| 000 | 05932nam a22004693i 4500 | ||
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| 001 | EBC6262779 | ||
| 003 | MiAaPQ | ||
| 005 | 20240724114417.0 | ||
| 006 | m o d | | ||
| 007 | cr cnu|||||||| | ||
| 008 | 240724s2020 xx o ||||0 eng d | ||
| 020 |
_a9781351583664 _q(electronic bk.) |
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| 020 | _z9781138296930 | ||
| 035 | _a(MiAaPQ)EBC6262779 | ||
| 035 | _a(Au-PeEL)EBL6262779 | ||
| 035 | _a(OCoLC)1175918266 | ||
| 040 |
_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ |
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| 050 | 4 | _aGT525 .F374 2020 | |
| 082 | 0 | _a391 | |
| 100 | 1 | _aBarnard, Malcolm. | |
| 245 | 1 | 0 |
_aFashion Theory : _bA Reader. |
| 250 | _a2nd ed. | ||
| 264 | 1 |
_aOxford : _bTaylor & Francis Group, _c2020. |
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| 264 | 4 | _c©2021. | |
| 300 | _a1 online resource (847 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 490 | 1 | _aRoutledge Student Readers Series | |
| 505 | 0 | _aCover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Contents -- List of figures -- List of table -- Preface to the second edition -- Introduction -- PART ONE Fashion and fashion theories -- Introduction -- 1 Explaining it Away -- 2 The Empire of Fashion: Introduction -- 3 Adorned in Zeitgeist -- 4 Haute Couture and Haute Culture -- PART TWO What fashion is and is not -- Introduction -- 5 Fashion -- 6 Art -- 7 Antifashion: The Vicissitudes of Negation -- 8 Fashion -- 9 Extract from Fashion and Anti Fashion -- PART THREE Fashion and (the) image -- Introduction -- 10 Fashion Photography -- 11 Going Beyond 'The Fashion System': A Critique -- 12 'Doing Fashion Photographs' -- 13 Introduction: Aboud Sodano and Paul Smith -- PART FOUR Sustainable fashion -- Introduction -- 14 Consumers' Perceptions of 'Green': Why and How Consumers Use Eco-Fashion and Green Beauty Products -- 15 Fashion, Needs and Consumption -- 16 Fashion and Sustainability: Repairing the Clothes we Wear -- PART FIVE Fashion as communication -- Introduction -- 17 Social Life as a Sign System -- 18 The Analysis of the Rhetorical System -- 19 Do Clothes Speak? What Makes them Fashion? -- 20 When the Meaning is not a Message: A Critique of the Consumption as Communication Thesis -- 21 "Fashion as Communication Revisited" -- PART SIX Fashion: identity and difference -- Introduction -- 22 Express Yourself: The Politics of Dressing Up -- 23 Objectifying Gender: The Stiletto Heel -- 24 'Power Dressing' and the Construction of the Career Woman -- 25 From Gay to Queer - Or, Wasn't Fashion Always Already a Very Queer Thing? -- 26 Lesbian Style: From Mannish Women to Lipstick Dykes -- 27 Popular Fashion and Working-Class Affluence -- 28 Fashion: From Class Differentiation to Collective Selection -- 29 Great Aspirations: Hip Hop and Fashion Dress for Excess and Success. | |
| 505 | 8 | _a30 Taste and Distinction: The Politics of Style -- 31 Islamic Fashions Cape -- 32 You Should Understand, It's a Freedom Thing: The Stoned Cherrie-Steve Biko T-Shirt -- PART SEVEN Fashion, clothes and the body -- Introduction -- 33 Addressing the Body -- 34 Deviant Bodies and Suitable Clothes -- 35 "My Leg is a Giant Stiletto Heel": Fashioning the Prosthetised Body -- 36 Fashion, Clothes and the Body -- PART EIGHT Fashion: production, consumption, prosumption -- Introduction -- 37 The Crossroad Between Production and Consumption -- 38 Consuming or Living with Things? Wearing it out -- 39 Reconceptualising Prosumption Beyond the 'Cultural Turn': Passive Fashion Prosumption in Korea and China -- 40 Attentiveness, Materials, and their use: The Stories of Never Washed, Perfect Piece and My Community -- 41 The Little Black Dress is the Solution, but what is the Problem? -- PART NINE Modern fashion -- Introduction -- 42 Adorned in Dreams: Introduction -- 43 Modernism and Fashion: A Social Psychological Interpretation -- 44 Public Roles/Personality in Public -- 45 Walter Benjamin: Fashion, Modernity and the City Street -- PART TEN Postmodern fashion -- Introduction -- 46 The Ideological Genesis of Needs/Fetishism and Ideology -- 47 Fashion, or the Enchanting Spectacle of the Code -- 48 A Tale of Inscription/Fashion Statements -- 49 Deconstruction Fashion: The Making of Unfinished, Decomposing and Re-Assembled Clothes -- PART ELEVEN Digital/new media and fashion -- Introduction -- 50 Narcissism, Femininity and Alienation -- 51 Personal Fashion Blogs: Screens and Mirrors in Digital Self-Portraits -- 52 Bringing Sexy Back: Reclaiming the Body Aesthetic Via Self-Shooting -- 53 Mediatization and Digital Media in the Field of Fashion -- PART TWELVE Global and transnational fashion -- Introduction -- 54 Globalization and Colonialism. | |
| 505 | 8 | _a55 Extract from Global Fashion Local Tradition -- 56 Transnational Commodity Flows and the Global Phenomenon of the Brand -- 57 The Art of Dressing: Body, Gender, and Discourse on Fashion in Soviet Russia in the 1950s and 1960s -- 58 Hong Kong Fashion Designers as Cultural Intermediaries: Out of Global Garment Production -- Index. | |
| 520 | _aThis thoroughly revised and updated edition of Fashion Theory: A Reader brings together and presents a wide range of essays on fashion theory that will engage and inform both the general reader and the specialist student of fashion. | ||
| 588 | _aDescription based on publisher supplied metadata and other sources. | ||
| 590 | _aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
| 650 | 0 | _aFashion-Social aspects. | |
| 655 | 4 | _aElectronic books. | |
| 776 | 0 | 8 |
_iPrint version: _aBarnard, Malcolm _tFashion Theory _dOxford : Taylor & Francis Group,c2020 _z9781138296930 |
| 797 | 2 | _aProQuest (Firm) | |
| 830 | 0 | _aRoutledge Student Readers Series | |
| 856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=6262779 _zClick to View |
| 999 |
_c19355 _d19355 |
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