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Asian Interventions in Global Shakespeare : 'All the World's His Stage'.

By: Contributor(s): Material type: TextTextPublisher: Oxford : Taylor & Francis Group, 2020Copyright date: ©2020Edition: 1st edDescription: 1 online resource (265 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781000214314
Subject(s): Genre/Form: Additional physical formats: Print version:: Asian Interventions in Global ShakespeareDDC classification:
  • 822.33
LOC classification:
  • PR2971.A78 .A853 2021
Online resources:
Contents:
Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- List of Figures -- Acknowledgements -- List of Contributors -- Introduction: Asian Interventions in Global Shakespeare: 'All the World's His Stage' -- Part I The Asian 'Global' and Its Discontents -- 1 Making Meaning between the Local and the Global: Performing Shakespeare in India Today -- 2 How Could We Present a 'A Non-localised' Shakespeare in Asia? Colonialism and Atlantic Slave-Trade in Yamanote-Jijosha's The Tempest -- 3 'We Will Perform in Measure, Time and Place': Synchronicity, Signification and Cultural Mobility in Tang Shu-wing Theatre Studio's Cantonese-Language Macbeth -- 4 From Cultural Mobility to Cultural Misunderstanding: Japanese Style of Love in Akio Miyazawa's Adaptation in the Cardenio Project, Motorcycle Don Quixote -- 5 Something Rotten in the State of Dankot: Hamlet and the Kingdom of Nepal -- Part II The Asian Cinematic and Digital Sphere: Democratising the 'Global' -- 6 Globalising the City: Kolkata Films and the Millennial Bard -- 7 Shakespeare's Uses in Chinese Media and Trans-Sphere -- 8 Bardolators and Bardoclasts: Shakespeare in Manga/Anime and Cosplay -- 9 Shakespeare on the Internet: Global and South Asian Appropriations -- 10 The Performance Archive and the Digital Construction of Asian Shakespeare -- Part III Historicising the Asian Global: Shakespeare as a World Poet -- 11 Global Shakespeare and the Question of a World Literature -- 12 Beyond Bardolatry: Rabindranath Tagore's Critique of Shakespeare's The Tempest -- Afterword: All the World's His Stage, 2016 -- Bibliography -- Index of Names -- Index of Shakespeare's Plays and Adaptations.
Summary: This volume critically analyses and theorises Asian interventions in the expanding phenomenon of Global Shakespeare,.
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Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- List of Figures -- Acknowledgements -- List of Contributors -- Introduction: Asian Interventions in Global Shakespeare: 'All the World's His Stage' -- Part I The Asian 'Global' and Its Discontents -- 1 Making Meaning between the Local and the Global: Performing Shakespeare in India Today -- 2 How Could We Present a 'A Non-localised' Shakespeare in Asia? Colonialism and Atlantic Slave-Trade in Yamanote-Jijosha's The Tempest -- 3 'We Will Perform in Measure, Time and Place': Synchronicity, Signification and Cultural Mobility in Tang Shu-wing Theatre Studio's Cantonese-Language Macbeth -- 4 From Cultural Mobility to Cultural Misunderstanding: Japanese Style of Love in Akio Miyazawa's Adaptation in the Cardenio Project, Motorcycle Don Quixote -- 5 Something Rotten in the State of Dankot: Hamlet and the Kingdom of Nepal -- Part II The Asian Cinematic and Digital Sphere: Democratising the 'Global' -- 6 Globalising the City: Kolkata Films and the Millennial Bard -- 7 Shakespeare's Uses in Chinese Media and Trans-Sphere -- 8 Bardolators and Bardoclasts: Shakespeare in Manga/Anime and Cosplay -- 9 Shakespeare on the Internet: Global and South Asian Appropriations -- 10 The Performance Archive and the Digital Construction of Asian Shakespeare -- Part III Historicising the Asian Global: Shakespeare as a World Poet -- 11 Global Shakespeare and the Question of a World Literature -- 12 Beyond Bardolatry: Rabindranath Tagore's Critique of Shakespeare's The Tempest -- Afterword: All the World's His Stage, 2016 -- Bibliography -- Index of Names -- Index of Shakespeare's Plays and Adaptations.

This volume critically analyses and theorises Asian interventions in the expanding phenomenon of Global Shakespeare,.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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