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020 _a9780520959590
_q(electronic bk.)
020 _z9780520283848
035 _a(MiAaPQ)EBC1882090
035 _a(Au-PeEL)EBL1882090
035 _a(CaPaEBR)ebr11092774
035 _a(CaONFJC)MIL825405
035 _a(OCoLC)919124825
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050 4 _aPL2403 .R43 2015
082 0 _a895.17/4809
100 1 _aRea, Christopher.
245 1 4 _aThe Age of Irreverence :
_bA New History of Laughter in China.
250 _a1st ed.
264 1 _aBerkeley :
_bUniversity of California Press,
_c2015.
264 4 _c©2015.
300 _a1 online resource (352 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
505 0 _aCover -- Contents -- Executive Preface -- Acknowledgments -- 1. Breaking into Laughter -- 2. Jokes -- 3. Play -- 4. Mockery -- 5. Farce -- 6. The Invention of Humor -- Epilogue -- Appendix 1: Selected Chinese Humor Collections, 1900-1937 -- Appendix 2: Which Classic? Editions and Paratexts -- Abbreviations -- Notes -- Glossary -- A -- B -- C -- D -- E -- F -- G -- H -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- W -- X -- Y -- Z -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z.
520 _aThe Age of Irreverence tells the story of why China's entry into the modern age was not just traumatic, but uproarious. As the Qing dynasty slumped toward extinction, prominent writers compiled jokes into collections they called "histories of laughter." In the first years of the Republic, novelists, essayists and illustrators alike used humorous allegories to make veiled critiques of the new government. But, again and again, political and cultural discussion erupted into invective, as critics gleefully jeered and derided rivals in public. Farceurs drew followings in the popular press, promoting a culture of practical joking and buffoonery. Eventually, these various expressions of hilarity proved so offensive to high-brow writers that they launched a concerted campaign to transform the tone of public discourse, hoping to displace the old forms of mirth with a new one they called youmo (humor). Christopher Rea argues that this period--from the 1890s to the 1930s--transformed how Chinese people thought and talked about what is funny. Focusing on five cultural expressions of laughter--jokes, play, mockery, farce, and humor--he reveals the textures of comedy that were a part of everyday life during modern China's first "age of irreverence." This new history of laughter not only offers an unprecedented and up-close look at a neglected facet of Chinese cultural modernity, but also reveals its lasting legacy in the Chinese language of the comic today and its implications for our understanding of humor as a part of human culture.
588 _aDescription based on publisher supplied metadata and other sources.
590 _aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650 0 _aChinese wit and humor -- History and criticism.
650 0 _aChinese wit and humor.
650 0 _aJoking.
650 0 _aPopular culture -- China -- History -- 19th century.
655 4 _aElectronic books.
776 0 8 _iPrint version:
_aRea, Christopher
_tThe Age of Irreverence
_dBerkeley : University of California Press,c2015
_z9780520283848
797 2 _aProQuest (Firm)
856 4 0 _uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=1882090
_zClick to View
999 _c43973
_d43973