000 | 03680nam a22004333i 4500 | ||
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001 | EBC5351376 | ||
003 | MiAaPQ | ||
005 | 20240724113136.0 | ||
006 | m o d | | ||
007 | cr cnu|||||||| | ||
008 | 240724s2017 xx o ||||0 eng d | ||
020 |
_a9781527510289 _q(electronic bk.) |
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020 | _z9781527503304 | ||
035 | _a(MiAaPQ)EBC5351376 | ||
035 | _a(Au-PeEL)EBL5351376 | ||
035 | _a(CaPaEBR)ebr11547075 | ||
035 | _a(OCoLC)1031847743 | ||
040 |
_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ |
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050 | 4 | _aPR6001.U4 .L337 2017 | |
082 | 0 | _a811.52 | |
100 | 1 | _aLaarif, Boutheina Boughnim. | |
245 | 1 | 0 | _aW. H. Auden's the Healing Fountain Read Through A. Aviram's Theory of Poetic Rhythm. |
250 | _a1st ed. | ||
264 | 1 |
_aNewcastle-upon-Tyne : _bCambridge Scholars Publishing, _c2017. |
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264 | 4 | _c©2018. | |
300 | _a1 online resource (255 pages) | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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505 | 0 | _aIntro -- Table of Contents -- Acknowledgements -- Abstract -- Introduction -- Chapter One -- Chapter Two -- Chapter Three -- Chapter Four -- Chapter Five -- Chapter Six -- Conclusion -- Bibliography -- Appendix. | |
520 | _aAlthough Auden has often been hailed as the twentieth century's master of metre and most outstanding practitioner of traditional poetic forms, his metrical art still remains a mystery, as far as its real significance is concerned. This book sheds new light on the enticing appeal of formal poetry which induced Auden into composing in almost every possible stanza form. In order to work out a 'new' appreciative assessment of Auden's formal art, the book uses Amittai Aviram's theory of poetic rhythm, which transcends the common literary critical process, based on the rhetorical assessment of rhythm in poetry.Aviram's theory clearly revolutionises our common methods of interpretation regarding rhythm rather than meaning as the starting point in reading poetry; it is the poem's ideas and theme which express and strengthen rhythm, not the other way round. Such conception of rhythm, as allegorized by meaning (images and metaphors), breathes new life into the outworn Russian formalist tradition.Turning to Auden's poetry today may be said to be urged by both literary and political contexts; in an age marked by uncertainties and an upsurge of violence, poetry's voice, regrettably, reverberates less forcefully, sinking into a state of formal loosening. As such, this book may be said to be prompted by a 'necessity' to revive the interest in Auden's poetry, especially given its recent neglect. A reconsideration of Auden's conception of the nature of poetry and its status enables us to encrypt his verbal art, assess its multiple effects, and appreciate the metrical range that has helped the poet handle so subtly his twofold inquiry: What is poetry? What is its use?. | ||
588 | _aDescription based on publisher supplied metadata and other sources. | ||
590 | _aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
650 | 0 | _aAuden, W. H.-(Wystan Hugh),-1907-1973-Criticism and interpretation. | |
655 | 4 | _aElectronic books. | |
776 | 0 | 8 |
_iPrint version: _aLaarif, Boutheina Boughnim _tW. H. Auden's the Healing Fountain Read Through A. Aviram's Theory of Poetic Rhythm _dNewcastle-upon-Tyne : Cambridge Scholars Publishing,c2017 _z9781527503304 |
797 | 2 | _aProQuest (Firm) | |
856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5351376 _zClick to View |
999 |
_c1279 _d1279 |