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001 EBC4826334
003 MiAaPQ
005 20240729131145.0
006 m o d |
007 cr cnu||||||||
008 240724s2017 xx o ||||0 eng d
020 _a9781477312094
_q(electronic bk.)
020 _z9781477312070
035 _a(MiAaPQ)EBC4826334
035 _a(Au-PeEL)EBL4826334
035 _a(CaPaEBR)ebr11507819
035 _a(OCoLC)974489288
040 _aMiAaPQ
_beng
_erda
_epn
_cMiAaPQ
_dMiAaPQ
050 4 _aGR111
082 0 _a398.2089/96073
100 1 _aMorgan, Stacy I.
245 1 0 _aFrankie and Johnny :
_bRace, Gender, and the Work of African American Folklore in 1930s America.
250 _a1st ed.
264 1 _aAustin :
_bUniversity of Texas Press,
_c2017.
264 4 _c©2017.
300 _a1 online resource (272 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
505 0 _aIntro -- Acknowledgments -- 1. Frankie and Johnny Take Center Stage: African American Folk Culture in 1930s America -- 2. Lead Belly's Ninth Symphony: Huddie Ledbetter and the Changing Contours of American Folk Music -- 3. Pistol Packin' Mama: Imperiled Masculinity in Thomas Hart Benton's A Social History of the State of Missouri -- 4. Whiteface Marionettes: John Huston's Comic Melodrama -- 5. The Finest Woman Ever to Walk the Streets: Mae West's Outlaw Exploits in She Done Him Wrong -- 6. The Lynching of Johnny: Sterling Brown's Social Realist Critique -- Epilogue. African American Women's Voices and the Tightrope of Respectability -- Notes -- Index.
520 _aNo detailed description available for "Frankie and Johnny".
588 _aDescription based on publisher supplied metadata and other sources.
590 _aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
655 4 _aElectronic books.
776 0 8 _iPrint version:
_aMorgan, Stacy I.
_tFrankie and Johnny
_dAustin : University of Texas Press,c2017
_z9781477312070
797 2 _aProQuest (Firm)
856 4 0 _uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4826334
_zClick to View
999 _c124564
_d124564