| 000 | 03879nam a22005173i 4500 | ||
|---|---|---|---|
| 001 | EBC4742587 | ||
| 003 | MiAaPQ | ||
| 005 | 20240729130935.0 | ||
| 006 | m o d | | ||
| 007 | cr cnu|||||||| | ||
| 008 | 240724s2011 xx o ||||0 eng d | ||
| 020 |
_a9781612491486 _q(electronic bk.) |
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| 020 | _z9781557536044 | ||
| 035 | _a(MiAaPQ)EBC4742587 | ||
| 035 | _a(Au-PeEL)EBL4742587 | ||
| 035 | _a(CaPaEBR)ebr11298196 | ||
| 035 | _a(OCoLC)963695982 | ||
| 040 |
_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ |
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| 050 | 4 | _aPQ7390.S28Z845 2011 | |
| 082 | 0 | _a864/.64 | |
| 100 | 1 | _aPérez, Rolando. | |
| 245 | 1 | 0 | _aSevero Sarduy and the Neo-Baroque Image of Thought in the Visual Arts. |
| 250 | _a1st ed. | ||
| 264 | 1 |
_aWest Lafayette, IN : _bPurdue University Press, _c2011. |
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| 264 | 4 | _c©2011. | |
| 300 | _a1 online resource (295 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 490 | 1 |
_aPurdue Studies in Romance Literatures Series ; _vv.53 |
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| 505 | 0 | _aIntro -- Title -- Copyright -- Dedication -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- Chapter One: Sarduy as Critic of the Baroque and the Neo-Baroque Figure in Science and Art -- Figures of Scientific Rhetoric -- Figure I: The Perfect, Moral Circle of the High Renaissance -- Figure II: The Ellipse, or the Unnatural, "Perverted" Circle -- Figure III: Trompe l'Œil and the Anamorphic Image -- Figure IV: The Aberrant Image of Simulation -- Figure V: The Neo-Mannerism of the Spanish, Colonial, and Neo-Baroque Image -- "Conclusion" by Way of the Retombée -- Chapter Two: Sarduy's Figural Art/Writing: Writing/Art Body -- The Architectural Body -- The Painterly Body: Bronzino, Rubens, and Beyond -- Biological Anamorphosis, Trompe l'Œil, and Body Painting -- The Colonial and Monstrous Body -- Fetishism and the Body That Is Double . . . and More Than Double -- Fijeza, Yin-Yang, and the Inscribed Body of Sadomasochism -- The Eastern White Body of "Emptiness" -- Chapter Three: Big Bang, Klang Klang, and Painting -- The Pictorial/Rhetorical Figure of the Universe (Barroco and Big Bang) -- White: Red and Black -- From Mallarmé's Typography to Concrete Poetry and Galáxias -- The New World Baroque Aesthetics of Big Bang -- The Music in Painting/Writing: Lorca, Jazz, Mondrian, Kandinsky, Etc. -- The Figural Body of the Dance of Life and Death -- Conclusion -- Chapter Four: Colors, Bodies, Voices, and the Click-Clack of Theater -- The Four Primary Colors -- White, Black, and Red -- The Erotic Body -- Sound and Music -- Funerary Baroque -- Del Yin al Yang -- Decolonization: The Circle of Los matadores de hormigas -- Conclusion -- Conclusions < -- > -- Continuities -- Illustrations -- Notes -- Bibliography -- Index. | |
| 588 | _aDescription based on publisher supplied metadata and other sources. | ||
| 590 | _aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
| 650 | 0 | _aSarduy, Severo--Criticism and interpretation. | |
| 650 | 0 | _aSarduy, Severo--Knowledge--Art. | |
| 650 | 0 | _aSarduy, Severo--Aesthetics. | |
| 650 | 0 | _aArt and literature. | |
| 650 | 0 | _aART / History / Baroque & Rococo. bisacsh. | |
| 650 | 0 | _aLITERARY CRITICISM / Caribbean & Latin American. bisacsh. | |
| 655 | 4 | _aElectronic books. | |
| 700 | 1 | _aPérez, Rolando. | |
| 776 | 0 | 8 |
_iPrint version: _aPérez, Rolando _tSevero Sarduy and the Neo-Baroque Image of Thought in the Visual Arts _dWest Lafayette, IN : Purdue University Press,c2011 _z9781557536044 |
| 797 | 2 | _aProQuest (Firm) | |
| 830 | 0 | _aPurdue Studies in Romance Literatures Series | |
| 856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4742587 _zClick to View |
| 999 |
_c120030 _d120030 |
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