The Bloomsbury Companion to Stylistics.

Intro -- Title Page -- Copyright Page -- Contents -- Part 1 The Discipline of Stylistics -- Chapter 1 Introduction -- Violeta Sotirova, University of Nottingham -- References -- Part 2 Theoretical Approaches and Research Methods -- Chapter 2 Structuralism and Stylistics -- Linda Pillière, Aix Marseille Université -- 1 The Key Ideas -- 2 Saussure's Legacy -- 3 Woolf and Linearity -- 4 Visible Breaks in the Linearity -- 5 Subverting the Word Order -- 6 Subverting Temporal Linearity -- 7 Subverting the Paradigmatic Axis -- 8 Repetition and Parallel Structures -- Notes -- References -- Chapter 3 Generative Grammar and Stylistics -- Andrew Caink, University of Westminster -- 1 Introduction -- 2 The Scientific Study of Language -- 3 Knowledge about Language -- 4 Theory and Stylistic Research -- 5 A Formal Contribution to Literary Interpretation and Evaluation -- 6 Conclusion -- Chapter 4 Functional Stylistics -- Benedict Lin, Nanyang Technological University, Singapore -- 1 Introduction -- 2 SFL - A Brief Introduction -- 3 Overview of Work in Functional Stylistics -- 4 A Brief Example of Functional Stylistics in Action -- 5 Evaluation -- 6 Conclusion -- Chapter 5 Pragmatics and Stylistics -- Siobhan Chapman, University of Liverpool -- 1 Introduction -- 2 Pragmatic Approaches to Stylistics -- 3 Neo-Gricean Pragmatics -- 4 Reading a Passage from Elizabeth Bowen's The Last September -- 5 Conclusions -- References -- Chapter 6 Discourse Stylistics -- Marina Lambrou, Kingston University -- 1 Introduction -- 2 From Text to Discourse -- 3 Discourse and Stylistics -- 4 Language as Rhetoric, Rhetoric as Discourse -- 5 What is Rhetoric? -- 6 The Stylistics of Rhetoric -- 7 Politicians and Political Speeches -- 8 For President Bush, it was Time to Act -- 9 Logos: Analysis of Rhetorical Devices -- 10 Conclusion -- References -- Chapter 7 Cognitive Stylistics.

David West, University of Düsseldorf -- 1 What is Cognitive Stylistics? -- 2 My Object of Study -- 3 The Experiment: What Sounds do Readers Associate with Clarity? -- 4 Phonetic Properties of the Sonnet -- 5 Conclusion and Some Implications -- Chapter 8 Feminist Stylistics -- Clare Walsh, University of Bedfordshire -- 1 Introduction -- 2 The Fifty Shades Trilogy -- 3 Previous Work on Romance and Erotic Fiction -- 4 Macro-level Production and Reception -- 5 A Cotext-sensitive Approach to Transitivity Analysis -- 6 Transitivity Patterns and Markers of Affect in FSoG -- 7 Shifting Narrative Patterns Throughout the Trilogy -- 8 Refreshing the Schema of Popular Romance? -- 9 Affective Pleasures -- 10 Conclusion -- Chapter 9 Corpus Stylistics -- Michaela Mahlberg, University of Birmingham -- 1 Introduction -- 2 Corpus Linguistics -- 3 Computational Stylistics and the Digital Humanities -- 4 Corpus Stylistic Starting Points for Analysis -- 5 The Suspension as a Linguistic Unit -- 6 Conclusions -- Chapter 10 Critical Stylistics -- Lesley Jeffries, University of Huddersfield -- 1 Introduction -- 2 Critical Stylistics -- 3 Framework -- 4 Application -- 5 Summary -- References -- Chapter 11 New Historical Stylistics -- Beatrix Busse, University of Heidelberg -- 1 Introduction -- 2 Horizon Scanning of New Historical Stylistics -- 3 Conclusions -- References -- Chapter 12 Empirical Stylistics -- Frank Hakemulder, University of Utrecht and Willie van Peer, University of Munich -- 1 Introduction -- 2 A Historical Setting -- 3 Overview -- 4 Narrative Perspective -- 5 Deviation -- 6 Conclusion -- Chapter 13 Pedagogical Stylistics: Charting Outcomes -- Sonia Zyngier, Federal University of Rio de Janeiro and Olivia Fialho, Utrecht University -- 1 Introduction -- 2 Situating the Issue -- 3 Where does Pedagogical Stylistics Belong? -- 4 In Search of Roots.

5 A Survey of Methodologies -- 6 Posing Questions: An Empirical Study -- 7 Conclusion -- 8 Acknowledgement -- Chapter 14 Stylistics and Translation -- Jean Boase-Beier, University of East Anglia -- 1 Origins and Interactions -- 2 Reading an Original Text for Translation -- 3 Reading the Translated Text -- 4 Reading the Original Text through Translation -- 5 The Importance of Translation for Stylistics -- Chapter 15 Stylistics and Literary Theory -- Geoff Hall, University of Nottingham Ningbo China -- 1  Preliminaries. Theory as a Sceptical Orientation. The Problematic Relation Between Stylistics and Literary Theory1 -- 2 Historical Perspectives, Theory as Poetics, Formalism, Structuralism -- 3 'Language' in Theory and in Stylistics -- 4 Discourse in Theory and in Stylistics. Poststructuralism -- 5  Some Productive Precedents for Theoretically Informed Discourse Stylistics -- 6 Futures/Conclusion -- Chapter 16 Sociolinguistics and Stylistics -- Sylvia Adamson, University of Sheffield and University of Cambridge -- 1 From Variety to Stereotype1 -- 2 From Stereotype to Satire -- 3 From Satire to Illusionism -- Notes -- References -- Part 3 Current Areas of Research -- Chapter 17 Defamiliarization and Foregrounding -- Catherine Emmott and Marc Alexander, University of Glasgow -- 1 Introduction -- 2 Defamiliarization and Foregrounding: Presenting Experience Afresh and with Emphasis -- 3 Four Autobiographies about Neurological Illness -- 4 Language Reflecting Change -- 5 Conclusion -- Chapter 18 Metaphor -- Gerard Steen, University of Amsterdam -- 1 Introduction -- 2  Metaphorical Conceptualization, Genre and Style ('metaphor in thought') -- 3  Metaphorical Expression, Genre and Style ('metaphor in language') -- 4  Metaphorical Communication, Genre and Style ('metaphor in interaction') -- 5 Conclusion -- References -- Chapter 19 Mind-Style.

