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Performing Indigenous Identities on the Contemporary Australian Stage : Land, People, Culture.

By: Material type: TextTextPublisher: Oxford : Taylor & Francis Group, 2019Copyright date: ©2020Edition: 1st edDescription: 1 online resource (207 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781000681482
Subject(s): Genre/Form: Additional physical formats: Print version:: Performing Indigenous Identities on the Contemporary Australian StageDDC classification:
  • 792.0899915
LOC classification:
  • PN3011.5 .T487 2020
Online resources:
Contents:
Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgements -- Introduction -- Mapping the field -- Conceptual frame -- Production -- Dramaturgy -- Reception -- References -- 1 Cultural and historical context -- Cultural relations in Australia -- Indigenous Australian ontologies and cultural practice -- A brief overview of Australian colonial history -- References -- 2 Contemporary Indigenous Australian theatre -- The beginnings -- Coming of age -- Maturing practice -- Autobiographical plays -- Stories of family -- Trauma and the female role model -- Romance -- Adaptations of classics -- Historiographical intervention -- Oppression -- Agency, tenacity and inclusion -- Relation to traditional formats -- References -- 3 Case study: Scott Rankin's Namatjira (2010) -- The Namatjira Project -- Production history -- Setting the scene -- Plot summary -- Analysis -- Colonial space: aesthetic approach -- Relational identity -- "Country": Aranda and Western ontologies -- Christianity -- Entrepreneurism -- Gender -- Conclusion -- Coda -- References -- 4 Case study: Wesley Enoch &amp -- Anita Heiss' I Am Eora (2012) -- Introduction -- The work of Wesley Enoch -- Production history -- Historical figures -- Setting the scene -- Plot summary -- Analysis -- "Nation": aesthetic approach -- "Country": configuring emplacement -- "People": formulating culture -- Temporalities -- Historiography -- Leadership -- Gender -- Conclusion -- References -- Conclusion -- References -- Index.
Summary: Over the past 50 years, Indigenous Australian theatre practice has emerged as a dynamic site for the discursive reflection of culture and tradition as well as colonial legacies, leveraging the power of storytelling to create and advocate contemporary fluid conceptions of Indigeneity.
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Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgements -- Introduction -- Mapping the field -- Conceptual frame -- Production -- Dramaturgy -- Reception -- References -- 1 Cultural and historical context -- Cultural relations in Australia -- Indigenous Australian ontologies and cultural practice -- A brief overview of Australian colonial history -- References -- 2 Contemporary Indigenous Australian theatre -- The beginnings -- Coming of age -- Maturing practice -- Autobiographical plays -- Stories of family -- Trauma and the female role model -- Romance -- Adaptations of classics -- Historiographical intervention -- Oppression -- Agency, tenacity and inclusion -- Relation to traditional formats -- References -- 3 Case study: Scott Rankin's Namatjira (2010) -- The Namatjira Project -- Production history -- Setting the scene -- Plot summary -- Analysis -- Colonial space: aesthetic approach -- Relational identity -- "Country": Aranda and Western ontologies -- Christianity -- Entrepreneurism -- Gender -- Conclusion -- Coda -- References -- 4 Case study: Wesley Enoch &amp -- Anita Heiss' I Am Eora (2012) -- Introduction -- The work of Wesley Enoch -- Production history -- Historical figures -- Setting the scene -- Plot summary -- Analysis -- "Nation": aesthetic approach -- "Country": configuring emplacement -- "People": formulating culture -- Temporalities -- Historiography -- Leadership -- Gender -- Conclusion -- References -- Conclusion -- References -- Index.

Over the past 50 years, Indigenous Australian theatre practice has emerged as a dynamic site for the discursive reflection of culture and tradition as well as colonial legacies, leveraging the power of storytelling to create and advocate contemporary fluid conceptions of Indigeneity.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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