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Classical Form : A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven.

By: Material type: TextTextPublisher: Cary : Oxford University Press, Incorporated, 2000Copyright date: ©1998Edition: 1st edDescription: 1 online resource (320 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780195355758
Subject(s): Genre/Form: Additional physical formats: Print version:: Classical FormDDC classification:
  • 784.1/8
LOC classification:
  • MT58.C37 1998
Online resources:
Contents:
Intro -- Contents -- Introduction -- Part I: Preliminaries -- 1 Some Basic Formal Functions: An Overview -- Sentence -- Period -- Small Ternary -- Framing Functions -- Interthematic Functions: A Sonata Exposition -- 2 Fundamental Progressions of Harmony -- Harmonic Functions -- Harmonic Progressions -- Part II: Tight-Knit Themes -- 3 Sentence -- Presentation Phrase -- Continuation Phrase -- 4 Period -- Antecedent Phrase -- Consequent Phrase -- Deviations from the Norm -- 5 Hybrid Themes and Compound Themes -- Hybrid Themes -- Compound Themes -- 6 Small Ternary -- Exposition -- Contrasting Middle -- Recapitulation -- Tight-Knit Versus Loose Organization -- 7 Small Binary -- First Part -- Second Part -- Part III: Looser Formal Regions -- 8 Subordinate Theme -- Looser Sentential Functions -- Additional Loosening Techniques -- Multiple Subordinate Themes -- Closing Section -- Dynamic Curve of Subordinate Theme -- 9 Transition -- Modulating Versus Nonmodulating Transitions -- Beginning the Transition -- Ending the Transition -- Two-Part Transition -- 10 Development -- Tonal Organization -- Pre-Core/Core Technique -- Development Sections Without a Core -- Retransition -- 11 Recapitulation -- Main Theme -- Transition -- Fusion of Main Theme and Transition -- Subordinate Theme (Group) -- Additional Features -- Deviations from the Norm -- 12 Coda -- Start of the Coda -- Phrase-Structural Organization -- Compensatory Functions -- Part IV: Full-Movement Forms -- 13 Sonata Form -- Overall Tonal Organization -- Cadential Goals in the Exposition -- Main Theme -- Obscured Boundary Between Transition and Subordinate Theme -- Slow Introduction -- 14 Slow-Movement Forms -- Sonata Form in Slow Movements -- Large Ternary -- Sonata Without Development -- Theme and Variations -- 15 Minuet/Trio Form -- Minuet Form -- Trio -- 16 Rondo Forms -- Five-Part Rondo.
Sonata-Rondo -- 17 Concerto Form -- Opening Ritornello -- Solo Exposition -- Subordinate-Key Ritornello -- Solo Development -- Solo Recapitulation -- Closing Ritornello -- Glossary of Terms -- A -- B -- C -- D -- E -- F -- G -- H -- I -- L -- M -- N -- O -- P -- R -- S -- T -- U -- Notes -- Bibliography -- Index of Classical Compositions -- Beethoven, Ludwig van -- Haydn, Joseph -- Mozart, Wolfgang Amadeus -- General Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W.
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Intro -- Contents -- Introduction -- Part I: Preliminaries -- 1 Some Basic Formal Functions: An Overview -- Sentence -- Period -- Small Ternary -- Framing Functions -- Interthematic Functions: A Sonata Exposition -- 2 Fundamental Progressions of Harmony -- Harmonic Functions -- Harmonic Progressions -- Part II: Tight-Knit Themes -- 3 Sentence -- Presentation Phrase -- Continuation Phrase -- 4 Period -- Antecedent Phrase -- Consequent Phrase -- Deviations from the Norm -- 5 Hybrid Themes and Compound Themes -- Hybrid Themes -- Compound Themes -- 6 Small Ternary -- Exposition -- Contrasting Middle -- Recapitulation -- Tight-Knit Versus Loose Organization -- 7 Small Binary -- First Part -- Second Part -- Part III: Looser Formal Regions -- 8 Subordinate Theme -- Looser Sentential Functions -- Additional Loosening Techniques -- Multiple Subordinate Themes -- Closing Section -- Dynamic Curve of Subordinate Theme -- 9 Transition -- Modulating Versus Nonmodulating Transitions -- Beginning the Transition -- Ending the Transition -- Two-Part Transition -- 10 Development -- Tonal Organization -- Pre-Core/Core Technique -- Development Sections Without a Core -- Retransition -- 11 Recapitulation -- Main Theme -- Transition -- Fusion of Main Theme and Transition -- Subordinate Theme (Group) -- Additional Features -- Deviations from the Norm -- 12 Coda -- Start of the Coda -- Phrase-Structural Organization -- Compensatory Functions -- Part IV: Full-Movement Forms -- 13 Sonata Form -- Overall Tonal Organization -- Cadential Goals in the Exposition -- Main Theme -- Obscured Boundary Between Transition and Subordinate Theme -- Slow Introduction -- 14 Slow-Movement Forms -- Sonata Form in Slow Movements -- Large Ternary -- Sonata Without Development -- Theme and Variations -- 15 Minuet/Trio Form -- Minuet Form -- Trio -- 16 Rondo Forms -- Five-Part Rondo.

Sonata-Rondo -- 17 Concerto Form -- Opening Ritornello -- Solo Exposition -- Subordinate-Key Ritornello -- Solo Development -- Solo Recapitulation -- Closing Ritornello -- Glossary of Terms -- A -- B -- C -- D -- E -- F -- G -- H -- I -- L -- M -- N -- O -- P -- R -- S -- T -- U -- Notes -- Bibliography -- Index of Classical Compositions -- Beethoven, Ludwig van -- Haydn, Joseph -- Mozart, Wolfgang Amadeus -- General Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W.

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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