David L. Hoover, New York University -- 1 Introduction -- 2 Ideological Point of View -- 3 Satire -- 4 Horror -- 5 Characterization -- 6 Quintessential Mind-style -- 7 Conclusion -- Notes -- References -- Chapter 20 Narrative Point of View -- Joe Bray, University of Sheffield -- I Introduction -- 2 The Epistolary Novel and Internal Perspective -- 3 Les Liaisons dangereuses -- 4 Internal Perspectives and the Reader -- 5 Two Email Novels -- 6 Conclusion -- References -- Chapter 21 Speech and Thought Presentation -- Reiko Ikeo, Senshu University -- 1 Speech and Thought Presentation Models -- 2 The Text: To the Lighthouse -- 3 The Corpus Annotation of the Text -- 4 Discourse Presentation in the Novel -- 5 Viewpoint Shifting by 'for' -- 6 Conclusion -- Chapter 22 Consciousness -- Eric Rundquist, University of Nottingham -- 1 Woolf -- 2 Lawrence -- 3 Joyce -- References -- Chapter 23 Deixis in Literature -- Keith Green, Sheffield Hallam University -- 1 Deixis and Literature -- 2 Deixis and the Notion of the 'cognitive' -- 3 Deixis Revisited -- 4 Poetry Revisited: The Case of Thomas Wyatt -- Notes -- References -- Chapter 24 Dialect in Literature -- Jane Hodson, University of Sheffield -- 1 Introduction -- 2 The Novels -- 3 Indexicality -- 4 Conclusion -- References -- Chapter 25 Dialogue -- Dan McIntyre, University of Huddersfield -- 1 Introduction -- 2 Studying Drama as Discourse -- 3 How like Naturally Occurring Speech is Dramatic Dialogue? -- 4  Creating Credible Dialogue: From Downton Abbey to the Roman Empire -- 5 Conclusion -- Chapter 26 Text-Worlds -- Joanna Gavins, University of Sheffield -- 1 Text-worlds in Stylistic Analysis -- 2 Literary Text-worlds in a Discourse Context -- 3 Discourse-worlds and Textured Reading -- Chapter 27 Texture -- Peter Stockwell, University of Nottingham -- 1 Capturing Texture -- 2 Transitions in Attention.

3 Transitions in Ambience -- 4 Experiencing Literary Texture -- References -- Chapter 28 Iconicity -- Christina Ljungberg, University of Zurich -- 1 What is Iconicity? -- 2 The Relation Between Signs and Their Objects -- 3 Imagic Iconicity -- 4 Diagrammatic Iconicity -- 5 Metaphorical Iconicity -- Chapter 29 Narrativity1 -- Yanna Popova -- 1 Overview: The Questions -- 2 Narrativity and Its Descriptions -- 3  Narrativity as Story Structure and as a Function of the Reader's Reception -- 4 Narrativity as Enactive Experience -- 5 Narrativity in Chronicle of a Death Foretold -- Chapter 30 Emotion -- Sara Whiteley, University of Sheffield -- 1 Introduction -- 2 Emotion -- 3 Analysis: Never Let Me Go -- 4 Conclusion -- Chapter 31 Verse -- Nigel Fabb, University of Strathclyde -- 1 The Stylistics of Verse -- 2 Verse, How it is Processed, and How Markedness Arises -- 3 The Notion of 'tension' -- 4 Verse and Working Memory -- 5 Generic Stylistic Effects of Verse -- 6 The Overt Recognition of Form -- 7 Conclusion -- Acknowledgements -- References -- Chapter 32 Odd Pronominal Narratives -- Manuel Jobert, Université de Lyon (Jean Moulin), CREA - Université Paris X - Nanterre -- 1 Introduction -- 2 Setting the Scene -- 3 A Protean Japanese Identity -- 4 An Unstable Sense of 'we'-ness -- 5 The Dissolution of 'we' into 'they' -- 6 Conclusion -- Notes -- References -- Chapter 33 Irony -- Massimiliano Morini, Università di Udine -- 1 Introducing Irony: Everywhere and Nowhere -- 2  Introducing the Passage: Reading Literally, Reading Rhetorically, and Reading Logically -- 3 Reading the Voice: Irony as Echoic Mention -- 4 Reading from the Right Angle: Irony and Point of View -- 5 Conclusion: An Eclectic Approach to Irony -- Notes -- References -- Part 4 Genres and Periods -- Chapter 34 Old English Style -- Sara M. Pons-Sanz, University of Westminster -- Notes.

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