000			03417nam a22004333i 4500
001			EBC4720297
003			MiAaPQ
005			20240729130906.0
006			m o d |
007			cr cnu||||||||
008			240724s2016 xx o ||||0 eng d
020			_a9781137536662 _q(electronic bk.)
020			_z9781137536655
035			_a(MiAaPQ)EBC4720297
035			_a(Au-PeEL)EBL4720297
035			_a(CaPaEBR)ebr11284587
035			_a(OCoLC)949930428
040			_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ
050		4	_aPN770-779
100	1		_aHoffman, Megan.
245	1	0	_aGender and Representation in British 'Golden Age' Crime Fiction.
250			_a1st ed.
264		1	_aLondon : _bPalgrave Macmillan UK, _c2016.
264		4	_c©2016.
300			_a1 online resource (212 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	1		_aCrime Files Series
505	0		_aIntro -- Dedication -- Acknowledgements -- Contents -- Chapter 1: Introduction -- Chapter 2: Change and Anxiety: Historical Context -- Women's Education -- Careers and the Workplace -- Marriage and Motherhood -- Birth Control -- The Cult of Domesticity -- Spinsters -- Homosexuality -- Chapter 3: 'Everybody Needs an Outlet': Nonconforming Women -- Nonconforming Women as Detectives: Miss Climpson -- Nonconforming Women as Detectives: Miss Silver -- Nonconforming Women as Detectives: Miss Marple -- Nonconforming Women as Detectives: Mrs Bradley -- Nonconforming Women as Victims and Villains: Overture to Death and Murder is Easy -- Strong Poison: The Vilified Victim -- Chapter 4: A Joint Venture?: Love, Partnership and Marriage -- 'Treat'em rough?': Courtship in Artists in Crime and Death in a White Tie -- Partner, Interrupted: Representing Companionate Relationships in the Work of Margery Allingham and Dorothy L. Sayers -- 'Happily Ever Afterwards': Agatha Christie's Tommy and Tuppence -- Chapter 5: Ladies of a Modern World: Education and Work -- 'In Her Own Place': Successful Communities of Women in Gaudy Night and St Peter's Finger -- Quite Normal?: Stereotypes and Sexuality in Miss Pym Disposes and Laurels Are Poison -- 'A Most "Natural" Reaction': Personal and Professional Conflict in The Fashion in Shrouds and Death in High Heels -- Chapter 6: Sensational Bodies: Villains and Victims -- 'Not an Ordinary Murderess': The Killer's Body in Lord Edgware Dies, Unnatural Death, Dumb Witness and Peril at End House -- 'Erased from the Page': The Victim's Body in Speedy Death, The Body in the Library and Evil Under the Sun -- Chapter 7: Conclusion -- Bibliography -- Index.
588			_aDescription based on publisher supplied metadata and other sources.
590			_aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650		0	_aLiterature-History and criticism.
655		4	_aElectronic books.
776	0	8	_iPrint version: _aHoffman, Megan _tGender and Representation in British 'Golden Age' Crime Fiction _dLondon : Palgrave Macmillan UK,c2016 _z9781137536655
797	2		_aProQuest (Firm)
830		0	_aCrime Files Series
856	4	0	_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4720297 _zClick to View
999			_c119016 _d119016