000 02347nam a22004453i 4500
001 EBC5779592
003 MiAaPQ
005 20240724113724.0
006 m o d |
007 cr cnu||||||||
008 240724s2019 xx o ||||0 eng d
020 _a9780429801969
_q(electronic bk.)
020 _z9781138341517
035 _a(MiAaPQ)EBC5779592
035 _a(Au-PeEL)EBL5779592
035 _a(OCoLC)1102476343
040 _aMiAaPQ
_beng
_erda
_epn
_cMiAaPQ
_dMiAaPQ
050 4 _aN8217.B77 .S944 2018
082 0 _a704.9/44
100 1 _aSweetman, John.
245 1 4 _aThe Artist and the Bridge :
_b1700-1920.
250 _a1st ed.
264 1 _aOxford :
_bTaylor & Francis Group,
_c2019.
264 4 _c©2000.
300 _a1 online resource (241 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
490 1 _aRoutledge Revivals Series
505 0 _aCover -- Half Title -- Title Page -- Copyright Page -- Contents -- List of illustrations -- Acknowledgements -- Preface -- Introduction: The approaches -- 1 Views and sightlines 1700-1800 -- Figures 12-30 -- 2 New encounters, new effects 1750-1800 -- Figures 31-46 -- 3 Far objectives, missed connexions 1800-1850 -- Figures 47-67 -- 4 Realities and ideals 1800-1920 -- Figures 68-104 -- Bibliographical notes -- Index.
520 _aFirst published in 1999, this book explores how, from the stone bridges of neoclassicism which soar out of wild woods to span pastoral valleys to the post-1750 engineer's bridge with its links to the more industrial landscape, the bridge was a popular feature in painting throughout the period 1700-1920.
588 _aDescription based on publisher supplied metadata and other sources.
590 _aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650 0 _aSymbolism in art.
655 4 _aElectronic books.
776 0 8 _iPrint version:
_aSweetman, John
_tThe Artist and the Bridge
_dOxford : Taylor & Francis Group,c2019
_z9781138341517
797 2 _aProQuest (Firm)
830 0 _aRoutledge Revivals Series
856 4 0 _uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5779592
_zClick to View
999 _c10746
_d10746