | 0 | _aSilent films--History. | |
| 655 | 4 | _aElectronic books. | |
| 700 | 1 | _aCurtis, Scott. | |
| 700 | 1 | _aGray, Frank. | |
| 700 | 1 | _aPelletier, Louis. | |
| 776 | 0 | 8 |
_iPrint version: _aAskari, Kaveh _tPerforming New Media, 1890-1915 _dBloomington : John Libbey & Company, Limited,c2014 _z9780861967148 |
| 797 | 2 | _aProQuest (Firm) | |
| 856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=2027045 _zClick to View |
| 999 |
_c49626 _d49626 |
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