000 | 03293nam a22004573i 4500 | ||
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001 | EBC5217770 | ||
003 | MiAaPQ | ||
005 | 20240729131712.0 | ||
006 | m o d | | ||
007 | cr cnu|||||||| | ||
008 | 240724s2017 xx o ||||0 eng d | ||
020 |
_a9783110590876 _q(electronic bk.) |
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020 | _z9783110491357 | ||
035 | _a(MiAaPQ)EBC5217770 | ||
035 | _a(Au-PeEL)EBL5217770 | ||
035 | _a(CaPaEBR)ebr11498102 | ||
035 | _a(OCoLC)1020031954 | ||
040 |
_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ |
||
050 | 4 | _aTR113.5 .I535 2018 | |
082 | 0 | _a770.956 | |
100 | 1 | _aRitter, Markus. | |
245 | 1 | 4 |
_aThe Indigenous Lens? : _bEarly Photography in the near and Middle East. |
250 | _a1st ed. | ||
264 | 1 |
_aBerlin/Boston : _bWalter de Gruyter GmbH, _c2017. |
|
264 | 4 | _c©2018. | |
300 | _a1 online resource (372 pages) | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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490 | 1 |
_aStudies in Theory and History of Photography Series ; _vv.8 |
|
505 | 0 | _aIntro -- Contents -- FOREWORD -- NOTE ON TRANSLITERATION -- Introduction: Early Photography in the Near and Middle East and the Notion of an "Indigenous Lens" -- Histories -- The Search for an Ottoman Vernacular Photography -- Photography during the Qajar Era, 1842-1925 -- Biographies -- Geographies Traced and Histories Told: Photographic Documentation of Land and People by ʿAbdollah Mirza Qajar, 1880s-1890s -- Early Photography of the Holy Sites of Islam in the Arabian Peninsula -- Relocating Sevruguin: Contextualizing the Political Climate of the Iranian Photographer Antoin Sevruguin (c. 1851-1933) -- Practices -- The Ottoman in Ottoman Photography: Producing Identity through its Negation -- Written Images: Poems On Early Iranian Portrait Studio Photography (1864-1930) and Constitutional Revolution Postcards (1905-1911) -- The Gate of the Bosporus: Early Photographs of Istanbul and the Dolmabahçe Palace -- The Heroic Lens: Portrait Photography of Ottoman Insurgents in the Nineteenth-Century Balkans-Types and Uses -- lass Plates and Kodak Cameras: Arab Amateur Photography in the "Era of Film" -- Archives -- The Photography Studio of the Naseri Harem in Nineteenth-Century Iran -- The Photograph Alb ums of the Royal Golestan Palace: A Window into the Soci al Hi story of Iran during the Qajar Era -- How a Former Museum of Modern Art Curator Assembled an International History of Photography Collection for Iran in the 1970s -- Works Cited -- LIST OF CONTRIBUTORS. | |
588 | _aDescription based on publisher supplied metadata and other sources. | ||
590 | _aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
650 | 0 | _aPhotography-Middle East-History-19th century. | |
655 | 4 | _aElectronic books. | |
700 | 1 | _aScheiwiller, Staci G. | |
776 | 0 | 8 |
_iPrint version: _aRitter, Markus _tThe Indigenous Lens? _dBerlin/Boston : Walter de Gruyter GmbH,c2017 _z9783110491357 |
797 | 2 | _aProQuest (Firm) | |
830 | 0 | _aStudies in Theory and History of Photography Series | |
856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5217770 _zClick to View |
999 |
_c134861 _d134861 |