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| 001 | EBC5097220 | ||
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| 006 | m o d | | ||
| 007 | cr cnu|||||||| | ||
| 008 | 240724s2018 xx o ||||0 eng d | ||
| 020 |
_a9781787437739 _q(electronic bk.) |
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| 020 | _z9781787437746 | ||
| 035 | _a(MiAaPQ)EBC5097220 | ||
| 035 | _a(Au-PeEL)EBL5097220 | ||
| 035 | _a(CaPaEBR)ebr11534438 | ||
| 035 | _a(OCoLC)1029759662 | ||
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_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ |
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| 050 | 4 | _aHD2340.8-2346.5 | |
| 082 | 0 | _a383.7 | |
| 100 | 1 | _aJones, Candace. | |
| 245 | 1 | 0 |
_aFrontiers of Creative Industries : _bExploring Structural and Categorical Dynamics. |
| 250 | _a1st ed. | ||
| 264 | 1 |
_aBingley : _bEmerald Publishing Limited, _c2018. |
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| 264 | 4 | _c©2018. | |
| 300 | _a1 online resource (303 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 490 | 1 |
_aResearch in the Sociology of Organizations Series ; _vv.55 |
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| 505 | 0 | _aIntro -- Frontiers of Creative Industries: Exploring Structural and Categorical Dynamics -- Contents -- About the Authors -- Frontiers of Creative Industries: Exploring Structural and Categorical Dynamics -- Introduction -- Social Structures and Categories in Creative Industries -- A Relational View of Creative Industries: Exploring the Interactions of Structures and Categories -- Conclusion: The Present and Future of Creative Industries -- References -- Brokerage Styles and Interaction Rituals in Creative Projects: Toward an Interactionist Perspective on Brokerage -- Brokerage in Creative Projects: From Structure to Process to Micro-Interactions -- The Two Building Blocks of an Interactionist Perspective on Brokerage in Creative Projects: Brokerage Styles and Interaction Rituals -- A Process Model of Brokerage Styles and Interaction Rituals in Creative Projects -- Resource Gathering Phase -- Creative Development Phase -- Implementation Phase -- Discussion -- Acknowledgments -- Notes -- References -- Creative Leadership for Social Impact -- Creative Leadership and the Organizing Potential of Architecture -- Setting, Data, and Methods -- Findings: Creative Leadership Processes for Social Impact -- Facilitating: Problem Definition through Micro-interactions and Multimodality -- Integrating: Solution Synthesis through Design and Organizing -- Directing: Model Realization through Brokerage and Strategic Framing -- Scaling Up Impact: Replication and Evangelizing -- Discussion and Conclusion -- Acknowledgments -- References -- Strange Bedfellows: Art and Finance or the Monet-ization of Art -- The Art Market -- Art Investment in Historical Perspective -- Contemporary Art -- Hypotheses -- Data -- Results -- Conclusions -- Notes -- References -- Why is Style not in Fashion? Using the Concept Of "Style" to Understand the Creative Industries. | |
| 505 | 8 | _aIntroduction -- Setting the Stage: Putting Style at the Center -- Perspectives from Across the Social Sciences: Style, its Related Concepts, and the Study of the Creative Industries -- Style in Sociology: Style is not Status -- Style in Anthropology: Understanding Artifacts -- Style in Cultural Studies: Pathways to Institutionalization -- Style in Management: Stylistic Categories -- A Definition of Style -- Why Style Matters: Elements of the Evaluation of Styles -- Conclusions and Discussion -- Acknowledgments -- Biography -- Notes -- References -- The Social Structure of Consecration in Cultural Fields: The Influence of Status and Social Distance in Audience-Candidate Evaluative Processes -- Introduction -- The Allocation of Symbolic Capital in Tournament Rituals -- Status and Rewards -- Social Distance and Rewards -- Empirical Setting -- Data -- Dependent variable -- Independent variables -- Control variables -- Method -- Results -- Discussion and Conclusions -- Notes -- Acknowledgments -- References -- Institutionalizing Authenticity in the Digitized World of Music -- Introduction -- Commodifying Music, Institutionalizing Authenticity -- Commodification in the Digital Era: A Brief Analysis of the Current State of Music -- Production -- Consumption -- Selection -- Appropriation -- Classification System -- The Continued Search for Authenticity in Music -- Production -- Consumption -- Selection -- Conclusion and Future Concerns -- Acknowledgments -- Notes -- References -- Ambiguity and the Longevity of Creative Industries: The Case of Swing Through the Lens of Interdisciplinary Collaboration -- Introduction -- Overview of the Case Study -- The Roadmap for the Paper -- Conceptual Map: An Interdisciplinary Examination of Categorical Ambiguity -- Data and Method -- Analysis / Case Study. | |
| 505 | 8 | _aAn Analysis of Key Protagonists: Benny Goodman, John Hammond, and Glenn Miller -- Benny Goodman and the 1938 Carnegie Hall Concert -- John Hammond and the Spirituals to Swing Concert -- Glenn Miller, Swing as Popular Music, and Goodman's Decline -- Defining Swing: Analyses of the Themes and Binaries Associated with Definitions -- Analysis I: Definitions of Swing -- Analysis II: Relational Analysis of Major Themes of Swing Definitions -- Analysis III: Swing Phrases -- Ambiguity Affects Longevity: The Contemporary Category of Swing -- Relating the Case Study of Swing to Other Creative Industries and Categories -- Relating to Other Forms of Music -- Relating to Architecture -- Broader Considerations for "Creative Industries" -- Conceptual Implications -- Acknowledgments -- Notes -- References -- Not the Usual Suspects: Default Expectations and the Strategic Use of Categories -- Introduction -- Theory -- Strategic Use of Categories -- Typicality and Default Expectations -- Hypothesis Development -- Empirical Setting -- Methods -- Data -- Dependent Variable -- Independent Variables -- Family CEO -- Density -- Newcomer -- Corporate and Listed Group -- Control Variables -- Modeling Method -- Results -- Main Analyses -- Alternative Explanations and Further Analysis -- Discussion -- Notes -- References -- Afterword: The Creative Industries - Arts and Materiality Redux -- Phases of Change -- Origins (1965-1980) -- Cultural Turn (1980-2005) -- Uniting Material and Semiotic Approaches (2005 to Present) -- Looking Forward -- Note -- References -- Index. | |
| 520 | _aCreative industries are a growing and globally important area for both economic vitality and cultural expression of industrialized nations. This volume examines their institutional, categorical and structural dynamics to provide an overview of new trends and emerging issues in scholarship on this topic. | ||
| 588 | _aDescription based on publisher supplied metadata and other sources. | ||
| 590 | _aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
| 650 | 0 | _aCultural industries. | |
| 655 | 4 | _aElectronic books. | |
| 700 | 1 | _aMaoret, Massimo. | |
| 776 | 0 | 8 |
_iPrint version: _aJones, Candace _tFrontiers of Creative Industries _dBingley : Emerald Publishing Limited,c2018 _z9781787437746 |
| 797 | 2 | _aProQuest (Firm) | |
| 830 | 0 | _aResearch in the Sociology of Organizations Series | |
| 856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5097220 _zClick to View |
| 999 |
_c131327 _d131327 |
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