| 000 | 05150nam a22004813i 4500 | ||
|---|---|---|---|
| 001 | EBC4803724 | ||
| 003 | MiAaPQ | ||
| 005 | 20240729131102.0 | ||
| 006 | m o d | | ||
| 007 | cr cnu|||||||| | ||
| 008 | 240724s2013 xx o ||||0 eng d | ||
| 020 |
_a9781942954125 _q(electronic bk.) |
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| 020 | _z9780989082624 | ||
| 035 | _a(MiAaPQ)EBC4803724 | ||
| 035 | _a(Au-PeEL)EBL4803724 | ||
| 035 | _a(CaPaEBR)ebr11343573 | ||
| 035 | _a(OCoLC)973830795 | ||
| 040 |
_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ |
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| 050 | 4 | _aPR6045.O72 .I584 2013 | |
| 082 | 0 | _a823.912 | |
| 100 | 1 | _aMartin, Ann. | |
| 245 | 1 | 0 | _aInterdisciplinary/Multidisciplinary Woolf. |
| 250 | _a1st ed. | ||
| 264 | 1 |
_aLiverpool : _bClemson University Press, _c2013. |
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| 264 | 4 | _c©2013. | |
| 300 | _a1 online resource (315 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 490 | 1 | _aClemson University Press W/ LUP Series | |
| 505 | 0 | _aCover -- Contents -- Introduction -- Acknowledgments -- Abbreviations -- History, Materiality, Multiplicity -- Multidisciplinary Woolf/Multiple Woolf? -- Woolf, History, Us -- "Full of Experiments and Reforms": Virginia Woolf, John Maynard Keynes, and the Impossibility of Economic Modeling -- Desiring Statues and Ambiguous Sexualities in Jacob's Room -- Challenging the Family Script: Woolf, the Stephen Family, and Victorian Evangelical Theology -- History as Scaffolding: Woolf 's Use of The Times in The Years -- Vincent van Gogh, Virginia Woolf, and Old Shoes: A Cross-Cultural Iconography of Historical Truama from the Great War to the Iraq War -- Stopped at the Border: Virginia Woolf and the Criminalization of Dissent in Democratic Societies -- "Q. And babies? A. And babies": On Pacifiism, Visual Truama, and the Body Heap -- Photography, History, and Memoir of the Spanish Civil War: Interdisciplinary Views -- Patterns, Practices, Principles -- "Waving to Virginia" -- Woolf, Defoe, Derrida: Interdisciplinary dogs-or the canine aesthetics and (gender) politics of creativity -- "The law is on the side of the normal": Virginia Woolf as Crip Theorist -- A Healing Centre of One's Own: Woolf's Legacy and Public Responses to Child Abuse -- Sunflower Suture: Disseminating the Garden in The Years -- "One Must Be Scientific": Natural History and Ecology in Mrs. Dalloway -- Clarissa's Glacial Skepticism: John Tyndall and "Deep Time" in Mrs. Dalloway -- Apollonian Illusion and Dionysian Truth in Mrs. Dalloway -- Art, Influence, Embodiment -- Time has whizzed back an inch or two on its reel": Relating Virginia Woolf and Emily Carr through Vintage Postcards, Lily Broscoe, Mrs. McNab, and the Cinematic Time of To the Lighthouse -- Speaking Citizen to Citizen in a Time of War: Miss La Trobe's Use of Parabasis in her Historical Pageant. | |
| 505 | 8 | _aWork as Salvation: Eureka's Angel in the House, A Dircetor's Experience -- Drawing as Thinking: A Visual Response to To the Lighthouse -- Performing Feminism, Transmitting Affect: Isadora Duncan, Virginia Woolf, and the Politics of Movement -- Virginia Woolf and Clarice Lispector: Thinking Back Through Brazilian Mothers -- Mystical Gibberish or Renegade Discourse?: Poetic Language According to Orlando -- Selves and Others as Narrative Participants in Woolf's Novels -- Publishing, Politics, Publics -- "The most unaccountable of machinery" : The Orlando Project produces a textbase of one's own -- The Hotel at the End of the Universe -- Globalization, Inter Connectivity, and Anti-Imperialism: Leonard Woolf, the Hogarth Press, and Kenya -- Chinese Eyes and Muddled Armenians: The Hogarth Press and British Racial Discourse -- "No One Wants Biography": The Hogarth Press Classifies Orlando -- There Goes the Bride: Virginia Woolf, Julia Strachey, and the Hogarth Press -- Redefining Woolf for the 1990s: Producing and Promoting The "Definitive Collected Edition" -- The Believers: Writers Publishing for Readers, Or Preliminary Musings on The Hogarth Press and McSweeney's -- The Woolfs in Print and Online: A University Press in Transition -- Notes on Contributors -- Conference Program. | |
| 520 | _aEdited collection from acclaimed contemporary Woolf scholars, linking inter- and multidisciplinary scholarship to the intellectual and creative projects of Virginia Woolf and her modernist peers. | ||
| 588 | _aDescription based on publisher supplied metadata and other sources. | ||
| 590 | _aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
| 650 | 0 | _aWoolf, Virginia,-1882-1941-Criticism and interpretation-Congresses. | |
| 655 | 4 | _aElectronic books. | |
| 700 | 1 | _aHolland, Kathryn. | |
| 776 | 0 | 8 |
_iPrint version: _aMartin, Ann _tInterdisciplinary/Multidisciplinary Woolf _dLiverpool : Clemson University Press,c2013 _z9780989082624 |
| 797 | 2 | _aProQuest (Firm) | |
| 830 | 0 | _aClemson University Press W/ LUP Series | |
| 856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4803724 _zClick to View |
| 999 |
_c123024 _d123024 |
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