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Modern Noise, Fluid Genres : Popular Music in Indonesia, 1997-2001.

By: Material type: TextTextSeries: New Perspectives in SE Asian StudiesPublisher: Madison : University of Wisconsin Press, 2008Copyright date: ©2008Edition: 1st edDescription: 1 online resource (345 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780299229030
Subject(s): Genre/Form: Additional physical formats: Print version:: Modern Noise, Fluid GenresDDC classification:
  • 781.6309598
LOC classification:
  • ML3502
Online resources:
Contents:
Intro -- Contents -- List of Illustrations -- Preface -- Acknowledgments -- Introduction: A Brief History of Popular Music and Society in Indonesia -- Part One: Sites -- 1 Indonesian Popular Music Genres in the Global Sensorium -- 2 In the City: Class, History, and Modernity's Failures -- 3 Cassette Retail Outlets: Organization, Iconography, Consumer Behavior -- 4 In the Studio: An Ethnography of Sound Production -- 5 On Location: Shooting Music Video Clips -- 6 Offstage: Music in Informal Contexts -- Part Two: Genres in Performance -- 7 Onstage: The Live Musical Event -- 8 Dangdut Concerts: The Politics of Pleasure -- 9 Rock and Pop Events: The Performance of Lifestyle -- 10 Underground Music: Imagining Alternative Community -- Conclusion: Indonesian Youth, Music, and Globalization -- Appendix A: Notes on Language in This Book -- Appendix B: Other Indonesian Popular Music Genres -- Appendix C: More on Nonstandard Speech Variants -- Glossary of Indonesian and Jakartanese Terms -- Notes -- Works Cited -- Index -- CD Track Listing.
Summary: What happens to "local" sound when globalization exposes musicians and audiences to cultural influences from around the world? Jeremy Wallach explores this question as it plays out in the eclectic, evolving world of Indonesian music after the fall of the repressive Soeharto regime. Against the backdrop of Indonesia's chaotic and momentous transition to democracy, Wallach takes us to recording studios, music stores, concert venues, university campuses, video shoots, and urban neighborhoods.
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Intro -- Contents -- List of Illustrations -- Preface -- Acknowledgments -- Introduction: A Brief History of Popular Music and Society in Indonesia -- Part One: Sites -- 1 Indonesian Popular Music Genres in the Global Sensorium -- 2 In the City: Class, History, and Modernity's Failures -- 3 Cassette Retail Outlets: Organization, Iconography, Consumer Behavior -- 4 In the Studio: An Ethnography of Sound Production -- 5 On Location: Shooting Music Video Clips -- 6 Offstage: Music in Informal Contexts -- Part Two: Genres in Performance -- 7 Onstage: The Live Musical Event -- 8 Dangdut Concerts: The Politics of Pleasure -- 9 Rock and Pop Events: The Performance of Lifestyle -- 10 Underground Music: Imagining Alternative Community -- Conclusion: Indonesian Youth, Music, and Globalization -- Appendix A: Notes on Language in This Book -- Appendix B: Other Indonesian Popular Music Genres -- Appendix C: More on Nonstandard Speech Variants -- Glossary of Indonesian and Jakartanese Terms -- Notes -- Works Cited -- Index -- CD Track Listing.

What happens to "local" sound when globalization exposes musicians and audiences to cultural influences from around the world? Jeremy Wallach explores this question as it plays out in the eclectic, evolving world of Indonesian music after the fall of the repressive Soeharto regime. Against the backdrop of Indonesia's chaotic and momentous transition to democracy, Wallach takes us to recording studios, music stores, concert venues, university campuses, video shoots, and urban neighborhoods.

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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