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008			240724s2013 xx o ||||0 eng d
020			_a9789401210416 _q(electronic bk.)
020			_z9789042037939
035			_a(MiAaPQ)EBC1727103
035			_a(Au-PeEL)EBL1727103
035			_a(CaPaEBR)ebr10839040
035			_a(CaONFJC)MIL576735
035			_a(OCoLC)882779104
040			_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ
050		4	_aPG3328 .D678 2013
082	0		_a891.733
100	1		_aAndrew, Joe.
245	1	0	_aDostoevskii's Overcoat : _bInfluence, Comparison, and Transposition.
250			_a1st ed.
264		1	_aBoston : _bBRILL, _c2013.
264		4	_c©2013.
300			_a1 online resource (360 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	1		_aStudies in Slavic Literature and Poetics Series ; _vv.58
505	0		_aIntro -- DOSTOEVSKII'S OVERCOAT: INFLUENCE, COMPARISON, AND TRANSPOSITION -- Contents -- Introduction: Dostoevskii's Overcoat -- 1 Dostoevskii's Hermeneutic Autotextuality: The Meek Girl and The Idiot -- 2 Dostoevskii as Zuboskalov: the Case of How Dangerous It Is to Succumb to Ambitious Dreams -- 3 Mirroring the World of the Novel: Poetry in Humiliated and Insulted -- 4 A Kiss from Turgenev -- 5 Shkliarevskii and Russian Detective Fiction: the Influence of Dostoevskii -- 6 Pushkin as a Cultural Myth: Dostoevskii's Pushkin Speech and Its Legacy in Russian Modernism -- 7 Andrei Belyi and Dostoevskii: from Demons to The Silver Dove -- 8 A New Kind of Brotherhood: Dostoevskii, Suslova and Rozanov -- 9 Dostoevskii as Seen by Dmitrii Merezhkovskii -- 10 Orhan Pamuk and Vladimir Nabokov on Dostoevskii -- 11 To stage or not to stage? Adapting Dostoevskii's Novels -- 12 Narrators from Underground -- 13 The Grand Inquisitor Scene in Dystopian Literature and Film -- 14 The Idiocy of Compassion: Akira Kurosawa's Tale of Prince Myshkin -- 15 Bresson and Dostoevskii: Crimes and Punishments -- 16 Crime and Punishment as a Comic Book.
520			_aOne of the most famous quotations in the history of Russian literature is Fedor Dostoevskii's alleged assertion that 'We have all come out from underneath Gogol's Overcoat'. Even if Dostoevskii never said this, there is a great deal of truth in the comment. Gogol certainly was a profound influence on his work, as were many others. Part of this book's project is to locate Dostoevskii in relationship to his predecessors and contemporaries. However, the primary aim is to turn the oft-quoted apocryphal comment on its head, to see the profound influence Dostoevskii had on the lives, work and thought of his contemporaries and successors. This influence extends far beyond Russia and beyond literature. Dostoevskii may be seen as the single greatest influence on the sensibilities of the twentieth and twenty-first centuries. To a greater or lesser extent those concerned with the creative arts in the twentieth and twenty-first centuries have all come out from under Dostoevskii's 'Overcoat'.
588			_aDescription based on publisher supplied metadata and other sources.
590			_aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650		0	_aDostoyevsky, Fyodor,-1821-1881-Congresses.
650		0	_aDostoyevsky, Fyodor,-1821-1881-Influence-Congresses.
655		4	_aElectronic books.
700	1		_aReid, Robert.
776	0	8	_iPrint version: _aAndrew, Joe _tDostoevskii's Overcoat: Influence, Comparison, and Transposition _dBoston : BRILL,c2013 _z9789042037939
797	2		_aProQuest (Firm)
830		0	_aStudies in Slavic Literature and Poetics Series
856	4	0	_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=1727103 _zClick to View
999			_c37536 _d37536