000 | 03824nam a22004933i 4500 | ||
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001 | EBC3571889 | ||
003 | MiAaPQ | ||
005 | 20240729130011.0 | ||
006 | m o d | | ||
007 | cr cnu|||||||| | ||
008 | 240724s2015 xx o ||||0 eng d | ||
020 |
_a9781477302415 _q(electronic bk.) |
||
020 | _z9780292771376 | ||
035 | _a(MiAaPQ)EBC3571889 | ||
035 | _a(Au-PeEL)EBL3571889 | ||
035 | _a(CaPaEBR)ebr11012374 | ||
035 | _a(OCoLC)932326996 | ||
040 |
_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ |
||
050 | 4 | _aPN1995 | |
082 | 0 | _a791.43/616 | |
100 | 1 | _aGrant, Barry Keith. | |
245 | 1 | 4 |
_aThe Dread of Difference : _bGender and the Horror Film. |
250 | _a2nd ed. | ||
264 | 1 |
_aAustin : _bUniversity of Texas Press, _c2015. |
|
264 | 4 | _c©2015. | |
300 | _a1 online resource (558 pages) | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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490 | 1 | _aTexas Film and Media Studies Series | |
505 | 0 | _aIntro -- Acknowledgments -- Part One -- 1. When the Woman Looks (Linda Williams) -- 2. Horror and the Monstrous-Feminine: An Imaginary Abjection (Barbara Creed) -- 3. Her Body, Himself: Gender in the Slasher Film (Carol J. Clover) -- 4. The Monster and the Homosexual (Harry M. Benshoff) -- Part Two -- 5. "It Will Thrill You, It May Shock You, It Might Even Horrify You": Gender, Reception, and Classic Horror Cinema (Rhona J. Berenstein) -- 6. Bringing It All Back Home: Family Economy and Generic Exchange (Vivian Sobchack) -- 7. Trying to Survive on the Darker Side: 1980s Family Horror (Tony Williams) -- 8. Genre, Gender, and the Aliens Trilogy (Thomas Doherty) -- 9. Taking Back the Night of the Living Dead: George Romero, Feminism, and the Horror Film (Barry Keith Grant) -- 10. Gender, Genre, Argento (Adam Knee) -- 11. "Beyond the Veil of the Flesh": Cronenberg and the Disembodiment of Horror (Lianne McLarty) -- 12. The Horror Film in Neoconservative Culture (Christopher Sharrett) -- Torture Porn and Uneasy Feminisms:Rethinking (Wo)men in Eli Roth's Hostel FilmsMaisha Wester -- Part Three -- 14. Horror, Femininity, and Carrie's Monstrous Puberty (Shelley Stamp) -- 15. The Monster as Woman: Two Generations of Cat People (Karen Hollinger) -- 16. Here Comes the Bride: Wedding Gender and Race in Bride of Frankenstein (Elizabeth Young) -- 17. Burying the Undead: The Use and Obsolescence of Count Dracula (Robin Wood) -- 18. Old Times in Werewolf of London (Robert Spadoni) -- 19. Daughters of Darkness: The Lesbian Vampire on Film (Bonnie Zimmerman) -- 20. Birth Traumas: Parturition and Horror in Rosemary's Baby (Lucy Fischer) -- 21. The Place of Passion: Reflections on Fatal Attraction (James Conlon) -- 22. Feminine Horror: The Embodied Surrealism of In My Skin (Adam Lowenstein) -- 23. Uncanny Horrors: Male Rape in Twentynine Palms (Lisa Coulthard). | |
505 | 8 | _aSelected Bibliography -- Notes on Contributors -- Index. | |
520 | _aNo detailed description available for "The Dread of Difference, 2nd ed.". | ||
588 | _aDescription based on publisher supplied metadata and other sources. | ||
590 | _aElectronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
650 | 0 | _aHorror films -- History and criticism. | |
650 | 0 | _aSex role in motion pictures. | |
650 | 0 | _aWomen in motion pictures. | |
655 | 4 | _aElectronic books. | |
776 | 0 | 8 |
_iPrint version: _aGrant, Barry Keith _tThe Dread of Difference _dAustin : University of Texas Press,c2015 _z9780292771376 |
797 | 2 | _aProQuest (Firm) | |
830 | 0 | _aTexas Film and Media Studies Series | |
856 | 4 | 0 |
_uhttps://ebookcentral.proquest.com/lib/orpp/detail.action?docID=3571889 _zClick to View |
999 |
_c100304 _d100304 |