000			03933nam a22004453i 4500
001			EBC1807777
003			MiAaPQ
005			20240729123108.0
006			m o d |
007			cr cnu||||||||
008			240724s2013 xx o ||||0 eng d
020			_a9781480413412 _q(electronic bk.)
035			_a(MiAaPQ)EBC1807777
035			_a(Au-PeEL)EBL1807777
035			_a(CaONFJC)MIL528493
035			_a(OCoLC)892245614
040			_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ
050		4	_aGV1785.T39 T395 2013
082	0		_a792.8028092
100	1		_aTaylor, Paul.
245	1	0	_aFacts and Fancies : _bEssays Written Mostly for Fun.
250			_a1st ed.
264		1	_aLa Vergne : _bDelphinium Books, _c2013.
264		4	_c©2013.
300			_a1 online resource (195 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
505	0		_aCover -- Title Page -- Contents -- Foreword -- Introduction -- Facts -- Why I Make Dances -- An Early Interview -- Letters to Susie -- The Redheaded Spiritualist -- A Perplexing Situation -- Boat Trip -- Aureole -- Martha Close Up -- Clytemnestra -- 911 -- Two Bozos Seen Through Glass: An Epiphany -- The Strange Story of How I Chased... -- Art -- Fancies -- Foreword to Private Domain -- Reapplication to O.H.E.C. -- How to Tell Ballet from Modern -- In the Marceel Proust Suite of L'Hotel Continental -- Fantasy About Joining the CIA -- Death Wish -- Tricks of the Trade -- There is a Time -- Limerick for Jennifer Tipton -- The Last Thump -- Love is a Dog from Hell -- Poggie in the Quiet -- The Shirley Temple Murders -- Chapter One -- Chapter Two -- Michael, The Medium-sized Bee -- My Dear Dogmatist -- Acknowledgments -- Copyright.
520			_a"No other dancer ever looked like Paul Taylor, that strapping, elastic, goofy hunk of a guy, and no one else's dance works look like his either-not the deep, dark ones or the zany ones or the uplifting ones. His vocabulary, his tone are unique and unmistakable. The same thing is true, it turns out, about his writing. His style is utterly his own, and like all real style it isn't a calculated voice but a reflection of the way his quirky mind works." -From the foreword by Robert Gottlieb "Taylor has not cultivated one writing persona, but has unleashed a raft of voices in a raft of forms: travesty, comedy, fiction, essay, satire, allegory, poetry, fable, epistle. While many of these selections are humorous, as anyone familiar with Taylor's choreography knows, even in the sunniest of his dances, there are often threatening clouds on the horizon. And the canny Taylor recognizes when to swap his Janus masks for maximum emotional wallop." -From the introduction by Suzanne Carbonneau This wonderful new book by one of the preeminent dancers and choreographers consists of a range of pieces of fact and fiction that run from thoughts on friendliness and country living to animosity and city life. Taylor's first book since his autobiography (Private Domain, 1995, Alfred A. Knopf) is a romp through his playful mind, with chapter titles such as: Why I Make Dances, The Redheaded Spiritualist, Martha Close Up, Clytemnestra, How to Tell Ballet from Modern, and In the Marcel Proust Suite of L'Hotel Continental.
588			_aDescription based on publisher supplied metadata and other sources.
590			_aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650		0	_aDancers.
650		0	_aModern dance.
650		0	_aEssays.
655		4	_aElectronic books.
776	0	8	_iPrint version: _aTaylor, Paul _tFacts and Fancies _dLa Vergne : Delphinium Books,c2013
797	2		_aProQuest (Firm)
856	4	0	_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=1807777 _zClick to View
999			_c41471 _d41471