000 | 05154nam a22005053i 4500 | ||
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001 | EBC5449706 | ||
003 | MiAaPQ | ||
005 | 20240724113251.0 | ||
006 | m o d | | ||
007 | cr cnu|||||||| | ||
008 | 240724s2018 xx o ||||0 eng d | ||
020 |
_a9789004363304 _q(electronic bk.) |
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020 | _z9789004363298 | ||
035 | _a(MiAaPQ)EBC5449706 | ||
035 | _a(Au-PeEL)EBL5449706 | ||
035 | _a(OCoLC)1043051555 | ||
040 |
_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ |
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050 | 4 | _aPN1995.9.S47 .W663 2018 | |
082 | 0 | _a791.436/53 | |
100 | 1 | _aWoodland, Sarah. | |
245 | 1 | 0 |
_aRemaking Gender and the Family : _bPerspectives on Contemporary Chinese-Language Film Remakes. |
250 | _a1st ed. | ||
264 | 1 |
_aBoston : _bBRILL, _c2018. |
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264 | 4 | _c©2018. | |
300 | _a1 online resource (167 pages) | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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490 | 1 |
_aWomen and Gender in China Studies ; _vv.9 |
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505 | 0 | _aIntro -- Contents -- Acknowledgements -- 1 Introduction -- Defining a Remake -- Originality, Similarity and Cross-Culturality -- The Cross-Cultural Remake -- Franco-American Exchanges -- Remaking Images of Japan -- Remakes in Chinese-language Cinema -- Gendering Remakes -- Gender in Franco-American Remakes -- Chinese Remakes and Gender -- Aims and Structure of This Book -- 2 Remaking the Modern Family -- The Construction of Gender in What Women Want -- Good, Ol' Fashioned Masculinity: Men in What Women Want (2000) -- The New Chinese Man: Remaking Masculinity in What Women Want (2011) -- Performing Gender in What Women Want -- What Do Women Want? Femininity in What Women Want -- What Do Chinese Women Want? -- Sexuality in What Women Want -- Freud and What Women Want -- Jung and What Women Want -- The Paratextual Construction of Gender in What Women Want -- The Family in What Women Want -- The 'Traditional' Chinese Family -- The 'Modern' Chinese Family -- Commerciality and the Modern Family -- Reflections -- 3 Gender, Genre and the Auteur -- The Coen Brothers' Blood Simple -- The Coen Brothers-American Auteurs -- Genre and Gender in Blood Simple -- The Failures of Masculinity -- Approaching the Femme Fatale -- Blood Simple Remade-A Woman, A Gun and a Noodle Shop -- Zhang Yimou-China's Most Acclaimed Director -- Making Audiences Laugh: Humour in China -- Symbols of Beijing/Peking Opera -- Gender in A Woman, A Gun and a Noodle Shop: A Lesson in 'Zhangification' -- Zhang Yimou and Gender -- Masculinity 'Zhang-ified' -- Femininity 'Zhang-ified' -- Reflections -- 4 Ghosts of Chinas Past and Present -- Locating A Chinese Ghost Story (1987) in Hong Kong Cinema -- Remaking A Chinese Ghost Story (2011) -- Manifestations of Gender and Sexuality in A Chinese Ghost Story -- The Legacy of Leslie Cheung. | |
505 | 8 | _aRemaking Gender through Ning Caichen, the Fragile Scholar -- Yan, the Daoist Warrior in Love -- The Monstrous-Feminine and Dangerous Female Sexuality -- Looking and Being Looked at-the Gaze within A Chinese Ghost Story -- The Gaze Remade -- Forgetting History -- Reflections: The 'State' of Hong Kong and Chinese Cinemas -- Chapter 5 History Repeating in Spring in a Small Town -- Cultural Politics in Spring in a Small Town (1948) -- Social versus Critical Realism -- From Outlaw to Auteur-Fei's Post-1980s Transformation -- Reading Gender in Spring in a Small Town -- The Changing Politics of Cultural Policy: Springtime in a Small Town (2002) -- The Fifth Generation Directors -- Re-reading the Remake-Gender and Politics in Springtime in a Small Town -- Springtime in a Small Town-The Changing Nature of Gender, the Family and Allegory -- The Metaphor of the Family Home -- Springtime in a Small Town and Political Revolution -- Reflections -- 6 Remaking "China" -- Remakes and Perspectives on Being Chinese -- Remakes and Transnational Chinese-Language Cinema -- The Future of Remake Studies -- Glossary -- References -- Index. | |
520 | _aIn Remaking Gender and the Family, Sarah Woodland examines the complexities of Chinese-language cinematic remakes, exploring how source texts are reshaped for their new audiences, and focusing on how changes in representations of gender connect with perceived socio-cultural, political and cinematic values within China. | ||
588 | _aDescription based on publisher supplied metadata and other sources. | ||
590 | _aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
650 | 0 | _aSex role in motion pictures. | |
650 | 0 | _aWomen in motion pictures. | |
650 | 0 | _aFamilies in motion pictures. | |
650 | 0 | _aFilm remakes-China-History. | |
650 | 0 | _aMotion pictures-China-History. | |
655 | 4 | _aElectronic books. | |
776 | 0 | 8 |
_iPrint version: _aWoodland, Sarah _tRemaking Gender and the Family _dBoston : BRILL,c2018 _z9789004363298 |
797 | 2 | _aProQuest (Firm) | |
830 | 0 | _aWomen and Gender in China Studies | |
856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5449706 _zClick to View |
999 |
_c3665 _d3665 |