000 | 03384nam a22004813i 4500 | ||
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001 | EBC5394446 | ||
003 | MiAaPQ | ||
005 | 20240724113153.0 | ||
006 | m o d | | ||
007 | cr cnu|||||||| | ||
008 | 240724s2018 xx o ||||0 eng d | ||
020 |
_a9781501330063 _q(electronic bk.) |
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020 | _z9781501330056 | ||
035 | _a(MiAaPQ)EBC5394446 | ||
035 | _a(Au-PeEL)EBL5394446 | ||
035 | _a(CaPaEBR)ebr11556830 | ||
035 | _a(OCoLC)1014002404 | ||
040 |
_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ |
||
050 | 4 | _aN6918 .P678 2018 | |
082 | 0 | _a709.45/0904 | |
100 | 1 | _aHecker, Sharon. | |
245 | 1 | 0 |
_aPostwar Italian Art History Today : _bUntying 'the Knot'. |
250 | _a1st ed. | ||
264 | 1 |
_aNew York : _bBloomsbury Publishing USA, _c2018. |
|
264 | 4 | _c©2018. | |
300 | _a1 online resource (322 pages) | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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490 | 1 | _aCriminal Practice Series | |
505 | 0 | _aCover -- Half-title -- Title -- Copyright -- Contents -- List of Figures -- List of Contributors -- Acknowledgements -- Introduction -- Section I: Reconsidering the Weight of Italy -- 1. "Yes, but are you Italian?" Considering the Legacy of Italianità in Postwar and Contemporary Italian Art -- 2. Learning from Artists: Methodological Notes on Postwar Italian Art History -- 3. Gianni Pettena and Ugo La Pietra: Crossing the Boundaries Between Theory and Practice -- 4. Our Lady of Warka: Gino De Dominicis and the Search for Immortality -- Section II: Re-imagining Realism -- 5. Transatlantic Exchanges. Piero Dorazio: Non-objective Art vs. Abstract Expressionism? -- 6. Gleaning Italian Pop, 1960-6: The 1964 Venice Biennale, Renato Mambor's "Thread," and Pop as a Global Phenomenon -- 7. Photography, Visual Poetry, and Radical Architecture in the Early Works of Franco Vaccari -- Section III: Rethinking Modes of Patronage -- 8. Buying Marino Marini: The American Market for Italian Art after World War II -- 9. A House No Longer Divided: Patronage, Pluralism, and Creative Freedom in Italian Pre- and Postwar Art -- 10. Co-research and Art: Danilo Montaldi's Horizontal Production of Knowledge -- 11. Shaping and Reshaping: Private and Institutional Patronage -- Section IV: Reassessing Arte Povera -- 12. Isolated Fragments? Disentangling the Relationship Between Arte Povera and Medardo Rosso -- 13. Gilberto Zorio's Radical Fluidity -- 14. Summer Solstice AD MCMLXIII: Luciano Fabro's Early Works -- 15. Transatlantic Arte Povera -- Index. | |
588 | _aDescription based on publisher supplied metadata and other sources. | ||
590 | _aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
650 | 0 | _aArt, Italian-20th century-Historiography. | |
650 | 0 | _aArt criticism-History-20th century. | |
650 | 0 | _aArt criticism-History-21st century. | |
655 | 4 | _aElectronic books. | |
700 | 1 | _aSullivan, Marin. | |
776 | 0 | 8 |
_iPrint version: _aHecker, Sharon _tPostwar Italian Art History Today _dNew York : Bloomsbury Publishing USA,c2018 _z9781501330056 |
797 | 2 | _aProQuest (Firm) | |
830 | 0 | _aCriminal Practice Series | |
856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5394446 _zClick to View |
999 |
_c1955 _d1955 |