000 | 03367nam a22004573i 4500 | ||
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001 | EBC4008902 | ||
003 | MiAaPQ | ||
005 | 20240729130030.0 | ||
006 | m o d | | ||
007 | cr cnu|||||||| | ||
008 | 240724s2012 xx o ||||0 eng d | ||
020 |
_a9781844575831 _q(electronic bk.) |
||
020 | _z9781844574117 | ||
035 | _a(MiAaPQ)EBC4008902 | ||
035 | _a(Au-PeEL)EBL4008902 | ||
035 | _a(CaPaEBR)ebr11102204 | ||
035 | _a(CaONFJC)MIL816699 | ||
035 | _a(OCoLC)915155218 | ||
040 |
_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ |
||
050 | 4 | _aPN1993-1999 | |
082 | 0 | _a791.43 | |
100 | 1 | _aLobato, Ramon. | |
245 | 1 | 0 |
_aShadow Economies of Cinema : _bMapping Informal Film Distribution. |
250 | _a1st ed. | ||
264 | 1 |
_aLondon : _bBFI Publishing, _c2012. |
|
264 | 4 | _c©2012. | |
300 | _a1 online resource (169 pages) | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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490 | 1 | _aCultural Histories of Cinema Series | |
505 | 0 | _aCover -- Series Page -- Title -- Copyright -- Contents -- Preface -- Acknowledgments -- Introduction -- Why distribution? -- Formal and informal film economies -- Shadows, sites and circuits -- 1 Distribution from Above and Below -- Redefining distribution: theory and practice -- Distribution from below -- The cultural politics of distribution -- Conclusion -- 2 The Straight-to-video Slaughterhouse -- 'Anything with sprocket holes' -- The STV aesthetic -- Transnational STV circuits -- Shooting and selling STV action in the Asia-Pacific -- The slaughterhouse of cinema -- Conclusion -- 3 Informal Media Economies -- The formal and the informal -- The centrality of informality -- Informal economies of cinema -- Informality, cinema and the state -- Between formal and informal distribution: Tropa de elite -- 4 Nollywood at Large -- A short history of the Nigerian video boom -- The formalising imperative -- Formalising international distribution -- Conclusion -- 5 Six Faces of Piracy -- Copyright and the construction of piracy -- Piracy as theft -- Piracy as free enterprise -- Piracy as free speech -- Piracy as authorship -- Piracy as resistance -- Piracy as access -- Everyday ethics of piracy in Tepito, Mexico City -- Tepito postscript 2010 -- 6 The Grey Internet -- Mapping the online distribution ecology -- Linking sites -- Video-hosting sites -- Cyberlockers -- Informal enforcement on the digital frontier -- Conclusion -- Conclusion: Coordinates for Studying Distribution in a Digital Age -- From pipelines to swarms -- Rethinking informational freedom -- Appendix: A Film Distribution Research Guide -- Notes -- Bibliography -- Index. | |
588 | _aDescription based on publisher supplied metadata and other sources. | ||
590 | _aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
650 | 0 | _aMotion pictures - Distribution. | |
655 | 4 | _aElectronic books. | |
776 | 0 | 8 |
_iPrint version: _aLobato, Ramon _tShadow Economies of Cinema _dLondon : BFI Publishing,c2012 _z9781844574117 |
797 | 2 | _aProQuest (Firm) | |
830 | 0 | _aCultural Histories of Cinema Series | |
856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4008902 _zClick to View |
999 |
_c100952 _d100952 |