000 | 04768nam a22004573i 4500 | ||
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001 | EBC5264531 | ||
003 | MiAaPQ | ||
005 | 20240729131742.0 | ||
006 | m o d | | ||
007 | cr cnu|||||||| | ||
008 | 240724s2017 xx o ||||0 eng d | ||
020 |
_a9781786732750 _q(electronic bk.) |
||
020 | _z9781784531980 | ||
035 | _a(MiAaPQ)EBC5264531 | ||
035 | _a(Au-PeEL)EBL5264531 | ||
035 | _a(CaPaEBR)ebr11509685 | ||
035 | _a(OCoLC)1022792727 | ||
040 |
_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ |
||
050 | 4 | _aPN1993.5.P6 .P678 2018 | |
082 | 0 | _a791.4309469 | |
100 | 1 | _aLiz, Mariana. | |
245 | 1 | 0 |
_aPortugal's Global Cinema : _bIndustry, History and Culture. |
250 | _a1st ed. | ||
264 | 1 |
_aLondon : _bI. B. Tauris & Company, Limited, _c2017. |
|
264 | 4 | _c©2017. | |
300 | _a1 online resource (307 pages) | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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490 | 1 | _aWorld Cinema Series | |
505 | 0 | _aCover -- Author biography -- Series -- Title -- Copyright -- Dedication -- Contents -- List of Illustrations -- Acknowledgements -- List of Contributors -- Introduction: Framing the Global Appeal of Contemporary Portuguese Cinema -- Portuguese cinema on the international stage -- Cinema of small nations: between globalization and internationalization -- Key issues in contemporary Portuguese cinema -- 1 Filming Narratives Becoming Events: Documentary and the 'Emplotments' of the Carnation Revolution -- Narratives of the Carnation Revolution: an introduction -- Scenes from the class struggle in Portugal -- Revolution as narrative -- 2 Our Beloved Month of August: Between the Filming of the Real and the Reality of Filming -- The reality of filming -- Filming of the real -- Just so: love for reality, desire for cinema -- Conclusion: the section which isn't there -- 3 Political Oliveira -- Legacy of the empire -- 4 Portugal, Europe and the World: Geopolitics and the Human Condition in Manoel de Oliveira's Films -- Regional/National -- Supranational/Transnational/Global -- Universal/Local -- Conclusion -- 5 Amália (2008): Stories of a Singer and Tales of a National Cinema -- Amália and fado biographies -- Between Hollywood melodrama and national Portuguese cinema -- 6 La Cage Dorée/The Gilded Cage: A Franco-Portuguese Comedy of Integration -- French comedy of integration -- Negotiating Portuguese stereotypes -- Music, nostalgia, modernity -- Conclusion -- 7 Cinema and the City in European Portugal -- The complex relationship between Portugal and Europe -- Lisbon Story and European postcards -- Portugal, Europe and heritage in Porto of My Childhood -- Conclusion -- 8 Contextualizing Pedro Costa's Digital Filmmaking -- Digital cinema as a (low-budget) production paradigm -- Filmmaking at the interstices -- Authorship renegotiated -- Conclusion. | |
505 | 8 | _a9 Broken Links: The Cinema of Teresa Villaverde -- The holy family -- Forms and transformations -- Figures and feelings -- 10 Mysteries of Raúl Ruiz's Portugal: Territory, Littoral, City and Memory Bridge -- Portugal as Ruizian territory -- Three Crowns of a Sailor (1982), City of Pirates (1983) and impossible cartographies -- Mysteries of Lisbon and mysteries of enchantment -- 11 White Faces/Black Masks: The White Woman's Burden in Pedro Costa's Down to Earth -- Remaking Hollywood? Volcanoes, zombies, crazy women -- Neo-colonial gaze, desire and sexuality -- Female embodiment of male masochism: between science and sexuality -- Conclusion: a dystopian Island of Love? -- 12 Light Drops: Portugal Critically Reviewing the Colonial Past? -- Light Drops as post-colonial film -- Rui Pedro's two families -- Post-colonialism and nostalgia? -- 13 Colonialism as Fantastic Realism in Tabu -- Historical detours -- The non-story and the index -- Fantasy as truth procedure -- 14 Luso-Brazilian Co-Productions: Rescue and Expansion -- Globalization and the national cinemas of Brazil and Portugal -- The role of co-productions in Brazilian and Portuguese cinema -- Conclusion -- Bibliography -- Index. | |
588 | _aDescription based on publisher supplied metadata and other sources. | ||
590 | _aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
650 | 0 | _aMotion picture industry. | |
655 | 4 | _aElectronic books. | |
776 | 0 | 8 |
_iPrint version: _aLiz, Mariana _tPortugal's Global Cinema _dLondon : I. B. Tauris & Company, Limited,c2017 _z9781784531980 |
797 | 2 | _aProQuest (Firm) | |
830 | 0 | _aWorld Cinema Series | |
856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5264531 _zClick to View |
999 |
_c135784 _d135784 |