000			03264nam a22004333i 4500
001			EBC7002706
003			MiAaPQ
005			20240724115451.0
006			m o d |
007			cr cnu||||||||
008			240724s2022 xx o ||||0 eng d
020			_a9781789385311 _q(electronic bk.)
020			_z9781789385304
035			_a(MiAaPQ)EBC7002706
035			_a(Au-PeEL)EBL7002706
035			_a(OCoLC)1323253032
040			_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ
050		4	_aNX456.5.P38 B336 2022
082	0		_a700
100	1		_aBacon, T. J.
245	1	3	_aAn Introduction to the Phenomenology of Performance Art : _bSELF/s.
250			_a1st ed.
264		1	_aBristol : _bIntellect, Limited, _c2022.
264		4	_c©2022.
300			_a1 online resource (280 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
505	0		_aFront Cover -- Half Title -- Frontispiece -- Title Page -- Copyright Page -- Dedication -- Epigraph -- Table of contents -- Acknowledgements -- Foreword Enduring Reorientations: Self, Time, and Space in Performance -- Author's Note -- Introduction -- 1 Embodied Experience -- Identity, Sexuality, and Gender -- Lori Baldwin -- Anne Bean -- Rosana Cade and Will Dickie -- Esther Marveta Neff -- Niko Wearden -- Cultural Contexts -- Jamal Harewood -- Regina José Galindo -- Health and Dis/Ability -- Katherine Araniello -- Kamil Guenatri -- 2 The Rapture and Rupture of the Lived Body -- Rapture -- Rocio Boliver -- Louis Fleischauer -- Weeks and Whitford -- Rupture -- Hellen Burrough -- Arianna Ferrari -- Ernst Fischer -- 3 The Intersubjectivity and Intercorporeality of Noise and Sonic Arts -- Sound through the Body -- Sarah Glass -- Joke Lanz -- Mother Disorder -- Sound through Collaboration -- FK Alexander -- Clive Henry and Yol -- 4 The Perception of Self/s -- Vulnerability -- Helena Goldwater -- Natalie Ramus -- Helen Spackman -- Failure -- Chelsea Coon -- Selina Bonelli -- Heather Sincavage -- Extremis -- tjb -- Hancock and Kelly -- Niko Raes -- Postface The Argument for Queering 'The Origin of the Work of Art' -- Manifesto for Performance Artist as Artwork -- Notes -- Bibliography -- Back Cover.
520			_aAn introduction to the study and application of performance art through phenomenology for radical artists, educators and practitioner-researchers. Features exercises to activate your practice, clear introductory definitions to key phenomenological terms, and a multimodal design that lets the reader choose how to read the book. 36 illus.
588			_aDescription based on publisher supplied metadata and other sources.
590			_aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650		0	_aPerformance art.
650		0	_aPhenomenology.
655		4	_aElectronic books.
776	0	8	_iPrint version: _aBacon, T. J. _tAn Introduction to the Phenomenology of Performance Art _dBristol : Intellect, Limited,c2022 _z9781789385304
797	2		_aProQuest (Firm)
856	4	0	_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=7002706 _zClick to View
999			_c30897 _d30897