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| 001 | EBC1761960 | ||
| 003 | MiAaPQ | ||
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| 008 | 240724s2014 xx o ||||0 eng d | ||
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_a9781135122898 _q(electronic bk.) |
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| 020 | _z9780415658492 | ||
| 035 | _a(MiAaPQ)EBC1761960 | ||
| 035 | _a(Au-PeEL)EBL1761960 | ||
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| 035 | _a(CaONFJC)MIL634487 | ||
| 035 | _a(OCoLC)889521613 | ||
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| 050 | 4 | _aPN2053 .R78 2014 | |
| 082 | 0 | _a792.0233 | |
| 100 | 1 | _aRomanska, Magda. | |
| 245 | 1 | 4 | _aThe Routledge Companion to Dramaturgy. |
| 250 | _a1st ed. | ||
| 264 | 1 |
_aOxford : _bTaylor & Francis Group, _c2014. |
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| 264 | 4 | _c©2015. | |
| 300 | _a1 online resource (569 pages) | ||
| 336 |
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_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 490 | 1 | _aRoutledge Companions Series | |
| 505 | 0 | _aCover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of illustrations -- Notes on contributors -- Introduction -- Part I World dramaturgy in the twenty-first century -- 1 Robert Blacker looks at the past and future of American dramaturgy -- 2 Contemporary new play dramaturgy in Canada -- 3 Collaborative dramaturgy in Latin American theatre -- 4 Documentary dramaturgy in Brazil -- 5 The place of a dramaturg in twenty-first-century England -- 6 On German dramaturgy -- 7 The making of La Dramaturgie in France -- 8 Dramaturgy and the role of the dramaturg in Poland -- 9 The new play dramaturgy in Russia -- 10 Dramaturgy in post-revolution Iran: problems and prospects -- 11 Performing dramaturgy in Syria: observations and interview with Mayson Ali -- 12 Official and unofficial dramaturgs: dramaturgy in China -- 13 Dramaturgy of separated elements in the experimental Japanese theatre -- 14 Dramaturgy in Indian theatre: a closer view -- 15 Dramaturgy in Australia and the case of Avast and Doku Rai -- 16 Dramaturgies in/of South Africa -- Part II Dramaturgy in the age of globalization -- 17 The dramaturg as globalist -- 18 Freelance dramaturgs in the twenty-first century: journalists, advocates, and curators -- 19 The National Theatre goes international: global branding and the regions -- 20 From alienation to identity: transnational communication of Russian-Israeli theatre -- 21 Intercultural dramaturgy: dramaturg as cultural liaison -- 22 The dramaturgical bridge: contextualizing foreignness in multilingual theatre -- 23 Reading and (re)directing "racial scripts" on and beyond the stage -- 24 Transcultural dramaturgy methods -- 25 The dramaturgical process and global understanding -- 26 European dramaturgy in the twenty-first century: a constant movement. | |
| 505 | 8 | _aPart III Dramaturgy in motion: demolitions, definitions, and demarcations -- 27 Dramaturgy on shifting grounds -- 28 Dramaturgy as skill, function, and verb -- 29 Interactual dramaturgy: intention and affect in interdisciplinary performance -- 30 The expansion of the role of the dramaturg in contemporary collaborative performance -- 31 Who is the dramaturg in devised theatre? -- 32 Finding our hyphenates: a new era for dramaturgs -- 33 Dramaturgy as a way of looking into the spectator's aesthetic experience -- 34 Dramaturgy as training: a collaborative model at Shakespeare's Globe -- 35 The art of collaboration: on dramaturgy and directing -- 36 Dramaturgy in action … even if it's not as a dramaturg -- Part IV Dramaturgs as artistic leaders and visionaries: privileges and responsibilities of the office -- 37 Dramaturgs as artistic leaders -- 38 Dramaturgical leadership and the politics of appeal in commercial theatre -- 39 On dramaturgy and leadership -- 40 Leadership advice to a dramaturgy student -- 41 Season planning: challenges and opportunities -- 42 The dramaturg's role in diversity and audience development -- 43 Guthrie Theater's debt to women and diversity -- 44 Reimagining the literary office: designing a department that fulfills your purpose -- 45 The National New Play Network Collaborative Literary Office: new tools for old tricks -- Part V Dramaturg as mediator and context manager: transculturalism, translation, adaptation, and contextualization -- 46 A view from the bridge: the dramaturg's role when working on a play in translation -- 47 Lost in translation -- 48 The dissemination of theatrical translation -- 49 Literary adaptation for the stage: a primer for adaptation dramaturgs -- 50 Intermingling literary and theatrical conventions -- 51 Research strategies in dramaturgical practice. | |
| 505 | 8 | _a52 Dramaturg as context manager: a phenomenological and political practice -- 53 New play explorations in the twenty-first century -- 54 Thinking like an actor: a guide for the production dramaturg -- 55 The youth respondent method: new work development of Theatre for Young Audiences -- Part VI Dramaturgy among other arts: interdisciplinarity, transdisciplinarity, and transvergence -- 56 Complex in-betweenness of dramaturgy and performance studies -- 57 The dramaturg(ies) of puppetry and visual theatre -- 58 A method for musical theatre dramaturgy -- 59 Borderless dramaturgy in dance theatre -- 60 The role of the dramaturg in the creation of new opera works -- 61 Dramaturgy and film -- 62 Phronesis for robots: (re)covering dramaturgy as an interdiscipline -- 63 Dramaturgical design of the narrative in digital games -- 64 New media dramaturgy -- 65 The science of dramaturgy and the dramaturgy of science -- Part VII Dramaturg as systems analyst: dramaturgy of postdramatic structures -- 66 Postdramatic dramaturgy -- 67 Teaching deconstructively -- 68 EF's visit to a small planet: some questions to ask a play -- 69 Dramaturging non-realism: creating a new vocabulary -- 70 On dramaturgy in contemporary dance and choreography -- 71 Research, counter-text, performance: keywords for reconsidering the (textual) authority of the dramaturg -- 72 The bead diagram: a protean tool for script analysis -- 73 Method for a new dramaturgy of digital performance -- 74 Drametrics: what dramaturgs should learn from mathematicians -- 75 Parallel-text analysis and practical dramaturgies -- Part VIII Dramaturg as public relations manager: immersions, talkbacks, lobby displays, and social networks -- 76 Dramaturgy and the immersive theatre experience -- 77 Barrack-dramaturgy and the captive audience -- 78 Framing the theatrical experience: lobby displays. | |
| 505 | 8 | _a79 Dramaturg as public relations manager -- 80 Talkbacks: asking good discussion questions -- 81 Talkbacks for "sensitive subject matter" productions: the theory and practice -- 82 Dramaturgies for the digital age -- 83 Digital engagement: strategies for online dramaturgy -- 84 Digital dramaturgy and digital dramaturgs -- 85 Can technology save theatre? Tweet seats, YouTube auditions, and Facebook backstage? -- Index of names -- Index of terms. | |
| 588 | _aDescription based on publisher supplied metadata and other sources. | ||
| 590 | _aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
| 650 | 0 | _aTheater -- Production and direction. | |
| 650 | 0 | _aDramaturges. | |
| 655 | 4 | _aElectronic books. | |
| 776 | 0 | 8 |
_iPrint version: _aRomanska, Magda _tThe Routledge Companion to Dramaturgy _dOxford : Taylor & Francis Group,c2014 _z9780415658492 |
| 797 | 2 | _aProQuest (Firm) | |
| 830 | 0 | _aRoutledge Companions Series | |
| 856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=1761960 _zClick to View |
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