000			03909nam a22004453i 4500
001			EBC1819161
003			MiAaPQ
005			20240729123127.0
006			m o d |
007			cr cnu||||||||
008			240724s2013 xx o ||||0 eng d
020			_a9781443868983 _q(electronic bk.)
020			_z9781443847346
035			_a(MiAaPQ)EBC1819161
035			_a(Au-PeEL)EBL1819161
035			_a(CaPaEBR)ebr10955495
035			_a(CaONFJC)MIL652875
035			_a(OCoLC)893739567
040			_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ
050		4	_aPR5649.T65 -- .A874 2013eb
082	0		_a809
100	1		_aCochran, Peter.
245	1	0	_aAspects of Byron's Don Juan.
250			_a1st ed.
264		1	_aNewcastle-upon-Tyne : _bCambridge Scholars Publishing, _c2013.
264		4	_c©2014.
300			_a1 online resource (531 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
505	0		_aIntro -- CONTENTS -- PREFACE -- CONTRIBUTORS -- ABBREVIATIONS -- PART ONE: ESSAYS ON DON JUAN -- DON JUAN AND TRADITION OR, LITTLE JUAN'S POTTY -- DIGESTING DON JUAN CANTOS I AND II -- THE MAINSTREAM JUANS, AND BYRON'S JUAN -- BYRON'S DON JUAN -- "IN PIOUS TIMES …" -- "I'VE SEEN THE FUNDS AT WAR WITH HOUSE AND LAND …" -- DON JUAN'S COMIC RHYMES -- 'DON ALFONSO' AND THE THEATRICAL MATRIX OF DON JUAN, 1817-1821 -- DON JUAN THE ANTI-BYRONIC HERO -- 'SHE DIED, BUT NOT ALONE' -- ITERATING ILLNESS -- PART TWO: DON JUAN IN SPAIN AND RUSSIA -- A SPANISH MODERNIST ECHO OF BYRON'S DON JUAN -- APPROPRIATING BYRON'S DON JUAN -- BYRON AND UNAMUNO'S DON JUAN -- BYRON'S DON JUAN AND RUSSIA -- BYRON, PUSHKIN AND RUSSIAN DON JUANS -- DON JUAN AND RUSSIA -- PART THREE: THE SOURCES OF DON JUAN -- INTRODUCTION -- DON JUAN, SHIPWRECKS AND NARRATIVES -- BYRON'S LITERARY BORROWINGS IN DON JUAN CANTOS III AND IV -- DON JUAN AND CASTELNAU'S HISTORY OF NEW RUSSIA -- BYRON, DON JUAN, AND RUSSIA -- WHY DID BYRON ENVY THOMAS HOPE'S ANASTASIUS? -- PART FOUR: MARY SHELLEY'S FAIR-COPYING OF DON JUAN -- MARY SHELLEY'S FAIR-COPYING OF DON JUAN -- BIBLIOGRAPHY -- INDEX.
520			_aAspects of Byron's Don Juan is, in part, a proceedings volume from the 2012 conference held by the Newstead Byron Society at Nottingham Trent University. Speakers represented in the book include Malcolm Kelsall, Peter Cochran, Diego Saglia and Itsuyo Higashinaka. Topics range from the politics of Don Juan, and its treatment of women, to its comic rhymes. One section is devoted to the poem's importance in the literatures of Spain and Russia, another to the vast catalogue of Byron's prose sources (from cannibalism to cookery books), and a final section to the important role played by Mary Shelley in copying most of the poem for the printer.The editor's introduction describes the enormous literary tradition of which Don Juan forms a vital continuation, from Pulci's Morgante Maggiore, via Rabelais, Cervantes, and Montaigne, to the novelists Sterne, Smollett and Fielding, all of whom Byron adored. Another chapter concerns the differing ways in which Don Juan has been treated by other artists, from Tirso de Molina, via E. T. A. Hoffman, to Johnny Depp.
588			_aDescription based on publisher supplied metadata and other sources.
590			_aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650		0	_aByron, George Gordon Byron, -- Baron, -- 1788-1824. -- Don Juan.
655		4	_aElectronic books.
776	0	8	_iPrint version: _aCochran, Peter _tAspects of Byron's Don Juan _dNewcastle-upon-Tyne : Cambridge Scholars Publishing,c2013 _z9781443847346
797	2		_aProQuest (Firm)
856	4	0	_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=1819161 _zClick to View
999			_c42020 _d42020