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Fredric Jameson and Film Theory : Marxism, Allegory, and Geopolitics in World Cinema.

By: Contributor(s): Material type: TextTextPublisher: New Brunswick : Rutgers University Press, 2022Copyright date: ©2022Edition: 1st edDescription: 1 online resource (279 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781978808904
Subject(s): Genre/Form: Additional physical formats: Print version:: Fredric Jameson and Film TheoryDDC classification:
  • 801.95092
LOC classification:
  • PN75
Online resources:
Contents:
Cover -- Title Page -- Copyright -- Dedication -- Contents -- Introduction: Always Historicize the Moving Image! Fredric Jameson's Place in Film Studies -- 1. Feeling Film as the Pulse of the Postmodern Condition: On Jameson's "On Diva" -- 2. Allegory and Accommodation: Vertov's Three Songs of Lenin (1934) as a Stalinist Film -- 3. Nostalgia, Melancholy, and the Persistence of Stalin in Polish Cinema -- 4. Jameson, Angelopoulos, and the Spirit of Utopia -- 5. Jameson and Japanese Media Theory: A Virtual Dialogue -- 6. Where Jameson Meets Queer Theory: Queer Cognitive Mapping in 1990s Sinophone Cinema -- 7. A Jamesonian Reading of Parasite (2019): Homes, Real Estate Speculation, and Bubble Markets in Seoul -- 8. Strategies of Containment in Middle-Class Films from Mexico and Brazil -- 9. The Neoliberal Conspiracy: Jameson, New Hollywood, and All the President's Men -- 10. The Conspiracy Film, Hollywood's Cultural Paradigms, and Class Consciousness -- 11. A Theory of the Medium Shot: Affective Mapping and the Logic of the Encounter in Fredric Jameson's The Geopolitical Aesthetic -- 12. "An American Utopia" and the Politics of Military Science Fiction -- Afterword -- Acknowledgments -- Notes on Contributors -- Index.
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Cover -- Title Page -- Copyright -- Dedication -- Contents -- Introduction: Always Historicize the Moving Image! Fredric Jameson's Place in Film Studies -- 1. Feeling Film as the Pulse of the Postmodern Condition: On Jameson's "On Diva" -- 2. Allegory and Accommodation: Vertov's Three Songs of Lenin (1934) as a Stalinist Film -- 3. Nostalgia, Melancholy, and the Persistence of Stalin in Polish Cinema -- 4. Jameson, Angelopoulos, and the Spirit of Utopia -- 5. Jameson and Japanese Media Theory: A Virtual Dialogue -- 6. Where Jameson Meets Queer Theory: Queer Cognitive Mapping in 1990s Sinophone Cinema -- 7. A Jamesonian Reading of Parasite (2019): Homes, Real Estate Speculation, and Bubble Markets in Seoul -- 8. Strategies of Containment in Middle-Class Films from Mexico and Brazil -- 9. The Neoliberal Conspiracy: Jameson, New Hollywood, and All the President's Men -- 10. The Conspiracy Film, Hollywood's Cultural Paradigms, and Class Consciousness -- 11. A Theory of the Medium Shot: Affective Mapping and the Logic of the Encounter in Fredric Jameson's The Geopolitical Aesthetic -- 12. "An American Utopia" and the Politics of Military Science Fiction -- Afterword -- Acknowledgments -- Notes on Contributors -- Index.

No detailed description available for "Fredric Jameson and Film Theory".

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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