000			03484nam a22004333i 4500
001			EBC7104548
003			MiAaPQ
005			20240724115719.0
006			m o d |
007			cr cnu||||||||
008			240724s2005 xx o ||||0 eng d
020			_a9781405152013 _q(electronic bk.)
020			_z9781405120265
035			_a(MiAaPQ)EBC7104548
035			_a(Au-PeEL)EBL7104548
035			_a(OCoLC)1347027696
040			_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ
050		4	_aPN1994 .P575 2006
082	0		_a791.43/01
100	1		_aCarroll, Noël.
245	1	0	_aPhilosophy of Film and Motion Pictures : _bAn Anthology.
250			_a1st ed.
264		1	_aNewark : _bJohn Wiley & Sons, Incorporated, _c2005.
264		4	_c©2009.
300			_a1 online resource (439 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	1		_aNew York Academy of Sciences Series
505	0		_aPhilosophy of Film and Motion Pictures -- Contents -- Acknowledgments -- General Introduction -- Part I Film as Art -- Introduction -- 1 Photography and Representation -- 2 The Aesthetics of Photographic Transparency -- 3 Everybody Gets a Cut: DVDs Give Viewers Dozens of Choices - and that's the Problem -- Part II What Is Film? -- Introduction -- 4 The World Viewed -- 5 A Note on the Film -- 6 Vision and Dream in the Cinema -- 7 The Long Goodbye: The Imaginary Language of Film -- 8 Moving Pictures -- 9 Defining the Moving Image -- Part III Documentary -- Introduction -- 10 Visible Traces: Documentary and the Contents of Photographs -- 11 Fiction, Non-Fiction, and the Film of Presumptive Assertion: A Conceptual Analysis -- Part IV Film Narrative/Narration -- Introduction -- 12 Le Grand Imagier Steps Out: The Primitive Basis of Film Narration -- 13 Unreliability Refigured: Narrative in Literature and Film -- Part V Film and Emotion -- Introduction -- 14 Film, Emotion, and Genre -- 15 Fearing Fictions -- 16 Empathy and (Film) Fiction -- 17 Identification and Emotion in Narrative Film -- 18 In Fictional Shoes: Mental Simulation and Fiction -- Part VI Topics in Film Criticism -- Introduction -- 19 Morals for Method -- 20 Cinematic Authorship -- 21 National Cinema, the Very Idea -- Part VII Film and Ethics -- Introduction -- 22 Film Criticism and Virtue Theory -- 23 Beauty and Evil: The Case of Leni Riefenstahl's Triumph of the Will -- 24 A First Look at the Pornography/Civil Rights Ordinance: Could Pornography Be the Subordination of Women? -- Part VIII Film and Knowledge -- Introduction -- 25 The Philosophical Limits of Film -- 26 Minerva in the Movies: Relations Between Philosophy and Film -- 27 Motion Pictures as a Philosophical Resource -- Select Bibliography by Jinhee Choi -- Index.
588			_aDescription based on publisher supplied metadata and other sources.
590			_aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650		0	_aMotion pictures.
655		4	_aElectronic books.
776	0	8	_iPrint version: _aCarroll, Noël _tPhilosophy of Film and Motion Pictures _dNewark : John Wiley & Sons, Incorporated,c2005 _z9781405120265
797	2		_aProQuest (Firm)
830		0	_aNew York Academy of Sciences Series
856	4	0	_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=7104548 _zClick to View
999			_c33266 _d33266