| 000 | 04758nam a22004453i 4500 | ||
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| 001 | EBC6853680 | ||
| 003 | MiAaPQ | ||
| 005 | 20240724115344.0 | ||
| 006 | m o d | | ||
| 007 | cr cnu|||||||| | ||
| 008 | 240724s2020 xx o ||||0 eng d | ||
| 020 |
_a9789004431942 _q(electronic bk.) |
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| 020 | _z9789004382664 | ||
| 035 | _a(MiAaPQ)EBC6853680 | ||
| 035 | _a(Au-PeEL)EBL6853680 | ||
| 035 | _a(OCoLC)1293256908 | ||
| 040 |
_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ |
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| 050 | 4 | _aN6953.R4 .G653 2020 | |
| 100 | 1 | _aGolahny, Amy. | |
| 245 | 1 | 0 | _aRembrandt -- Studies in His Varied Approaches to Italian Art. |
| 250 | _a1st ed. | ||
| 264 | 1 |
_aBoston : _bBRILL, _c2020. |
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| 264 | 4 | _c©2020. | |
| 300 | _a1 online resource (288 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 490 | 1 |
_aBrill's Studies in Intellectual History Series ; _vv.317 |
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| 505 | 0 | _aIntro -- Contents -- Preface -- Acknowledgements -- Illustrations -- Chapter 1 Prologue: Setting the Stage -- 1 Who Did, or Did Not, Travel to Italy -- 2 Dutch Artists Who Painted Italy at Second Hand -- 3 Jacob van Swanenburg and Pieter Lastman in Italy -- 4 Advice about Travel -- 5 On the Road in Italy: Nicholas Stone Jr. -- 6 The Material Evidence: Collecting Italian Art in Holland -- 7 Van Mander's Account of Remarkable Italian Paintings in Dutch Collections -- 8 A Sampling of Amsterdam Collections: 1630-1660 -- 9 Rembrandt at the Art Market -- 10 A Contrast in Collecting: Joachim von Sandrart in Amsterdam and Bavaria -- Chapter 2 Attitudes: Critical, Admiring, and Curious toward Rembrandt -- 1 Rembrandt's Acquaintances Condemn His Disregard for Italian Values: Huygens, Sandrart and De Lairesse -- 2 Pels, De Decker, and De Geest: Polarizing Attitudes -- 3 Rembrandt's Singular Manner: Houbraken -- 4 Rembrandt's Naturalism in Stefano della Bella's Model Books -- 5 Rembrandt's Goal in Art -- Chapter 3 Rembrandt's Collection and How He Used It: the Canonical and the Unusual -- 1 Drawing from the Original: Mantegna, Leonardo, Raphael, Titian -- 2 Reminiscences and Variations -- 3 Life Study Fused with Art -- 4 Sculpture as Substitute for Life Study -- Chapter 4 Pragmatic Solutions -- 1 Borrowed Plumes Easily Disguised -- 2 The Supper at Emmaus of c. 1629 -- 3 Rembrandt and the Madonna of the Rosary: Structuring the Stage -- 4 Judas Returning the 30 Pieces of Silver: Caravaggio and Leonardo da Vinci -- 5 Two People in One Frame -- 5.1 The Shipbuilder and his Wife, 1633: Griet Jans Interrupting Jan Rijcksen at Work -- 5.2 The Ruffo Aristotle and the Bust of Homer, 1653 -- 5.3 The Ruffo Homer, 1663 -- Chapter 5 Appropriating for Commentary: Rembrandt's Critique of Titian, Raphael, and Leonardo. | |
| 505 | 8 | _a1 Christ Driving the Money Changers from the Temple: the 1626 Painting and the 1635 Etching -- 2 The Hundred Guilder Print: Exploiting Raphael, Michelangelo, Leonardo -- 2.1 Raphael's Il Morbetto -- 2.2 Raphael's School of Athens -- 2.3 Michelangelo's Prince -- 2.4 Leonardo's Last Supper -- Chapter 6 Appropriation and Deviation: Responding for Alternatives -- 1 Diana and Actaeon with Callisto and Nymphs: Referencing the Italians -- 2 The Flute Player and Flower Girl: an Alternative to Titian -- 3 The Female Nude -- 3.1 Danae, 1636+ -- 3.2 Bathsheba, 1654 -- 3.3 A Woman Bathing in a Stream (Callisto), 1654 -- Chapter 7 Rembrandt Perceived by the Italians: Castiglione, the Ruffo Collection, and La Maniera Gagliarda -- 1 Giovanni Benedetto Castiglione: Inspired Improvisations -- 2 Rembrandt's Ruffo Series -- 3 Abraham Brueghel's Intermediary Role in the Ruffo Commissions -- 4 Guercino: Business-like, Efficient, and Respectful -- 5 Preti: Grudging Accommodation -- 6 Salvator Rosa: Independent, Arrogant, and Uncooperative -- 7 Brandi: Eager to Please -- 8 La Maniera Gagliarda -- 9 Baciccio: the Last Word -- Bibliography -- Index. | |
| 520 | _aA survey into Rembrandt's references to Italian art and contemporary attitudes toward the artist. | ||
| 588 | _aDescription based on publisher supplied metadata and other sources. | ||
| 590 | _aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
| 650 | 0 | _aArt, Dutch-Italian influences. | |
| 655 | 4 | _aElectronic books. | |
| 776 | 0 | 8 |
_iPrint version: _aGolahny, Amy _tRembrandt -- Studies in His Varied Approaches to Italian Art _dBoston : BRILL,c2020 _z9789004382664 |
| 797 | 2 | _aProQuest (Firm) | |
| 830 | 0 | _aBrill's Studies in Intellectual History Series | |
| 856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=6853680 _zClick to View |
| 999 |
_c29739 _d29739 |
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