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From Filmmaker Warriors to Flash Drive Shamans : Indigenous Media Production and Engagement in Latin America.

By: Material type: TextTextSeries: Vanderbilt Center for Latin American Studies SeriesPublisher: Nashville : Vanderbilt University Press, 2018Copyright date: ©2018Edition: 1st edDescription: 1 online resource (257 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780826522139
Subject(s): Genre/Form: Additional physical formats: Print version:: From Filmmaker Warriors to Flash Drive ShamansDDC classification:
  • 302.2308998
LOC classification:
  • P94.65.L29 F76 2018
Online resources:
Contents:
Cover -- Title Page -- Table of Contents -- List of Tables -- Introduction | Embedding Aesthetics and Envisioning Sovereignty: Some Definitions and Directions in Latin American Indigenous Media Studies -- Part One: Overview -- 1. Indigenous Media from U-Matic to YouTube: Media Sovereignty in the Digital Age -- Part Two: Indigenous Video and Videographers -- 2. Kiabieti Metuktire and Terence Turner: A Legacy of Kayapó Filmmaking -- 3. Wallmapu Rising: Re-envisioning the Mapuche Nation through Media -- 4. Transformations of Indigenous Media: The Life and Work of David Hernández Palmar -- 5. Value and Ephemeral Materiality: Media Archiving in Tamazulapam, Oaxaca -- 6. Making Media: Collaborative Ethnography and Kayapó Digital Worlds -- Part Three: Sounds and Images -- 7. National Culture, Indigenous Voice: Creating a Counternarrative on Colombian Radio -- 8. The Shaman and the Flash Drive -- 9. Kawaiwete Perspectives on the Role of Photography in State Projects to Colonize the Brazilian Interior -- Part Four: Television -- 10. As Seen on TV? Visions of Civilization in Emerging Kichwa Media Markets -- 11. Reproducing Colonial Fantasies: The Indigenous Other in Brazilian Telenovelas -- 12. Kayapó TV: An Audience Ethnography in Turedjam Village, Brazil -- List of Contributors -- Index.
Summary: A collection examining not only video production, but a variety of other ways that Indigenous peoples engage with media across Latin America.
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Cover -- Title Page -- Table of Contents -- List of Tables -- Introduction | Embedding Aesthetics and Envisioning Sovereignty: Some Definitions and Directions in Latin American Indigenous Media Studies -- Part One: Overview -- 1. Indigenous Media from U-Matic to YouTube: Media Sovereignty in the Digital Age -- Part Two: Indigenous Video and Videographers -- 2. Kiabieti Metuktire and Terence Turner: A Legacy of Kayapó Filmmaking -- 3. Wallmapu Rising: Re-envisioning the Mapuche Nation through Media -- 4. Transformations of Indigenous Media: The Life and Work of David Hernández Palmar -- 5. Value and Ephemeral Materiality: Media Archiving in Tamazulapam, Oaxaca -- 6. Making Media: Collaborative Ethnography and Kayapó Digital Worlds -- Part Three: Sounds and Images -- 7. National Culture, Indigenous Voice: Creating a Counternarrative on Colombian Radio -- 8. The Shaman and the Flash Drive -- 9. Kawaiwete Perspectives on the Role of Photography in State Projects to Colonize the Brazilian Interior -- Part Four: Television -- 10. As Seen on TV? Visions of Civilization in Emerging Kichwa Media Markets -- 11. Reproducing Colonial Fantasies: The Indigenous Other in Brazilian Telenovelas -- 12. Kayapó TV: An Audience Ethnography in Turedjam Village, Brazil -- List of Contributors -- Index.

A collection examining not only video production, but a variety of other ways that Indigenous peoples engage with media across Latin America.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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