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The Dark Tourism of the Bosnian Screen.

By: Material type: TextTextSeries: Short Takes Film StudiesPublisher: Luton, Bedfordshire : Andrews UK Ltd., 2015Copyright date: ©2015Edition: 1st edDescription: 1 online resource (26 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781909183865
Subject(s): Genre/Form: Additional physical formats: Print version:: The Dark Tourism of the Bosnian ScreenDDC classification:
  • 791.430949742
LOC classification:
  • DR1313.32.S27
Online resources:
Contents:
Cover -- Contents -- Front Matter -- Title Page -- Publisher Information -- The Dark Tourism of the Bosnian Screen -- Introduction -- From Bosnian to Bosniac cinema -- Dark tourism -- Dark tourists of the screen -- Conclusion -- Back Matter -- Bibliography -- Filmography -- Also Available.
Summary: How is it possible that despite the destruction of its infrastructure during the Siege of Sarajevo in the 1990s, Bosnian cinema rapidly rose to claim many of the most prestigious awards in world cinema during the 2000s? Were Bosnian films simply 'better' than those from neighbouring post-Yugoslav countries? Perhaps not. This work proposes that the international success of Bosnian films since the turn of the millennium has been due to how they enact Western prejudices concerning the war and its consequences. Delivering films with national narratives which associate the country with primitiveness and victimhood, Western audiences have engaged in dark tourism of the Bosnian screen.
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Cover -- Contents -- Front Matter -- Title Page -- Publisher Information -- The Dark Tourism of the Bosnian Screen -- Introduction -- From Bosnian to Bosniac cinema -- Dark tourism -- Dark tourists of the screen -- Conclusion -- Back Matter -- Bibliography -- Filmography -- Also Available.

How is it possible that despite the destruction of its infrastructure during the Siege of Sarajevo in the 1990s, Bosnian cinema rapidly rose to claim many of the most prestigious awards in world cinema during the 2000s? Were Bosnian films simply 'better' than those from neighbouring post-Yugoslav countries? Perhaps not. This work proposes that the international success of Bosnian films since the turn of the millennium has been due to how they enact Western prejudices concerning the war and its consequences. Delivering films with national narratives which associate the country with primitiveness and victimhood, Western audiences have engaged in dark tourism of the Bosnian screen.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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