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| 001 | EBC4514163 | ||
| 003 | MiAaPQ | ||
| 005 | 20240729130447.0 | ||
| 006 | m o d | | ||
| 007 | cr cnu|||||||| | ||
| 008 | 240724s2012 xx o ||||0 eng d | ||
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_a9780861969135 _q(electronic bk.) |
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| 020 | _z9780861967032 | ||
| 035 | _a(MiAaPQ)EBC4514163 | ||
| 035 | _a(Au-PeEL)EBL4514163 | ||
| 035 | _a(CaPaEBR)ebr11204097 | ||
| 035 | _a(CaONFJC)MIL914794 | ||
| 035 | _a(OCoLC)948925863 | ||
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_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ |
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| 050 | 4 | _aPN1993.5.A1 -- .B496 2016eb | |
| 100 | 1 | _aBraun, Marta. | |
| 245 | 1 | 0 |
_aBeyond the Screen : _bInstitutions, Networks, and Publics of Early Cinema. |
| 250 | _a1st ed. | ||
| 264 | 1 |
_aBloomington : _bJohn Libbey & Company, Limited, _c2012. |
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| 264 | 4 | _c©2012. | |
| 300 | _a1 online resource (346 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 505 | 0 | _aIntro -- Contents -- Introduction -- PART I: Charity and Religion -- 1. "Neutrality-Humanity": The Humanitarian Mission and the Films of the American Red Cross -- 2. Early Missionary Filming and the Emergence of the Professional Camera man -- 3. Mission on Screen: the Church Army and its Multi-Media Activities -- 4. "Baits to Entrap the Pleasure-Seeker and the Worldling": Charity Bazaars Introduce Moving Pictures to Irela nd -- 5. Paroles éducatives et religieuses lors des projections de films en France avant 1915 -- 6. Mütter, verzaget nicht! (1911) [Mothers, Despair Not!]: Henny Porten's Promotion for Mothers' Welfare -- PART II: Government and Civics -- 7. The Tsar and The Kinemat ograph: Film as History and The Chronicle of the Russian Monarchy -- 8. "Wheelbarrows" and "Real Soldiers": Advertising, Audiences and War Films of all Varieties -- 9. "What is a Picture?": Film as Defined in British Law Before 1910 -- 10. Le cinéma et les élections au Québec: de l'attraction à la banalité -- 11. A Moving Picture Farce: Public Opinion and the Beginnings of Film Censorship in Quebec -- PART III: Education and Advocacy -- 12. Health Instruction on Screen: The Department of Health in New York City, 1909-1917 -- 13. John Collier, Thomas Edison and the Educational Promotion of Moving Pictures -- 14. "And They Can See Half-Naked Dancers, Catching Young Men In Their Nets": Teachers and the Cinema in Norway, 1907-1913 -- 15. Documentaries, Family Film Nights and the First Film University: The Early Works and Big Ideas of Belgian Film Pioneer Hippolyte De Kempeneer (1876-1944) -- PART IV: Science and Magic -- 16. The School of the Future or Ganot's Physics?: Edison's Foray into Educational Cinema. | |
| 505 | 8 | _a17. Multi-Purposing Early Cinema: A Psychological Experiment Involving Van Bibber's Experiment (Edison, 1911) -- 18. Dissecting the Medical Training Film -- 19. Corporal Permeability and Shadow Pictures: Reconsidering Uncle Josh at the Moving Picture Show (1902) -- 20. Eroticism and Death: The Skeleton in the Trick Film -- 21. Magies en images, les prestidigitateurs et la machine -- PART V: Art and Aesthetics -- 22. Early Film Colour, Today and Yesterday -- 23. Salvage Ethnography and the Exoticisation of Decay in Peter Delpeut's Lyrical Nitrate and Bill Morrison's Decasia -- 24. Picture Craft, Visual Education and the Lantern: A Lecture Fantasy -- 25. The Scope of Those Scopes: Production Diversity for the Mutoscope and Biograph During the Movies' Early Years -- 26. The High-Stakes History of the French Camera Operators' Union before the First World War -- PART VI: Exhibition and Showmanship -- 27. Les séries culturelles de la conférence-avec-projection et de la projection-avec-boniment: continuités et ruptures -- 28. Les "conférenciers de cinéma" en France (1896-1930): Historique à travers différents lieux de projection, genres filmiques et réseaux -- 29. Les images en mouvement au théâtre de variétés: le cas de l'Apollo de Düsseldorf -- 30. Royals, Rembrandts and Luxors: Patterns and Clusters in the Nomenclature of Dutch Cinemas -- 31. Local Showmanship in the Early Feature Era: The Case of Stanley Mastbaum -- 32. A Transformative Moment: Samuel Rothafel and the Rise of Multi-Class Moviegoing in the Midwest, 1911-1913 -- PART VII: Community and thePublic Sphere -- 33. "This Splendid Temple": Watching Movies in the Wanamaker Department Store -- 34. "Boost Your Town in the Movies": Municipal Film Companies in the United States, 1910-1917. | |
| 505 | 8 | _a35. Early Cinema and the Public Sphere of the Neighbourhood Meeting Hall: The Longue Durée of Working-Class Sociability -- 36. Trans-Inter-National Public Spheres -- 37. Turning the Social Problem into Performance: Slumming and Screen Culture in Victorian Lantern Shows -- Editors and contributors -- Index of Films -- Index of Names. | |
| 520 | _aBeyond the Screen captures this pioneering vision of the future of cinema. | ||
| 588 | _aDescription based on publisher supplied metadata and other sources. | ||
| 590 | _aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
| 650 | 0 | _aMotion pictures--History--20th century. | |
| 655 | 4 | _aElectronic books. | |
| 700 | 1 | _aKeil, Charlie. | |
| 700 | 1 | _aKing, Rob. | |
| 700 | 1 | _aMoore, Paul. | |
| 776 | 0 | 8 |
_iPrint version: _aBraun, Marta _tBeyond the Screen _dBloomington : John Libbey & Company, Limited,c2012 _z9780861967032 |
| 797 | 2 | _aProQuest (Firm) | |
| 856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4514163 _zClick to View |
| 999 |
_c109866 _d109866 |
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