000			03169nam a22004333i 4500
001			EBC4068970
003			MiAaPQ
005			20240729130052.0
006			m o d |
007			cr cnu||||||||
008			240724s2015 xx o ||||0 eng d
020			_a9780520963122 _q(electronic bk.)
020			_z9780520288027
035			_a(MiAaPQ)EBC4068970
035			_a(Au-PeEL)EBL4068970
035			_a(CaPaEBR)ebr11271530
035			_a(OCoLC)960164725
040			_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ
050		4	_aML460 _b.P347 2016
082	0		_a784.19
100	1		_aPatteson, Thomas.
245	1	0	_aInstruments for New Music : _bSound, Technology, and Modernism.
250			_a1st ed.
264		1	_aBerkeley : _bUniversity of California Press, _c2015.
264		4	_c©2015.
300			_a1 online resource (252 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
505	0		_aIntro -- _GoBack -- _GoBack -- _GoBack -- _GoBack -- _GoBack -- _GoBack -- _GoBack -- _GoBack -- _GoBack -- _GoBack -- _GoBack -- _GoBack -- _GoBack -- _GoBack -- _GoBack.
520			_aA free ebook version of this title is available through Luminos, University of California Press's new open access publishing program for monographs. Visitwww.luminosoa.org to learn more. Player pianos, radio-electric circuits, gramophone records, and optical sound film--these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920s and 1930s, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson's fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts.
588			_aDescription based on publisher supplied metadata and other sources.
590			_aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650		0	_aMusic and technology - History.
655		4	_aElectronic books.
776	0	8	_iPrint version: _aPatteson, Thomas _tInstruments for New Music _dBerkeley : University of California Press,c2015 _z9780520288027
797	2		_aProQuest (Firm)
856	4	0	_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4068970 _zClick to View
999			_c101628 _d101628