| 000 | 05728nam a22004933i 4500 | ||
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| 001 | EBC6801931 | ||
| 003 | MiAaPQ | ||
| 005 | 20240724115306.0 | ||
| 006 | m o d | | ||
| 007 | cr cnu|||||||| | ||
| 008 | 240724s2020 xx o ||||0 eng d | ||
| 020 |
_a9780429792830 _q(electronic bk.) |
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| 020 | _z9781138347304 | ||
| 035 | _a(MiAaPQ)EBC6801931 | ||
| 035 | _a(Au-PeEL)EBL6801931 | ||
| 035 | _a(OCoLC)1285172457 | ||
| 040 |
_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ |
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| 050 | 4 | _aN72.S3 R688 2021 | |
| 082 | 0 | _a701.05 | |
| 100 | 1 | _aRogers, Hannah. | |
| 245 | 1 | 0 | _aRoutledge Handbook of Art, Science, and Technology Studies. |
| 250 | _a1st ed. | ||
| 264 | 1 |
_aOxford : _bTaylor & Francis Group, _c2020. |
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| 264 | 4 | _c©2021. | |
| 300 | _a1 online resource (723 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 505 | 0 | _aCover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of figures -- List of tables -- Foreword by Caroline A. Jones -- Foreword by Trevor Pinch -- Notes on contributors -- Introduction : The past, present, and future of Art, Science, and Technology Studies -- SECTION 1 Constructing borders and borders at the intersections of art and science -- 1 What counts as data and for whom? The role of the modest witness in art-science collaboration -- 2 What can science and technology studies learn from art and design? Reflections on 'Synthetic Aesthetics' -- 3 The skin of a living thought: art, science, and STS in practice -- 4 Aesthetic strategies for engaging with environmental governance -- SECTION 2 Making multidisciplinary histories -- 5 The art-science complex -- 6 Infrastructural inversions in sound art and STS -- 7 Emotion, affect and participation: why science communication practitioners should embrace a feminist ethics of care in their work -- 8 Robert Hooke's Micrographia: a historical guide to navigating contemporary image s -- 9 The Xenopus pregnancy test: a performative experiment -- SECTION 3 Methods and modes -- 10 Doing research by means of art -- 11 More than human trading zones in design research and pedagogy -- 12 Discovering alternative technological futures through literature -- 13 Art's Work in the Age of Biotechnology: how art can make arguments in science and technology studies -- 14 Recipes for Technoutopia: on hospitality and infrastructure as experimental performance -- 15 Reflexivity practiced daily: theatricality in the performative doing of STS -- SECTION 4 Collaborations and collisions in art-science -- 16 Trading between science and art worlds: from biology laboratory to art exhibition -- 17 Art, artists, and the wrong kind of science education. | |
| 505 | 8 | _a18 Negotiations and love songs: integration, fairness, and balance in an art-science collaboration -- 19 Transdisciplinary co-inquiry as curatorial methodology: from the Canadian Arctic to the Calder Valley, Yorkshire -- SECTION 5 Institutions and infrastructures -- 20 ArtSciLab: experimental publishing and knowledge production in collaborative transdisciplinary practice s -- 21 Polymathic pedagogies: creating the conditions for interdisciplinary enquiry in art and science -- 22 The future of arts integrative work: creating new avenues for advancing and expanding the field -- 23 Feasting the Lab and other projects: art and science that skirts the limits of institutional frameworks -- SECTION 6 Democracy and activism -- 24 We're all living in an Estroworld -- 25 Rustbelt Theater and citizen science: children's environmental justice narratives -- 26 Artificial intelligence experience: participatory art workshops to explore AI imaginaries -- 27 Human germline gene editing is bioart: an open letter to Lulu and Nana -- SECTION 7 Art as partner and critic -- 28 The power of generative critique in art-energy projects -- 29 Hemlock Hospice: landscape ecology, art, and design as science communication -- 30 Horizons of engagement: infrastructures of art and scholarship -- 31 Big pigs, small wings: on genohype and artistic autonomy -- SECTION 8 Exposure to the elements -- 32 In the Middle of Something: in Search of Meso-Aesthetics -- 33 Curating in-between systems Politics, ecology, and art -- 34 The future now: three tales of ocean plastic -- 35 Becoming disaster literate: reflections on X AND BEYOND (2015-2017) -- 36 An Anthropocene journey: walking as embodied research -- 37 As we used to float: within Bikini Atoll -- SECTION 9 Atmospherics -- 38 Archiving Atmosphere -- 39 Becoming tornadic: a meteorology of media. | |
| 505 | 8 | _a40 Environ/mental ecologies in new media art -- 41 Changing imaginaries and new technoecologies of urban air -- 42 Variations on air -- SECTION 10 Gallery -- Index. | |
| 520 | _aThis handbook defines the modes, practices, crucial literature, and research interests of this emerging field of Art and Science Studies. | ||
| 588 | _aDescription based on publisher supplied metadata and other sources. | ||
| 590 | _aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
| 650 | 0 | _aArt and technology. | |
| 650 | 0 | _aArt and science. | |
| 655 | 4 | _aElectronic books. | |
| 700 | 1 | _aHalpern, Megan. | |
| 700 | 1 | _aHannah, Dehlia. | |
| 700 | 1 | _ade Ridder-Vignone, Kathryn. | |
| 776 | 0 | 8 |
_iPrint version: _aRogers, Hannah _tRoutledge Handbook of Art, Science, and Technology Studies _dOxford : Taylor & Francis Group,c2020 _z9781138347304 |
| 797 | 2 | _aProQuest (Firm) | |
| 856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=6801931 _zClick to View |
| 999 |
_c29133 _d29133 |
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