| 000 | 03321nam a22004213i 4500 | ||
|---|---|---|---|
| 001 | EBC4830575 | ||
| 003 | MiAaPQ | ||
| 005 | 20240729131154.0 | ||
| 006 | m o d | | ||
| 007 | cr cnu|||||||| | ||
| 008 | 240724s2017 xx o ||||0 eng d | ||
| 020 |
_a9783110523157 _q(electronic bk.) |
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| 020 | _z9783110521443 | ||
| 035 | _a(MiAaPQ)EBC4830575 | ||
| 035 | _a(Au-PeEL)EBL4830575 | ||
| 035 | _a(CaPaEBR)ebr11369160 | ||
| 035 | _a(OCoLC)982020656 | ||
| 040 |
_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ |
||
| 050 | 4 | _aQA76.M347 2017 | |
| 082 | 0 | _a700.411 | |
| 100 | 1 | _aMagrini, Boris. | |
| 245 | 1 | 0 |
_aConfronting the Machine : _bAn Enquiry into the Subversive Drives of Computer-Generated Art. |
| 250 | _a1st ed. | ||
| 264 | 1 |
_aBerlin/Boston : _bWalter de Gruyter GmbH, _c2017. |
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| 264 | 4 | _c©2017. | |
| 300 | _a1 online resource (276 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 505 | 0 | _aIntro -- CONTENTS -- PREFACE -- ACKNOWLEDGMENTS -- Introduction -- BETWEEN GOOD AND EVIL -- SUBVERSIVE DRIVES: QUESTIONS AND ORIGINS -- METHODOLOGICAL APPROACH -- CHAPTERS AND CASE STUDIES -- Chapter 1 -- 1.1 COMPUTER-GENERATED ART AND ITS MULTIPLES -- 1.2 AN OPEN HISTORY OF GENERATIVE ART -- 1.3 RECURRING DEFINITIONS AND THE CONCEPT OF EMERGENCE -- 1.4 A COMMON NARRATIVE: BRIDGING THE ARTS AND THE SCIENCES -- 1.5 THE DIGITAL DIVIDE -- Chapter 2 -- 2.1 THE PIONEERING PERIOD OF COMPUTER ART 1968-1983 -- 2.2 HAROLD COHEN -- 2.2.1 FROM PAINTING TO PROGRAMMING -- 2.2.2 EARLY COMPUTER DRAWINGS -- 2.2.3 CREATIVITY, INTELLIGENCE AND COMPUTER SCIENCE -- 2.2.4 ON ARTIFICIAL INTELLIGENCE AND THE EVOLUTION OF AARON0 OF AARON -- 2.2.5 0RECEPTION OF COHEN'S WORK AND IDEAS -- 2.3 EDWARD IHNATOWICZ -- 2.3.1 FROM ASSEMBLAGES TO CYBERNETICS -- 2.3.2 THE SENSTER -- 2.3.3 THE UNDERSTANDING OF UNDERSTANDING -- 2.3.4 RECEPTION OF IHNATOWICZ'S WORK AND IDEAS -- 2.4 ART, COMPUTERS AND THE CONTRIBUTION TO KNOWLEDGE -- Chapter 3 -- 3.1 DIVERGENT POSITIONS AFTER THE SEVENTIES -- 3.2 OPPOSITION TO AI AND THE COMPUTING MACHINE FROM WITHIN -- 3.3 QUESTIONING MODERN TECHNOLOGIES IN THE POST-INDUSTRIAL SOCIETY -- 3.4 ARTISTIC POSITIONS ON AI IN THE EIGHTIES AND NINETIES -- 3.5 EPISTEMOLOGICAL AND ETHICAL ARGUMENTS -- Chapter 4 -- 4.1 COMPUTER ART AT THE DOCUMENTA X EXHIBITION -- 4.2 WHICH CRITERIA FOR MEDIA ART? -- 4.3 JODI, A BOMB IN THE SOURCE CODE -- 4.4 ONLINE AND OFFLINE: PROBLEMS OF PRESENTATION -- 4.5 RECEPTION OF MEDIA ART -- 4.6 THE SIGNIFICANCE OF DOCUMENTA FOR JODI -- 4.7 SUBVERSIVE DRIVES IN MEDIA ART -- Conclusion -- THE MYTH OF THE TWO CULTURES -- ANOTHER TAKE ON THE DIGITAL DIVIDE -- BIBLIOGRAPHY. | |
| 588 | _aDescription based on publisher supplied metadata and other sources. | ||
| 590 | _aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
| 650 | 0 | _aComputers. | |
| 655 | 4 | _aElectronic books. | |
| 776 | 0 | 8 |
_iPrint version: _aMagrini, Boris _tConfronting the Machine _dBerlin/Boston : Walter de Gruyter GmbH,c2017 _z9783110521443 |
| 797 | 2 | _aProQuest (Firm) | |
| 856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4830575 _zClick to View |
| 999 |
_c124791 _d124791 |
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