000			03522nam a22004693i 4500
001			EBC4743655
003			MiAaPQ
005			20240729130936.0
006			m o d |
007			cr cnu||||||||
008			240724s2016 xx o ||||0 eng d
020			_a9781498223096 _q(electronic bk.)
020			_z9781498223089
035			_a(MiAaPQ)EBC4743655
035			_a(Au-PeEL)EBL4743655
035			_a(CaPaEBR)ebr11298715
035			_a(OCoLC)964408461
040			_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ
050		4	_aPN1995.5.D68 2016
082	0		_a791.43682000000001
100	1		_aSettle, Zachary Thomas.
245	1	0	_aDreams, Doubt, and Dread : _bThe Spiritual in Film.
250			_a1st ed.
264		1	_aEugene : _bWipf and Stock Publishers, _c2016.
264		4	_c©2016.
300			_a1 online resource (222 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
505	0		_aIntro -- Table of Contents -- Contributors -- List of Illustrations -- Acknowledgments -- Foreword -- Introduction: Thinking How Film Feels -- All Secrets and Darkness -- Leaving Earth To Find Home -- The Impossibility of the Black Hero -- Roundtable on Dreams -- A Cinema of Second Chances -- Indispensible Doubts, Embodied Hopes -- Betraying the Medium -- Roundtable on Doubt -- Beyond Death? -- Aesthetics of the "Made" -- Lacanian Psychoanalysis and Cinematic Eschatology -- Roundtable on Dread -- Afterword -- Name/Subject Index.
520			_aFilms are modern spiritual phenomena. They function as such in at least three profound ways: world projection, thought experiments, and catharsis (i.e., as dreams, doubt, and dread). Understanding film in this way allows for a theological account of the experience that speaks to the religious possibilities of film that far extend the portrayal of religious themes or content. Dreams, Doubt, and Dread: The Spiritual in Film aims to address films as spiritual experiences. This collection of short essays and dialogues examines films phenomenologically--through the experience of the viewer as an agent having been acted upon in the functioning of the film itself. Authors were invited to take one of the main themes and creatively consider how film, in their experiences, has provided opportunities for new modes of thinking. Contributors will then engaged one another in a dialogue about the similarities and differences in their descriptions of film as spiritual phenomena. The intended aim of this text is to shift contemporary theological film engagement away from a simple mode of analysis in which theological concepts are simply read into the film itself and begin to let films speak for themselves as profoundly spiritual experiences.
588			_aDescription based on publisher supplied metadata and other sources.
590			_aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650		0	_aMotion pictures--Religious aspects.
655		4	_aElectronic books.
700	1		_aWorley, Taylor.
700	1		_aJohnston, Robert K.
700	1		_aThornbury, Gregory Alan.
776	0	8	_iPrint version: _aSettle, Zachary Thomas _tDreams, Doubt, and Dread _dEugene : Wipf and Stock Publishers,c2016 _z9781498223089
797	2		_aProQuest (Firm)
856	4	0	_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4743655 _zClick to View
999			_c120081 _d120081