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Making Music, Making Society.

By: Contributor(s): Material type: TextTextPublisher: Newcastle-upon-Tyne : Cambridge Scholars Publishing, 2017Copyright date: ©2018Edition: 1st edDescription: 1 online resource (286 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781527507418
Subject(s): Genre/Form: Additional physical formats: Print version:: Making Music, Making SocietyDDC classification:
  • 780.07
LOC classification:
  • ML3795 .M355 2018
Online resources:
Contents:
Intro -- Table of Contents -- Acknowledgements -- Introduction -- Part I: Some Theoretical Incursions -- Chapter One -- Chapter Two -- Part II: Representing People through Music -- Chapter Three -- Chapter Four -- Part III: Music and Social Order -- Chapter Five -- Chapter Six -- Part IV: Music as Exchange -- Chapter Seven -- Chapter Eight -- Part V: Applying Knowledge -- Chapter Nine -- Chapter Ten -- Contributors.
Summary: A society is the result of interacting individuals, and individuals are also the result of this interaction. This interaction happens through music, among other factors. As such, music constitutes a powerful resource for symbolic interaction, which constitutes the medium and substance of a culture. The importance of music in a society is clearly brought to light in the role that it plays in the three basic parameters of the social logics: identity, social order and the need for exchange. If music is so important to us, it is because, apart from its assigned aesthetic values, it fits closely with the dynamics of each of these three different parameters. These parameters, which are consubstantial to the social nature of the human being, constitute the core of the book as they manifest in musical practices. This publication addresses important issues such as the role of music in shaping identities, how music and social order are intertwined and why music is so relevant in human interaction. The last part of the book explores issues related to the social application of musical research.The volume brings together specialists from different academic disciplines with the same powerful starting point: music is not merely something related to the social, but rather a social life itself, something capable of structuring the social experience.
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Intro -- Table of Contents -- Acknowledgements -- Introduction -- Part I: Some Theoretical Incursions -- Chapter One -- Chapter Two -- Part II: Representing People through Music -- Chapter Three -- Chapter Four -- Part III: Music and Social Order -- Chapter Five -- Chapter Six -- Part IV: Music as Exchange -- Chapter Seven -- Chapter Eight -- Part V: Applying Knowledge -- Chapter Nine -- Chapter Ten -- Contributors.

A society is the result of interacting individuals, and individuals are also the result of this interaction. This interaction happens through music, among other factors. As such, music constitutes a powerful resource for symbolic interaction, which constitutes the medium and substance of a culture. The importance of music in a society is clearly brought to light in the role that it plays in the three basic parameters of the social logics: identity, social order and the need for exchange. If music is so important to us, it is because, apart from its assigned aesthetic values, it fits closely with the dynamics of each of these three different parameters. These parameters, which are consubstantial to the social nature of the human being, constitute the core of the book as they manifest in musical practices. This publication addresses important issues such as the role of music in shaping identities, how music and social order are intertwined and why music is so relevant in human interaction. The last part of the book explores issues related to the social application of musical research.The volume brings together specialists from different academic disciplines with the same powerful starting point: music is not merely something related to the social, but rather a social life itself, something capable of structuring the social experience.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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