000			03555nam a22004453i 4500
001			EBC6379010
003			MiAaPQ
005			20240724114626.0
006			m o d |
007			cr cnu||||||||
008			240724s2016 xx o ||||0 eng d
020			_a9781350225206 _q(electronic bk.)
020			_z9781474288866
035			_a(MiAaPQ)EBC6379010
035			_a(Au-PeEL)EBL6379010
035			_a(OCoLC)1202224916
040			_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ
050		4	_aML197 .A313 2016
082	0		_a780.9/04
100	1		_aAdorno, Theodor W.
245	1	0	_aPhilosophy of Modern Music.
250			_a1st ed.
264		1	_aLondon : _bBloomsbury Publishing Plc, _c2016.
264		4	_c©2016.
300			_a1 online resource (201 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	1		_aBloomsbury Revelations Series
505	0		_aIntro -- Title Page -- Copyright Page -- Contents -- Translators' Introduction -- Preface -- Introduction -- Choice of subject matter -- New conformism -- False musical consciousness -- 'Intellectualism' -- Modern music unprotected -- The antinomy of modern music -- Growing indifferentism -- On method -- Schoenberg and Progress -- Disturbance of the work -- Inherent tendency of musical material -- Schoenberg's criticism of illusion and play -- Dialectics of loneliness -- Loneliness as style -- Expressionism as objectivity -- Total organization of the elements of music -- Total development -- The concept of twelve-tone technique -- Musical domination of nature -- Loss of freedom -- Twelve-tone melos and rhythm -- Differentiation and coarsening -- Harmony -- Instrumental timbre -- Twelve-tone counterpoint -- Function of counterpoint -- Form -- The composers -- Avant-garde and theory -- The renunciation of material -- Cognitive character -- Attitude towards society -- Stravinsky and Restoration -- Authenticity -- Sacrifice and the absence of intention -- The hand organ as a primeval phenomenon -- Sacre and African sculpture -- Technical elements in Sacre -- 'Rhythm' -- Identification with the collective -- Archaism, modernism, infantilism -- Permanent regression and musical form -- The psychotic aspect -- Ritual -- Alienation as objectivity -- Fetishism of the means -- Depersonalization -- Hebephrenia -- Catatonia -- Music about music -- Denaturation and simplification -- Dissociation of time -- Music - a pseudomorphism of painting -- Theory of ballet music -- Modes of listening -- The deception of objectivism -- The final trick -- Neoclassicism -- Experiments in expansion -- Schoenberg and Stravinsky -- Note to the third edition -- Notes -- Translators' Introduction -- Preface -- Introduction -- Schoenberg and Progress -- Stravinsky and Restoration.
505	8		_aIndex.
588			_aDescription based on publisher supplied metadata and other sources.
590			_aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650		0	_aStravinsky, Igor,-1882-1971-Criticism and interpretation.
655		4	_aElectronic books.
776	0	8	_iPrint version: _aAdorno, Theodor W. _tPhilosophy of Modern Music _dLondon : Bloomsbury Publishing Plc,c2016 _z9781474288866
797	2		_aProQuest (Firm)
830		0	_aBloomsbury Revelations Series
856	4	0	_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=6379010 _zClick to View
999			_c22024 _d22024