Staging Philosophy : Intersections of Theater, Performance, and Philosophy.

Intro -- Contents -- David Krasner and David Z. Saltz, Introduction -- PART I: History and Method -- One: Julia A. Walker, The Text/Performance Split across the Analytic/Continental Divide -- Two: Martin Puchner, Kenneth Burke: Theater, Philosophy, and the Limits of Performance -- Three: Tobin Nellhaus, Critical Realism and Performance Strategies -- PART II: Presence -- Four: Philip Auslander, Humanoid Boogie: Reflections on Robotic Performance -- Five: Noël Carroll, Philosophy and Drama: Performance, Interpretation, and Intentionality -- Six: Suzanne M. Jaeger, Embodiment and Presence: The Ontology of Presence Recon -- Seven: Jon Erickson, Presence -- Eight: Robert P. Crease and John Lutterbie, Technique -- Nine: Alice Rayner, Presenting Objects, Presenting Things -- PART III: Reception -- Ten: David Z. Saltz, Infiction and Outfiction: The Role of Fiction in Theatrical Performance -- Eleven: James R. Hamilton, Understanding Plays -- Twelve: Bence Nanay, Perception, Action, and Identification in the Theater -- Thirteen: David Krasner, Empathy and Theater -- Fourteen: Mike Sell, The Voice of Blackness: The Black Arts Movement and Logocentrism -- Fifteen: Michael L. Quinn, Theatricality, Convention, and the Principle of Charity -- Contributors -- Index.

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.