000 05588nam a22004453i 4500
001 EBC6128221
003 MiAaPQ
005 20240724114139.0
006 m o d |
007 cr cnu||||||||
008 240724s2020 xx o ||||0 eng d
020 _a9780429946462
_q(electronic bk.)
020 _z9781138596481
035 _a(MiAaPQ)EBC6128221
035 _a(Au-PeEL)EBL6128221
035 _a(OCoLC)1142101880
040 _aMiAaPQ
_beng
_erda
_epn
_cMiAaPQ
_dMiAaPQ
050 4 _aPN2053
_b.P334 2020
082 0 _a792.028
100 1 _aPace, Chelsea.
245 1 0 _aStaging Sex :
_bBest Practices, Tools, and Techniques for Theatrical Intimacy.
250 _a1st ed.
264 1 _aOxford :
_bTaylor & Francis Group,
_c2020.
264 4 _c©2020.
300 _a1 online resource (139 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
505 0 _aCover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Brief Contents -- Detailed Contents -- Foreword -- Acknowledgements -- Introduction -- The Old Approaches -- Old Approach: "Just Kiss Each Other!" -- Old Approach: The Actors Talk It Through -- Old Approach: The Actors Talk It Through (Over There) -- Old Approach: Show, Don't Tell -- Old Approach: Let the Choreographer Do It -- Old Approach: The Sharing Circle -- Old Approach: Chemistry Lessons -- Getting Better at Staging Sex -- What the Old Approaches Ignored -- The Power in the Room: the Director -- The Power of the Room: Human Psychology -- How This Book Can Help: Three Big Ideas -- Create a Culture of Consent -- Desexualize the Process -- Choreograph It -- Who I Am and What This Book Is -- CHAPTER 1. Tools and Techniques -- Environmental Factors -- The Boundary Tools -- Button -- Games for Practicing "No" and Button -- Simon Says (with Some Twists) -- The Circle Game (or "Yes" with a Twist) -- Fences -- Gates -- The Boundary Practice -- Boundary Practice Modification -- What to Say: The First Time through the Boundary Practice -- Group Boundary Practice -- Quick Check-Ins -- Navigating Resistance -- Placeholders -- De-Roling -- Stop Stepping In -- Boundary Breakers -- Joking Around -- Additional Boundaries -- Making Mistakes -- CHAPTER 2. The Ingredients -- Opening and Closing Distance -- Opening and Closing Hands -- Telling Stories -- Directing Distance -- Levels of Touch -- Level 1: Skin/Powder/Touching -- Level 2: Muscle/Paint/Moving -- Level 3: Bone/Clay/Pulling -- Tips for Using Levels of Touch -- Choreographing with Levels of Touch -- Tempo and Counts -- Trying Counts -- Putting It Together -- The Shapes -- Arcs (or Curves) -- Angles (or Lines) -- Figure Eights -- Putting It on Its Feet -- Destination -- Eye Contact -- Try It with a Partner -- Other Applications.
505 8 _aVisible Power Shifts -- Try Visible Power Shifts -- Using What Ifs and Visible Power Shifts -- Breath and Sound -- Short and Long -- Shallow and Deep -- High and Low -- Sharp -- Vowels and Consonants -- Putting Voice, Breath, and Movement Together -- Gravity and Weight -- Playing with Gravity -- Playing with Weight -- Combinations with Gravity and Weight -- Kissing -- Ground Rules -- Talk about that Kiss -- Opening and Closing Distance -- Counts -- Level of Touch -- Destination -- The Kiss Conversation -- Trying It with Your Hands -- Common Fixes for Bad Kisses -- Alternatives to Kisses -- Putting the Ingredients to Work -- Choreographing -- Tweaking -- Documenting -- Writing Recipes -- Notating and Coaching Choreography -- Actor Documentation -- Production Documentation -- Practicing with an Open Scene -- CHAPTER 3. Staging Intimacy -- Who is in the Room -- Vulnerability -- Practicing Vulnerability -- Partner Up -- Put It in Motion -- Introduce Touch -- Moving Together -- Staging Sexual Violence -- De-Roling in Sexual Violence -- Staging Nudity -- Have a Backup Plan -- Additional Thoughts -- CHAPTER 4. Recipes -- Embrace -- Variations -- Kiss -- Variations -- Oral Sex -- Masturbation and/or Digital Stimulation -- Penetrative Sex -- Feeling and Touching -- Teasing -- Removing Clothes -- Intimacy with Lots of Text -- Stylization -- CHAPTER 5. Production Logistics -- Company and Department Policies -- Chain of Communication -- Casting -- Audition Disclosure Form -- Placeholders in Auditions -- Recasting and Reimagining -- Rehearsal Schedules -- Intimacy Calls -- Intimacy Choreographers -- Staffing the Production -- Considerations for Designers and Technicians -- Front of House Staff and Ushers -- Content Warnings -- Boundaries with the Audience -- Talkbacks -- Post-Show Reviews -- CHAPTER 6. Staging Sex: A-Z -- Strategies for Actors.
505 8 _aStrategies for Teachers -- The Cheat Sheet -- APPENDIX Theatrical Intimacy Education -- Index.
520 _aStaging Sex lays out a comprehensive, practical solution for staging intimacy, nudity, and sexual violence, whether in rehearsal or in the classroom.
588 _aDescription based on publisher supplied metadata and other sources.
590 _aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650 0 _aTheater-Production and direction.
655 4 _aElectronic books.
776 0 8 _iPrint version:
_aPace, Chelsea
_tStaging Sex
_dOxford : Taylor & Francis Group,c2020
_z9781138596481
797 2 _aProQuest (Firm)
856 4 0 _uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=6128221
_zClick to View
999 _c16508
_d16508